"Is selling your soul illegal, too?" A spark of hope zinged through me. Maybe Addison could get her soul back on a technicality!

But the reaper shook his head. "Souls can't be stolen from the living. They can only be given away or sold by the owner, or poached after death, once they're released from the body. There's a huge market for human souls in the Netherworld, and what Addy did was perfectly legal. But she had no idea what she was getting into. She couldn't have."

I didn't know what to say. I couldn't decide whether I was more horrified for those four innocent souls or for my aunt, who'd given up her own soul to save her daughter's. Or for Addison Page, who would soon suffer the same fate.

"We have to tell her." I looked into Nash's eyes and found the greens and browns once again swirling, this time with fear and reluctance, based on the expression framing the windows of his soul. "I couldn't live with myself if we didn't at least try."

"Kaylee, this is not our responsibility," he said, his protest fortified with a solid dose of ordinary common sense. "The hellion already has her soul. What are we supposed to do?"

I shrugged. "I don't know. Maybe we could help her break her demon contract, or something. Is that possible?"

Nash nodded reluctantly. "There are procedures built in, but Kaylee, it's way too dangerous…." But he knew he couldn't change my mind. Not this time. I could see it on his face.

"I can't walk away and leave her soul to be tortured if there's anything I can do to help. Can you?"

He didn't answer, and his heavy silence frightened me more than the thought of the hellion waiting for full possession of Addison's soul. Then he took my hand, and I exhaled deeply in relief. "Lead the way, reaper," he said. "And you better hurry. With Eden dead, Addy probably won't stick around for the finale." The previous shows had each closed with a duet from Addison's forthcoming album.

With Nash's warning in mind, we wound our way through the backstage area, Tod popping into locked rooms and side hallways occasionally to make sure we were on the right track. He also popped into Addison's dressing room twice, to make sure she was still there.

The closer we got, the more people we saw in the halls, and they were all talking about Eden's onstage collapse. She'd been rushed to the hospital moments after we left the stage, and though the EMTs had been giving her CPR and mouth-to-mouth when they left, no one seemed to think she would live.

Which we already knew for sure.

Thanks to the badges around our necks, no one tried to throw us out, or even ask where we were headed, so when we finally made it to Addison's dressing room, I couldn't help thinking the whole thing had been too easy.

I was right. There was a security guard posted outside her door. He had a newspaper rolled up in one fist and biceps the size of cannons.

"Now what?" I whispered, bending for a drink from the water fountain twenty feet from the closed door.

"Let me make sure she's still alone," Tod said, and I flinched over how loud he was speaking until I realized no one else could hear him. "Then I'll get rid of the guard."

Before we could ask how he planned to do that, the reaper disappeared.

Nash and I strolled arm in arm down the hall, trying not to look suspicious, and I grew more grateful by the second that he'd come with us—because I would have done it even without him. The security guard wore sunglasses, though it was night and we were inside, so I couldn't tell whether or not he was watching us, but I would have bet money that he was.

Out of nowhere, a hand touched my elbow, and Tod suddenly appeared at my side. I nearly jumped out of my skin, and the guard's head swiveled slowly in my direction.

"Don't do that!" I whispered angrily.

"Sorry," Tod said. But he didn't look very sorry. "Her mom's in there with her now, but she's about to leave to call the car."

He'd barely spoken the last word when the dressing room door opened, and an older, darker version of Addison Page emerged. She nodded to the guard, then clacked off down the hall past us, without a word or a glance in our direction.

"Okay…" This time Tod whispered, as if setting the tone for the Acme tiptoe routine we were about to pull. "You guys duck into the bathroom around the corner. I'll draw the guard away while you sneak into Addy's room, then I'll pop in with you. Get her attention fast, and don't let her scream."

But something told me that would be easier said than done.

"I'm gonna kill you if this goes bad," Nash hissed as we followed the reaper around the corner toward the public restroom.

"It's a little late for that," Tod snapped. Then he was gone again.

I opened the door to the ladies' room to make sure it was empty, then waved Nash inside and left the door slightly ajar. While he looked around in awe at the cleanliness and the fresh flowers, I peeked through the crack, waiting for some all-clear sign from Tod.

We'd only been in the bathroom a few seconds when rapid footsteps clomped toward us from the direction of Addison's dressing room. Tod appeared around the corner, fully corporeal now, a wild grin on his face, the security guard's newspaper tucked under one arm. The guard raced after him, but the poor man was obviously built for strength rather than speed, because Tod put more distance between them with every step.

"Get back here, you little punk!" the guard shouted, huge arms pumping uselessly at his sides.

Tod glanced at me as he passed the bathroom, and I could swear I saw him wink. Then he rounded the next corner, and the guard trailed after him.

As soon as they were gone, Nash and I jogged back to the dressing room, hearts pounding with exhilaration, afraid the guard would return at any moment. We stood in front of the door, hand in hand, and my pulse raced with nerves. Nash met my eyes, then nodded toward the doorknob.

"You do it," I whispered. "She doesn't know me, but she may remember you."

Nash rolled his eyes but reached toward the door. His hand hesitated over the knob for a second, then I saw determination—or was that resignation? — flash across his face. He twisted the knob and opened the door in one smooth motion, so brash I almost envied his nerve.

He stepped inside and pulled me in with him, then closed the door.

I braced myself, expecting to hear Addison scream for Security. Instead, I heard nothing and saw no sign of Addison Page.

But her room was awesome. A rack of flashy costumes stood against one wall, beside a full-length stand-alone mirror. Which was next to a vanity lit by several large, frosted bulbs. In one corner stood a small round table covered in an array of meats, cheeses, fruit, and bite-size desserts. And in the center of the room, a couch and two chairs were gathered around a flat-screen television hooked up to a PlayStation 3.

But no Addison Page.

Nash glanced at me with his brows raised in question, and I shrugged. Then jumped when the sound of running water drew my focus to an open door I hadn't noticed before. The dressing room had a private restroom. And Addison Page was in it.

"Is the car ready?" The singer stepped out of the restroom and crossed the floor toward her vanity, head tilted away from us as she pulled an earring from her left ear. Then she looked up and froze. For just a second, I thought she might actually scream. But then Nash spoke, and her features relaxed, just enough to hold true fear at bay.

"Hi, Addison," he said, and his Influence flowed over the room like a warm, comforting breeze, smoothing her ruffled feathers and taking the edge off my own nerves. Male bean sidhes rocked the whole audio-anesthesia thing, whereas the females of our species sported only an eardrum-bursting scream.

Not fair, right? But convenient at times.