I started to ask the Boss how the boy was, but thought better of it. It was just a question of the kind of badness, and there wasn't any use asking about that. So we moved on through the corridor to the big lobby, where we would take an elevator up to his office. Some of the men lounging along the corridor stepped back a little and said, "Howdy-do, Governor," or "

"Hi, Boss," but the Boss only bowed his response to the greetings. The other men, those who said nothing, turned their heads to watch the Boss as he passed. There wasn't anything out of the ordinary about all that. He must have passed down that corridor a thousand times, or near that many, with men calling out to him, or saying nothing and following with their eyes his progress over the glittering marble.

We came out into the great lobby, under the dome, where there was a blaze of light over the statues which stood with statesmanlike dignity on pedestals to mark the quarters of the place, and over the people who moved about in the area. We walked along the east wall, toward the inset where the elevators were. Just as we approached the statue of General Moffat (a great Indian fighter, a successful land speculator, the first governor of the state), I noticed a figure leaning against the pedestal.

It was Adam Stanton. I saw that his clothes were soaked and that mud and filth were slopped up his trousers half to the knees. I understood the abandoned car. He had walked away from it, in the rain.

Just as I saw him, he looked in our direction. But his eyes were on the Boss, not on me. "Adam," I said, "Adam!"

He took a step toward us, but still did not look at me.

Then the Boss veered toward Adam, and thrust out his hand in preparation for a handshake. "Howdy-do, Doctor," he began, holding out his hand.

For an instant Adam stood there immobile, as though about to refuse to shake the hand of the man approaching him. Them he put out his hand, and as he did so I felt a surge of relief and thought: _He's shaking hands with him, he's all right now, he's all right__.

Then I saw what was in his hand, and even as I recognized the object, but before the significance of the recognition had time to form itself in my mind and nerves, I saw the two little spurts of pale-orange flame from the muzzle of the weapon.

I did not hear the report, for it was lost and merged with the other more positive staccato series of reports, on my left. With his right arm still extended Adam reeled back a step, swung his reproachful and haggard gaze upon me and fixed it, even as a second burst of firing came and he spun to the floor.

In the astonishing silence, I rushed toward Adam as he fell. Then I heard somewhere in the lobby a woman begin screaming, then a great rush of feet and babble of voices. Adam was bleeding heavily. He was stitched across the chest. The chest was all knocked in. He was already dead.

I looked up to see Sugar-Boy standing there with the smoking automatic in his hand, and off to the right, near the elevator, a highway patrolman with a pistol in his hand.

I didn't see the Boss. And thought: _He didn't hit him__.

But I was wrong. Even as I thought that and looked around, Sugar-Boy dropped his automatic clattering to the marble, and uttering some strangled, animal-like sound, rushed back beyond the statue of Governor Moffat.

I laid Adam's head back on the marble and went beyond the statue. I had to shove the people back now, they were crowding so. Somebody was yelling, "Stand back, stand back, give him air!" But they kept crowding up, running to the spot from all over the lobby and from the corridors.

When I broke through, I saw the Boss sitting on the floor, breathing heavily, staring straight ahead. He had both hands pressed to his body, low on the chest and toward the center. I could see no sign that he was hit. Then I saw a very little ooze of blood between two of the fingers, just a little.

Sugar-Boy was leaning above him, weeping and sputtering, trying to speak. He finally managed to get out the words: "D-d-d-d-does it hur-hur-hur-hurt much, Boss–does it hur-hur-hur-hurt?"

The Boss did not die there in the lobby under the dome. In fact, he lived quite a while and died on a clean, white, antiseptic bed, with all the benefits of science. For a couple of days it was given out that he would not die at all. He was seriously wounded–there were two little.25-caliber slugs in his body, slugs from a little toy target pistol Adam had had since he was a kid–but an operation was possible, and he was a very strong man.

So there was all over again the business of the waiting room with the potted plants and water colors and artificial logs on the cozy hearth. A sister of Lucy Stark came with Lucy the morning of the operation. Old Man Stark, the Boss's father, was too feeble to leave Mason City. You could see that Lucy's sister, a woman a good deal older than Lucy, dressed in country black with high-laced black kid shoes, was a strong-minded, sensible woman who had been through a lot and knew how to help somebody else through. You could look at her squarish, slightly reddened, coarse-skinned hands, with their square-cut nails, and know that she knew how to take hold. When she entered the waiting room there at the hospital and cast a practiced and critical, not quite scornful, glance over the potted plants and the artificial logs, it was like a pilot mounting to the pilothouse and taking over.

She sat very stiff and severe in a chair, not one of the chintz-covered soft ones. She was going to permit no spilling over of emotion, not in a strange room and at that time of the day–the time of day when every day there was breakfast to get and the children to fix and the men to clear out of the house. There would be a proper place and time. After it was over, after she got Lucy home, she would put her to bed in a room with the curtains drawn, and would put a cloth dabbled with vinegar on her forehead, and would sit by the bed and hold her hand, and would say, "Now just you cry if you want to, baby, then you'll feel better, then you lie still and I'll sit here, I won't leave you, baby." But that would come later. Meanwhile Lucy now and then stole a look across at her sister's hewn and eroded face. It wasn't exactly a sympathetic face, but it seemed to have what Lucy was looking for.

I sat over on the couch and looked at the same old picture magazines. I felt definitely that I was out of place. But Lucy had asked me to come. "He would want you to be there," she had said.

"I'll wait down in the lobby," I said.

She shook her head. "Come upstairs," she said.

"I don't want to be underfoot. You sister will be there, you said."

"I want you to," she had said, and so there I was. And it was better, I decided, even if I was out of place, than being down in the lobby with all the newshawks and politicos and curiosity-seekers.

It didn't take them awfully long. They said the operation was a success. When the nurse who had brought the news said that, Lucy slumped in her chair and uttered a dry, gasping sob. The sister, who herself had seemed to relax a little at the words, looked sharply at Lucy. "Lucy," she said, not loud but with some severity, "Lucy!"

Lucy raised her head, met the sister's reproving gaze, murmured humbly, "I'm sorry, Ellie, I'm sorry. It's just that I've–I've–"

"We must thank God," Ellie announced. The she rose briskly, as though she were about to step right out and do that before it slipped her mind. But she turned to the nurse. "When can she see her husband?" she asked.

"It will be some time," the nurse said. "I can't tell you exactly, but it will be some time. If you wait here I can let you know." She moved to the door. There she turned, and asked, "Can I get anything for you? Some lemonade? Some Coffee?"

"That's right kind and considerate," the sister said, "but we'll just say no thanks this time of morning."