‘He must have read that on a postcard.’

‘In fact he took it from one of your books. I know because I’ve read it too.’

‘Plagiarism doesn’t prevent it being nonsense.’

‘I think it makes sense.’

‘Then it must be true.’

‘May I read it then?’

‘No.’

That evening, sitting opposite one another at the kitchen table, looking up occasionally, we ate the remains of the bread and cheese. Cristina had little appetite, and examined every morsel of bread in the light of the oil lamp before putting it in her mouth.

‘There’s a train leaving the Estación de Francia for Paris tomorrow at midday,’ she said. ‘Is that too soon?’

I couldn’t get the image of Andreas Corelli out of my mind: I imagined him coming up the stairs and calling at my door at any moment.

‘I suppose not,’ I agreed.

‘I know a little hotel opposite the Luxembourg Gardens where they rent out rooms by the month. It’s a bit expensive, but…’ she added.

I preferred not to ask her how she knew of the hotel.

‘The price doesn’t matter, but I don’t speak French.’

‘I do.’

I looked down.

‘Look at me, David.’

I raised my eyes reluctantly.

‘If you’d rather I left…’

I shook my head. She held my hand and brought it to her lips.

‘It’ll be fine. You’ll see,’ she said. ‘I know. It will be the first thing in my life that will work out all right.’

I looked at her, a broken woman with tears in her eyes, and didn’t wish for anything in the world other than the ability to give her back what she’d never had.

We lay down on the sofa in the gallery under a couple of blankets, staring at the embers in the fireplace. I fell asleep stroking Cristina’s hair, thinking it was the last night I would spend in that house, the prison in which I had buried my youth. I dreamed that I was running through the streets of a Barcelona strewn with clocks whose hands were turning backwards. Alleyways and avenues twisted as I ran, as if they had a will of their own, creating a living labyrinth that blocked me at every turn. Finally, under a midday sun that burned in the sky like a red-hot metal sphere, I managed to reach the Estación de Francia and was speeding towards the platform where the train was beginning to pull away. I ran after it but the train gathered speed and, despite all my efforts, all I managed to do was touch it with the tips of my fingers. I kept on running until I was out of breath, and when I reached the end of the platform fell into a void. When I glanced up it was too late. The train was disappearing into the distance, Cristina’s face staring back at me from the last window.

I opened my eyes and knew that Cristina was not there. The fire was reduced to a handful of ashes. I stood up and looked through the windows. Dawn was breaking. I pressed my face against the glass and noticed a flickering light shining from the windows of the study. I went to the spiral staircase that led up the tower. A copper-coloured glow spilled down over the steps. I climbed them slowly. When I reached the study I stopped in the doorway. Cristina was sitting on the floor with her back to me. The trunk by the wall was open. Cristina was holding the folder containing the boss’s manuscript and was untying the ribbon.

When she heard my footsteps she stopped.

‘What are you doing up here?’ I asked, trying to hide the note of alarm in my voice.

Cristina turned and smiled.

‘Nosing around.’

She followed the direction of my gaze to the folder in her hands and adopted a mischievous expression.

‘What’s in here?’

‘Nothing. Notes. Comments. Nothing of any interest…’

‘You liar. I bet this is the book you’ve been working on,’ she said.

‘I’m dying to read it…’

‘I’d rather you didn’t,’ I said in the most relaxed tone I could muster.

Cristina frowned. I took advantage of the moment to kneel down beside her and delicately snatch the folder away.

‘What’s the matter, David?’

‘Nothing’s the matter,’ I assured her with a stupid smile plastered across my lips.

I tied the ribbon again and put the folder back in the trunk.

‘Aren’t you going to lock it?’ asked Cristina.

I turned round, ready to offer some excuse, but Cristina had already disappeared down the stairs. I sighed and closed the lid of the trunk.

I found her in the bedroom. For a moment she looked at me as if I were a stranger.

‘Forgive me,’ I began.

‘You don’t have to ask me to forgive you,’ she replied. ‘I shouldn’t have stuck my nose in where I have no business.’

‘No, it’s not that.’

‘It doesn’t matter,’ she said icily, her tone cutting the air.

I put off a second remark for a more auspicious moment.

‘The ticket office at the Estación de Francia will be open soon,’ I said. ‘I thought I’d go along so that I can buy the tickets first thing. Then I’ll go to the bank and withdraw some money.’

‘Very good.’

‘Why don’t you get a bag ready in the meantime? I’ll be back in a couple of hours at the most.’

Cristina barely smiled.

‘I’ll be here.’

I went over to her and held her face in my hands.

‘By tomorrow night we’ll be in Paris,’ I said.

I kissed her on the forehead and left.

41

The large clock suspended from the ceiling of the Estación de Francia was reflected in the shining surface of the vestibule beneath my feet. The hands pointed to seven thirty-five in the morning, but the ticket offices hadn’t opened yet. A porter, armed with a large broom and an exaggerated manner, was polishing the floor, whistling a popular folk song and, within the limits imposed by his limp, jauntily moving his hips. As I had nothing better to do, I stood there observing him. He was a small man who looked as if the world had wrinkled him up to such a degree that it had taken everything from him except his smile and the pleasure of being able to clean that bit of floor as if it were the Sistine Chapel. There was nobody else around, but finally he realised that he was being watched. When his fifth pass over the floor brought him to my observation post on one of the wooden benches surrounding the hall, the porter stopped and leaned on his mop with both hands.

‘They never open on time,’ he explained, pointing towards the ticket offices.

‘Then why do they have a notice saying they open at seven?’

The little man sighed philosophically.

‘Well, they also have train timetables and in the fifteen years I’ve been here I haven’t seen a single one leave on time,’ he remarked.

The porter continued with his cleaning and fifteen minutes later I heard the window of the ticket office opening. I walked over and smiled at the clerk.

‘I thought you opened at seven,’ I said.

‘That’s what the notice says. What do you want?’

‘Two first-class tickets to Paris on the midday train.’

‘For today?’

‘If that’s not too much trouble.’

It took him almost a quarter of an hour. Once he had finished his masterpiece, he dropped the tickets on the counter disdainfully.

‘One o’clock. Platform Four. Don’t be late.’

I paid and, as I didn’t then leave, he gave me a hostile look.

‘Anything else?’

I smiled and shook my head, at which point he closed the window in my face. I turned and crossed the immaculate vestibule, its brilliant shine courtesy of the porter, who waved at me from afar and wished me a bon voyage.

The central offices of the Banco Hispano Colonial on Calle Fontanella were reminiscent of a temple. A huge portico gave way to a nave, which was flanked by statues and extended as far as a row of windows that looked like an altar. On either side of this altar, like side-chapels and confessionals, were oak tables and easy chairs fit for a general, with a small army of auditors and other staff in attendance, neatly dressed and sporting friendly smiles. I withdrew four thousand francs and received instructions on how to take out money at their Paris branch, at the intersection of Rue de Rennes with Boulevard Raspail, near the hotel Cristina had mentioned. With that small fortune in my pocket I said goodbye, disregarding the warning given to me by the manager about the risks of walking the streets with that amount of cash in my pocket.