I looked at the small fortune for a long moment, and in the end I shook my head. At least I’d seen it. It was real. The offer, and the vanity he had awoken in me in those moments of misery and despair, were real.
‘I cannot accept it,’ I said.
‘Do you think it’s dirty money?’
‘All money is dirty. If it were clean nobody would want it. But that’s not the problem.’
‘So?’
‘I cannot accept it because I cannot accept your proposal. I couldn’t even do so if I wanted to.’
Corelli considered my words carefully.
‘May I ask why?’
‘Because I’m dying, Señor Corelli. Because I only have a few weeks left to live, perhaps only days. Because I have nothing left to offer.’
Corelli looked down and fell into a deep silence. I heard the wind scratching at the windows and sliding over the house.
‘Don’t tell me you didn’t know,’ I added.
‘I sensed it.’
Corelli remained seated, not looking at me.
‘There are plenty of writers who can write this book for you, Señor Corelli. I am grateful for your offer. More than you can imagine. Goodnight.’
I began to walk away.
‘Let’s say I was able to help you get over your illness,’ he said.
I stopped halfway down the corridor and turned round. Corelli was barely a metre away, staring straight at me. I thought he was a bit taller than when I’d first seen him, there in the corridor, and that his eyes were larger and darker. I could see my reflection in his pupils getting smaller as they dilated.
‘Does my appearance worry you, Martín, my friend?’
I swallowed hard.
‘Yes,’ I confessed.
‘Please come back and sit down. Give me the opportunity to explain some more. What have you got to lose?’
‘Nothing, I suppose.’
He put his hand gently on my arm. His fingers were long and pale.
‘You have nothing to fear from me, Martín. I’m your friend.’
His touch was comforting. I allowed him to guide me back to the sitting room and sat down meekly, like a child waiting for an adult to speak. Corelli knelt down by my armchair and fixed his eyes on mine. He took my hand and pressed it tightly.
‘Do you want to live?’
I wanted to reply but couldn’t find the words. I realised that I had a lump in my throat and my eyes were filling with tears. Until then I had not understood how much I longed to keep on breathing, to keep on opening my eyes every morning and be able to go out into the street, to step on stones and look at the sky, and, above all, to keep on remembering.
I nodded.
‘I’m going to help you, Martín, my friend. All I ask of you is that you trust me. Accept my offer. Let me help you. Let me give you what you most desire. That is my promise.’
I nodded again.
‘I accept.’
Corelli smiled and bent over to kiss me on the cheek. His lips were icy cold.
‘You and I, my friend, are going to do great things together. You’ll see,’ he whispered.
He offered me a handkerchief to dry my tears. I did so without feeling the silent shame of weeping before a stranger, something I had not done since my father died.
‘You’re exhausted, Martín. Stay here for the night. There are plenty of bedrooms in this house. I can assure you that tomorrow you’ll feel better, and that you’ll see things more clearly.’
I shrugged my shoulders, though I realised that Corelli was right. I could barely stand up and all I wanted to do was sleep deeply. I couldn’t even bring myself to get up from the armchair, the most comfortable and most comforting in the universal history of all armchairs.
‘If you don’t mind, I’d rather stay here.’
‘Of course. I’m going to let you rest. Very soon you’ll feel better. I give you my word.’
Corelli went over to the chest of drawers and turned off the gas lamp. The room was submerged in a bluish dusk. My eyelids were pressing down heavily and a sense of intoxication filled my head, but I managed to make out Corelli’s silhouette crossing the room and disappearing into the shadows. I closed my eyes and heard the murmur of the wind behind the windowpanes.
25
I dreamed that the house was slowly sinking. At first, little teardrops of dark water began to appear through the cracks in the tiles, in the walls, in the relief on the ceiling, through the holes of the door locks. It was a cold liquid that crept slowly and heavily, like mercury, and gradually formed a layer covering the floor and climbing up the walls. I felt the water going over my feet, rising fast. I stayed in the armchair, watching as the water level rose to my throat and then, in just a few seconds, reached the ceiling. I felt myself floating and could see pale lights rising and falling behind the windows. There were human figures also suspended in that watery darkness. Trapped in the current as they floated by, they stretched their hands out to me, but I could not help them and the water dragged them away inexorably. Corelli’s one hundred thousand francs flowed around me, undulating like paper fish. I crossed the room to a closed door at the other end. A thread of light shone through the lock. I opened the door and saw that it led to a staircase descending to the deepest part of the house. I went down.
At the bottom of the stairs an oval room opened up, and in its centre I could distinguish a group of figures gathered in a circle. When they became aware of my presence they turned round and I saw that they were dressed in white and wore masks and gloves. Strong white lights burned over what seemed to be an operating table. A man whose face had no features or eyes was arranging the objects on a tray of surgical instruments. One of the figures stretched out his hand to me, inviting me to draw closer. I went over to them and felt that they were taking hold of me, grabbing my head and my body and lifting me onto the table. The lights were blinding, but I managed to see that all the figures were identical and had the face of Doctor Trías. I laughed to myself. One of the doctors was holding a syringe and injected it into my neck. I didn’t feel the prick, just a pleasant, muzzy sensation of warmth spreading through my body. Two of the doctors placed my head in some holding contraption and proceeded to adjust the crown of screws that held a padded plate at one end. I felt them tying down my arms and legs with straps. I put up no resistance. When my whole body had been immobilised from head to toe, one of the doctors handed a scalpel to another of his clones, who then leaned over me. I felt someone take my hand and hold it. It was a boy who looked at me tenderly and had the same face I had on the day my father was killed.
I saw the blade of the scalpel coming down in the liquid darkness and felt the metal making a cut across my forehead. There was no pain. I could feel something issuing out of the cut and saw a black cloud bleeding slowly from the wound and spreading into the water. The blood rose towards the lights in spirals, like smoke, twisting into ever-changing shapes. I looked at the boy, who was smiling at me and holding my hand tightly. Then I noticed it. Something was moving inside me. Something that, until just a minute ago, had been gripping my mind like pincers. I felt it being dislodged, like a thorn stuck right into the marrow that was being pulled out with pliers. I panicked and wanted to get up, but I was immobilised. The boy kept his eyes on mine and nodded. I thought I was going to faint, or wake up, and then I saw it. I saw it reflected in the lights of the operating theatre. Two black filaments were emerging from the wound, creeping over my skin. It was a black spider the size of a fist. It ran across my face and before it could jump onto the table, one of the surgeons skewered it with a scalpel. He lifted it up so that I could see it. The spider kicked its legs and bled, silhouetted against the light. A white stain covered its carapace suggesting the shape of wings spread open. An angel. After a while the spider’s legs went limp and its body withered. It was still held aloft, and when the boy reached out to touch it, it crumbled into dust. The doctors undid my ties and loosened the contraption that had gripped my skull. With their help I sat up on the table and put my hand on my forehead. The wound was closing. When I looked around me once more, I realised I was alone.