Tod decided to wait, then try again to get him into a cab. The crowd was growing in size all the time, but it would be at least half an hour before it over-ran the bench. Before that happened, he would think of some plan. He moved a short distance away and stood with his back to a store window so that he could watch Homer without attracting attention. About ten feet from where Homer was sitting grew a large eucalyptus tree and behind the trunk of ‘the tree was a little boy. Tod saw him peer around it with great caution, then suddenly jerk his head back. A minute later he repeated the maneuver. At first Tod thought he was playing hide and seek, then noticed that he had a string in his hand which was attached to an old purse that lay in front of Homer’s bench. Every once in a while the child would jerk the string, making the purse hop like a sluggish toad. Its torn lining hung from its iron mouth like a furry tongue and a few uncertain flies hovered over it. Tod knew the game the child was playing. He used to play it himself when he was small. If Homer reached to pick up the purse, thinking there was money in it, he would yank it away and scream with laughter. When Tod went over to the tree, he was surprised to discover that it was Adore Loomis, the kid who lived across the street from Homer. Tod tried to chase him, but he dodged around the tree, thumbing his nose. He gave up and went back to his original position. The moment he left, Adore got busy with his purse again. Homer wasn’t paying any attention to the child, so Tod decided to let him alone.

Mrs. Loomis must be somewhere in the crowd, he thought. Tonight when she found Adore, she would give him a hiding. He had torn the pocket of his jacket and his Buster Brown collar was smeared with grease. Adore had a nasty temper. The completeness with which Homer ignored both him and his pocketbook made him frantic. He gave up dancing it at the end of the string and approached the bench on tiptoes, making ferocious faces, yet ready to run at Homer’s first move. He stopped when about four feet away and stuck his tongue out. Homer ignored him. He took another step forward and ran through a series of insulting gestures. If Tod had known that the boy held a stone in his hand, he would have interfered. But he felt sure that Homer wouldn’t hurt the child and was waiting to see if he wouldn’t move because of his pestering. When Adore raised his arm, it was too late. The stone hit Homer in the face. The boy turned to flee, but tripped and fell. Before he could scramble away, Homer landed on his back with both feet, then jumped again. Tod yelled for him to stop and tried to yank him away. He shoved Tod and went on using his heels. Tod hit him as hard as he could, first in the belly, then in the face. He ignored the blows and continued to stamp on the boy. Tod hit him again and again, then threw both arms around him and tried to pull him off. He couldn’t budge him. He was like a stone column. The next thing Tod knew, he was torn loose from Homer and sent to his knees by a blow in the back of the head that spun him sideways. The crowd in front of the theatre had charged. He was surrounded by churning legs and feet. He pulled himself erect by grabbing a man’s coat, then let himself be carried along backwards in a long, curving swoop. He saw Homer rise above the mass for a moment, shoved against the sky, his jaw hanging as though he wanted to scream but couldn’t. A hand reached up and caught him by his open mouth and pulled him forward and down. There was another dizzy rush. Tod closed his eyes and fought to keep upright. He was jostled about in a hacking cross surf of shoulders and backs, carried rapidly in one direction and then in the opposite. He kept pushing and hitting out at the people around him, trying to face in the direction he was going. Being carried backwards terrified him. Using the eucalyptus tree as a landmark, he tried to work toward it by slipping sideways against the tide, pushing hard when carried away from it and riding the current when it moved toward his objective. He was within only a few feet of the tree when a sudden, driving rush carried him far past it. He struggled desperately for a moment, then gave up and let himself be swept along. He was the spearhead of a flying wedge when it collided with a mass going in the opposite direction. The impact turned him around. As the two forces ground against each other, he was turned again and again, like a grain between millstones. This didn’t stop until he became part of the opposing force. The pressure continued to increase until he thought he must collapse. He was slowly being pushed into the air. Although relief for his cracking ribs could be gotten by continuing to rise, he fought to keep his feet on the ground. Not being able to touch was an even more dreadful sensation than being carried backwards.

There was another rush, shorter this time, and he found himself in a dead spot where the pressure was less and equal. He became conscious of a terrible pain in his left leg, just above the ankle, and tried to work it into a more comfortable position. He couldn’t turn his body, but managed to get his head around. A very skinny boy, wearing a Western Union cap, had his back wedged against his shoulder. The pain continued to grow and his whole leg as high as the groin throbbed. He finally got his left arm free and took the back of the boy’s neck in his fingers. He twisted as hard as he could. The boy began to jump up and down in his clothes. He managed to straighten his elbow, by pushing at the back of the boy’s head, and so turn halfway around and free his leg. The pain didn’t grow less.

There was another wild surge forward that ended in another dead spot. He now faced a young girl who was sobbing steadily. Her silk print dress had been torn down the front and her tiny brassiere hung from one strap. He tried by pressing back to give her room, but she moved with him every time he moved. Now and then, she would jerk violently and he wondered if she was going to have a fit. One of her thighs was between his legs. He struggled to get free of her, but she clung to him, moving with him and pressing against him.

She turned her head and said, “Stop, stop,” to someone behind her. He saw what the trouble was. An old man, wearing a Panama hat and horn-rimmed glasses, was hugging her. He had one of his hands inside her dress and was biting her neck.

Tod freed his right arm with a heave, reached over the girl and brought his fist down on the man’s head. He couldn’t hit very hard but managed to knock the man’s hat off, also his glasses. The man tried to bury his face in the girl’s shoulder, but Tod grabbed one of his ears and yanked. They started to move again. Tod held on to the ear as long as he could hoping that it would come away in his hand. The girl managed to twist under his arm. A piece of her dress tore, but she was free of her attacker. Another spasm passed through the mob and he was carried toward the curb. He fought toward a lamp-post, but he was swept by before he could grasp it. He saw another man catch the girl with the torn dress. She screamed for help. He tried to get to her, but was carried in the opposite direction. This rush also ended in a dead spot. Here his neighbors were all shorter than he was. He turned his head upward toward the sky and tried to pull some fresh air into his aching lungs, but it was all heavily tainted with sweat.

In this part of the mob no one was hysterical. In fact, most of the people seemed to be enjoying themselves. Near him was a stout woman with a man pressing hard against her from in front. His chin was on her shoulder, and his arms were around her. She paid no attention to him and went on talking to the woman at her side.

“The first thing I knew,” Tod heard her say, “there was a rush and I was in the middle.”

“Yeah. Somebody hollered, ‘Here comes Gary Cooper,’ and then wham!” “That ain’t it,” said a little man wearing a cloth cap and pullover sweater. “This is a riot you’re in.”