Willie went around the country in a good secondhand automobile, which had been bought on the eighteen-payment plan, and saw his face on the posters nailed to telephone poles and corncribs and board fences. He'd got to town, and after he'd been to the post office to see if there was a letter from Lucy and after he had had a session with the local politicos and done some handshaking (he wasn't too hot at that, too much talk about principles and not enough about promises), he would hole up in a hotel room ($2.00 without bath) and work some more on his speech. He kept on polishing and revising the damned thing. He was hell-bent on making each one a second Gettysburg Address. And maybe after he had tinkered with it awhile, he would get up and start pacing in his room. He would pace and pace, and pretty soon he would start to say his speech. If you were in the next room, you could hear him pacing and speeching, and when he stopped pacing you knew he had stopped in front of the mirror to polish up a gesture.

And sometimes I'd be in the next room, for I was supposed to cover his campaign for the _Chronicle__. I'd be lying there in the hole in the middle of my bed where the spring had given down with the weight of wayfaring humanity, lying there on my back with my clothes on and looking up at the ceiling and watching the cigarette smoke flow up slow and splash against the ceiling like the upside-down slow-motion moving picture of the ghost of a waterfall or like the pale uncertain spirit rising up out of your mouth on the last exhalation, the way the Egyptians figured it, to leave the horizontal tenement of clay in its ill-fitting pants and vest. I'd be lying there letting the smoke drift up out of my mouth and not feeling anything, just watching the smoke as though I didn't have any past or future, and suddenly Willie would start in the next room. Tramping and mumbling.

It would be a reproach, an affront, a cause for laughter and a thing for tears. Knowing what you knew, you would lie there listening to him getting ready to be Governor, and want to stuff the pillow slip in your mouth to stop the giggles. The poor half-witted bastard and his speech. But the voice would keep on going over there beyond the wall, and the feet would keep on tramping, back and forth like the feet of a heavy animal prowling and swinging back and forth with a heavy swaying of the head in a locked-up room, or a cage, hunting for the place to get out, not giving up and irreconcilably and savagely sure that there was going to be a loose board or bar or latch sometime, not now but sometime. And listening to it, you wouldn't be so sure for a minute the bar or board would hold. Or the feet would not stop and they were like a machine, which was not human or animal either, and were tramping on you like pestles or plungers in a big vat and you were the thing in the vat, the thing that just happened to be there. The plungers didn't care about its being you, or not being you, in the vat. But they would continue until there wasn't any you, and afterward for a long time until the machine wore out or somebody switched off the juice.

Then, because you wanted to lie down in the late afternoon on a strange bed in a shadowy room and watch the smoke drift up and not think about anything, what you've been or what you're going to be,, and because the feet, the beast, the plungers, the half-wit won't stop, you jerk yourself up and sit on the edge of the bed and feel like swearing. But you don't. For you are wondering, with the beginnings of pain and insufficiency, what it is inside that won't let the feet stop. Maybe he is a half-wit, maybe he won't be Governor, maybe nobody will listen to his speeches but Lucy, but the feet won't stop.

Nobody would listen to the speeches, including me. They were awful. They were full of facts and figures he had dug up about running the state. He would say, "Now, friends, if you bear patiently with me for a few minutes, I will give you the figures," and he would clear his throat and fumble with a sheet of paper and backbones would sag lower in the seats and folks would start cleaning their fingernails with their pocket knifes. If Willie had ever thought of talking to folks up on the platform just the way he could talk to you face when he got heated about something, leaning at you as if he meant every damned word he said and his eyes bugging out and shining, he might have swayed the constituency. But no, he was trying to live up to his notion of a high destiny.

It didn't matter so much as long as Willie was playing the local circuit. The carry-over of the schoolhouse episode was still strong enough to mean something. He was the fellow on the Lord's side and the Lord had given a sign. The Lord had knocked over the fire escape just to prove a point. But when Willie got down in the middle of the state he began to run into trouble. And when he hit a town of any size he found out that the folks didn't care much which side of a question was the Lord's side.

Willie knew what was happening, but he didn't know why. His face got a little thinner, and the thin skin seemed to draw back tighter over the flesh, but he didn't look worried. That was the funny part. If ever a man had a right to look worried, it was Willie. But he didn't. He just looked like a man in a kind of walking dream, and when he walked out on the platform before he began talking his face looked purified and lifted up and serene like the face of a man who has just pulled out of a hard sickness.

But he hadn't pulled out of the sickness he had. He had galloping political anemia.

He couldn't figure out what was wrong. He was like a man with a chill who simply reckons that the climate is changing all of a sudden, and wonders why everybody else isn't shivering too. Perhaps it was a desire for just a little human warmth that got him in the habit of dropping into my room late at night, after the speaking and the handshaking were over. He would sit for a spell, while I drank off my nightcap, and not talk much, but one time, at Morristown, where the occasion had sure-God been a black frost, he did, after sitting quiet, suddenly say, "How you think it's going, Jack?"

It was one of those embarrassing questions like "Do you think my wife is virtuous?" or "Did you know I am a Jew?" which are embarrassing, not because of anything you might say for an answer, the truth or a lie, but because the fellow asked the question at all. But I said to him, "Fine, I reckon it's going fine."

"You think so, for a fact?" he asked.

"Sure," I said.

He chewed that for about a minute and then swallowed it. Then he said, "They didn't seem to be paying attention much tonight. Not while I was trying to explain about my tax program."

"Maybe you try to tell 'em too much. It breaks down their brain cells."

"Looks like they'd want to hear about taxes, though," he said "You tell 'em too much. Just tell 'em you're gonna soak the fat boys, and forget the rest of the tax stuff."

"What we need is a balanced tax program. Right now the ratio between income tax and total income for the state gives an index that–"

"Yeah," I said, "I heard the speech. But they don't give a damn about that. Hell, make 'em cry, or make 'em laugh, make 'em think you're their weak and erring pal, or make 'em think you're God-Almighty. Or make 'em mad. Even mad at you. Just stir 'em up, it doesn't matter how or why, and they'll love you and come back for more. Pinch 'em in the soft place. They aren't alive, most of 'em, and haven't been alive in twenty years. Hell, their wives have lost their teeth and their shape, and likker won't set on their stomachs, and they don't believe in God, so it's up to you to give 'em something to stir 'em up and make 'em feel alive again. Just for half an hour. That's what they come for. Tell 'em anything. But for Sweet Jesus' sake don't try to improve their minds."