I stood there stock-still.

Sugar-Boy' face began to twitch again. He was going to ask again. I stared down at him. "I was kidding," I said.

There was absolute blankness on his face, and then an absolute murderousness. There wasn't any flare of fury. It was a cold and innocent and murderous certainty. It was as though his face had suddenly frozen in a split second in that certainty, and it looked like the face of a man who had been trapped and had died in the snow long ago, centuries ago–back in the ice age, perhaps–and the glacier brings it down all those centuries, inch by inch, and suddenly, with its primitive purity and lethal innocent, it stares at you through the last preserving glaze of ice.

I stood there for what seemed forever. I couldn't move. I was sure I was a goner.

Then the ice face wasn't there. It was just Sugar-Boy's face on a head to big for the neck, and it was saying, "I-I-I durn near d-d-done it."

I ran my tongue over my dry lips. "I know it," I said.

"Y-y-you oughtn't d-d-d-done me that way," he said in humble complaint.

"I'm sorry."

"Y-y-you know h-h-how I feel, and y-y-you oughtn't d-d-done me like that."

"I know how you feel," I said. "And I'm sorry. I really am."

"F-f-ferget it," he said. He stood there, seeming smaller than before, slumped and forlorn as though he were a doll that had lost some of his sawdust.

I studied him. Then I said, as much to myself as him, I suppose, "You really would have done it."

"It w-w-was the B-B-Boss," he said.

"Even if they'd hang you."

"They w-w-wasn't n-n-nobody like the B-B-Boss. And they k-k-killed him. They h-h-had to go and k-k-kill him."

He shuffled his feet on the cement floor and looked down at them. "He could t-t-talk so good," he half-mumbled with his stuttering. "The B-B-Boss could. Couldn't nobody t-t-talk like him. When he m-m-made a speech and ev-ev-everybody y-y-yelled, it looked l-l-like something was gonna b-b-bust inside y-y-you." He touched his chest with his hand to indicate where something looked like it might bust inside you. Then he looked questioningly at me.

"Sure," I agreed, "he was a great talker."

We stood there for half minute more without anything to say to each other. He looked at me and then down at his feet. Then back at me, and said, "W-w-well, I reckon I'll b-b-be getting on."

He put out one of his hands to me and I took it and gave it a shake.

"Well, good luck," I said.

And he went up the stairs, bending his knees excessively for the stairs, for his legs were stumpy. When he used to drive the big black Cadillac he always had a couple of flat cushions–the kind you take with you on picnics or in a canoe–to prop behind him so he could properly work the clutch and break pedals.

So that was the last I saw of Sugar-Boy. He had been born over in Irish Town. He had been the runt the big boys shoved around in the vacant lot. They had played baseball, but he hadn't been good enough to play. "Hey, Sawed-Off," they'd say, "go git me that bat." Or, "Hey, Sawed-Off, go git me a coke." And he had gone to get the bat or the coke. Or they'd say, "Aw, dry up, Mush-Mouth, write me a letter." And he had dried up. But somehow, sometimes, he had learned what he could do. Those stubby arms could flip the steering wheel of a car as clean as a bee martin whips around the corner of a barn. Those pale-blue eyes, which didn't have any depth, could look down the barrel of a.38 and see, really see for one frozen and apocalyptic instant, what was over yonder. So he had found himself one day in the big black Cadillac with a couple of tons of expensive machinery pulsing under his fingers and the blue-steel.38 riding in the dark under his left armpit like a tumor. And the Boss was by his side, who could talk so good.

"Well, good look," I had said to him, but I knew what his luck would be. Some morning I would pick up the paper and see that a certain Robert (or it was Roger?) O'Sheean had been killed in an automobile crash. Or had been shot to death by unidentified assailants while he sat in the shadow outside the Love-Me-and-Leave-Me roadhouse and gambling hell operated by his employer. Or had that morning walked unassisted to the scaffold as a result of having been quicker on the draw than a policeman named, no doubt, Murphy. Or perhaps that was romantic. Perhaps he would live forever and outlive everything and his nerve would go (likker, dope, or just plain time) and he would sit, morning after morning while the gray winter rain sluiced down the high windows, in the newspaper room of the public library, a scrawny bald little old man in greasy, tattered clothes bent over a picture magazine.

So perhaps I hadn't done Sugar-Boy any favor after all in not telling him about Duffy and the Boss and allowing him to whang straight to his mark and be finished like a bullet when it strikes in.. Perhaps I had robbed Sugar-Boy of the one thing which he had earned out of the years he had lived and which was truly himself, and everything else to come after, no matter what it was, would be waste and accident and the sour and stinking curdle of truth like what you find in the half-full bottle of milk you had left in the ice-box when you went away for your six-week vacation.

Or perhaps Sugar-Boy had had something of which he could never be robbed.

I stood there in the hall after Sugar-Boy had gone, breathing the odor of old paper and disinfectant, and turning these thoughts over in my mind. Then I went back into the newspaper room and sat down and bent over a picture magazine.

It was February when I saw Sugar-Boy in the library. I continued with the way of life which I had adopted, still hugging the aimlessness and the anonymity about me like a blanket. But there was a difference now, in my own mind if not in the circumstances of my life. And in the end, months later, in May, in fact, the difference which my meeting with Sugar-Boy had made in my mind sent me to see Lucy Stark. Now, at least, I can see that such was the case.

I telephoned her out at the farm where she was still staying. She sounded all right on the phone. And she asked me to come out.

So I was back in the parlor in the little white house, among the black-walnut furniture upholstered in red plush, looking down at the flowers in the carpet. Nothing had changed in that room for a long time, or would change for a long time. But Lucy had changed a little. She was fleshier now, with a more positive gray in her hair. She was more like the woman the house had reminded me of the first time I had seen it–a respectable, middle-aged woman, in a clean gray gingham dress, with white stockings and black kid shoes, sitting in her rocker on the porch, with her hands folded across her stomach to take a little ease now the day's work is done and the menfolks are still in the fields and it's not yet time to think about supper or strain the evening milk. She wasn't that woman yet, but give her six or seven more years and she would be.

I sat there with my eyes on a flower in the carpet, or I looked up at her and then again at the flower, and her own glance strayed about the room in that abstracted way a good housewife has of looking around to surprise a speck of dust in the act. We were saying things to each other all the while, but they were strained and difficult things, completely empty.

You meet somebody at the seashore on a vacation and have a wonderful time together. Or in a corner at a party, while the glasses clink and somebody beats on a piano, you talk with a stranger whose mind seems to whet and sharpen your own and with whom a wonderful new vista of ideas is spied.. Or you share some intense or painful experience with somebody, and discover a deep communion. Then afterward you are sure that when you meet again, the gay companion will give you the old gaiety, the brilliant stranger will stir your mind from its torpor, the sympathetic friend will solace you with the old communion of spirit. But something happens, or almost always happens, to the gaiety, the brilliance, the communion. You remember the individual words from the old language you spoke together, but you have forgotten the grammar. You remember the steps of the dance, but the music isn't playing any more. So there you are.