“Silence,” Madame Iritosky said, “I sense a malicious spirit here,” and I groped wildly for her foot with mine.

“Are you a wicked spirit?” she said.

Rap.

I waited for Verity to clack a second time, but there was nothing but a frantic rustling. She must have moved the sugared-violets box back up above her knee.

“Are you being controlled by an unbeliever?” Madame Iritosky asked.

Rap.

“Baine, bring up the lights,” Madame Iritosky said commandingly. “There is someone rapping here who is not a spirit.”

And I was going to be caught with wires sticking out of my wrists. I tried to pull my hand out of Madame Iritosky’s (or the Count’s), but whoever it was had an iron grip.

“Baine! The lights!” Madame Iritosky ordered. She struck a match and lit the candle.

There was a gust of air from the French doors, and the candle blew out. Tossie screamed, and even Terence gasped. Everyone looked toward the billowing curtains. There was a sound, like a low moan, and something luminous appeared beyond the curtains.

“My God!” the Reverend Mr. Arbitage said.

“A manifestation,” Mrs. Mering breathed.

The shape floated slowly toward the open French doors, canting slightly to port and glowing with a ghastly greenish light.

The hand holding mine relaxed, and I shoved the wires up my sleeves all the way to my elbows. Next to me, I could feel Verity pulling up her skirts and then reaching over and jamming the sugared-violets box down the side of my right boot.

“Count de Vecchio, go turn up the lights!” Madame Iritosky said.

“Una fantasma!” the Count exclaimed and crossed himself.

Verity straightened and took my hand. “O manifestation, are you the spirit of Lady Godiva?”

“Count de Vecchio,” Madame Iritosky said, “I command you to turn up the gas!”

The shape reached the French doors and then seemed to rise and take shape as a face. A veiled face with large dark eyes. And a mashed nose. And jowls.

Verity’s hand, holding mine, gave a little spasm. “O spirit,” she said, her voice controlled, “do you wish us to come to Coventry?”

The shape drifted slowly back from the door, and then turned and vanished, as if a black cloth had been thrown over it. The French doors slammed shut.

“It bids us go to Coventry,” I said. “We cannot ignore the spirit’s summons.

“Did you see that?” Count de Vecchio said. “It was horrible, horrible!”

“I have seen a seraphim in the flesh,” the Reverend Mr. Arbitage said rapturously.

The lights came up, revealing Baine standing calmly by the lamp on the marble-topped table, adjusting the flame.

“O, Madame Iritosky!” Mrs. Mering said, collapsing onto the carpet, “I have seen the face of my own dear mother!”

CHAPTER EIGHTEEN

It took the better part of an hour and a bottle of benzene to get the Balmain’s Luminous Paint off Cyril, with Princess Arjumand assisting, and the fumes must have got to us, because the next thing I knew, Baine was shaking me and saying, “Sorry to wake you, sir, but it’s past six, and Colonel Mering asked me to wake him and Professor Peddick at seven.”

“Umm,” I said, trying to come awake. Cyril burrowed deeper into the covers.

“Jimmy Slumkin, sir,” Baine said, pouring hot water into the washbowl.

“What?”

“The true name of the Count. Jimmy Slumkin. It was on his passport.”

Slumkin. Well, so much for the Count as the mysterious Mr. C, which was probably just as well, but I wished we had at least one suspect. Verity’s Lord Peter’s and Monsieur Poirot’s problem was always that they had too many suspects. I had never heard of a mystery where the detective didn’t have any.

I sat up and put my feet over the bed. “With an ‘S’ or a ‘C’?”

Baine stopped setting the straight razors out and turned to look curiously at me. “I beg your pardon, sir?”

“Slumkin. Is it spelled with an ‘S’ or a ‘C’?”

“An ‘S,’ ” he said. “Why, sir?”

“Madame Iritosky told Miss Mering she would marry someone whose name began with a ‘C,’ ” I said, stretching the truth a bit.

He turned back to his razors. “Really. Perhaps the ‘C’ stood for Count.”

“No,” I said, “she very definitely specified a Mr. C. You don’t know of any eligible gentlemen in the area whose names begin with ‘C,’ do you?”

“Gentlemen?” he said. “No, sir.”

I got shaved and dressed and then tried to get Cyril out of bed. “I am not going to carry you this time.”

“It’s rather cold and cloudy outside this morning,” Baine said, not helping matters. “You’d best wear a coat.”

“Cloudy?” I said, wrestling Cyril to the edge of the bed.

“Yes, sir,” Baine said. “It looks as though it might rain.”

Baine hadn’t exaggerated. It looked like it might pour at any minute, and it felt like I had just made a drop into the middle of December. Cyril took one sniff out the door and bolted halfway up the stairs before I was able to catch him and carry him down again. “It’s not that cold in the stable,” I told him, which was a flat lie. It was freezing, and dark. The groom must have overslept, too.

I groped for matches and a lamp, and lit it. “Hullo,” Verity said. She was sitting on a stack of hay bales, swinging her legs. “Where have you been?”

“What are you doing out here?”

“Madame Iritosky and the Count left at four. They bribed the groom to take them to the station.”

Cyril, who claims he cannot make it up the height of a single stair tread without assistance, made a flying leap onto the hay bales and into Verity’s lap.

“Hullo, Cyril,” Verity said. “I thought perhaps you were right about Count de Vecchio being Mr. C, so I followed them out to make certain he didn’t carry Tossie off with him.”

“He’s not Mr. C,” I said. “He’s Jimmy Slumkin.”

“I know,” she said, scratching Cyril behind the ears. “Also known as Tom Higgins, Comte de Fanaud, and Bob ‘the Weasel’ Wexford. I went through after they left and checked Scotland Yard’s archives. I also know why they were here.”

“To case the joint?”

“Probably,” she said. Cyril turned on his side, sighing. Verity stroked his stomach. “It seems that night before last Madame Iritosky gave a special séance for the Psychic Research Society so they could test her authenticity. They bound her hands and feet and locked her in her cabinet, after which the spirit of Cleopatra appeared, played a tambourine, and danced around the table, touching the participants and telling them to beware the sea.”

She grinned at me. “Unfortunately, one of the Psychic Research Society members was so overcome by Cleopatra’s charms that, in spite of Madame Iritosky’s warnings, he grabbed her wrist and attempted to pull her onto his lap.”

“And then what?”

“The spirit yanked his hair and bit him. He yelped, and at that point another Psychic Research Society member turned up the lights, unlocked the cabinet—”

“Which was, oddly enough, empty.”

“And tore the veils off Cleopatra, who turned out to be Madame Iritosky. Three days later she and her accomplice sailed for France, where she was exposed by Richet, who believed in everybody, and after that for Calcutta, where she learned a new set of tricks from an Indian fakir. In 1922, she went to America, just in time to be exposed as a fraud by Houdini, and thence back to Oxford, where Arthur Conan Doyle pronounced her ‘the greatest medium I have ever seen. There can be no doubt of the truth of her mediumistic talents.’ ”