The irritable traffic pecks soothingly at the windows of our loft, those windows whose thin glass has so long needed dusting that their delicate grapitic grayness seems internal, a shade of cathedral glass. The cafeteria neon two stories be low rhythmically stains them rose. My vast canvases-so oddly expensive as raw materials, so oddly worthless trans muted into art-with sharp rectangular shoulders hulk into silhouette against the light. Your breathing keeps time with the slow rose. Your solemn mouth has relaxed in sleep and the upper lip displays the little extra racial button of fat like a bruise blister. Your sleep contains innocence as the night contains dew. Listen: I love you, love your prim bruised mouth whose corners compress morally when you are awake and scolding me, love your burnt skin ceaselessly forgiving mine, love the centuries of being humbled held in the lilac patina of your palms. I love the tulip-stem stance of your throat. When you stand before the stove you make, all un conscious, undulant motions with the upper half of your body like a drinking hen. When you walk naked toward the bed your feet toe in as if your ankles were manacled to those of someone behind you. When we make love sometimes you sigh my name and I feel radically confirmed. I am glad I have met you, glad, proud, glad; I miss only, and then only a little, in the late afternoons, the sudden white laughter that like heat lightning bursts in an atmosphere where souls are trying to serve the impossible. My father for all his mourning moved in the atmosphere of such laughter. He would have puzzled you. He puzzled me. His upper half was hidden from me, I knew best his legs.

Hey. Listen. Listen to me, lady. I love you, I want to be a Negro for you, I want to have a wised-up shoe-polish face taut as a drum at the cheekbones and wear great opaque anonymous-making sunglasses at three a.m. in a dim lavender cellar and forget everything but the crooning behind my ribs. But I cannot, quite. I cannot quite make that scene. A final membrane restrains me. I am my father’s son. In the late afternoons while the day hangs in distending light waiting to be punctured by the darkness that in arrows of shadow rides out from the tall buildings across the grid of streets, I remember my father and even picture-eyes milky with doubts, mustache indecisive and pale-his father before him, whom I never knew. Priest, teacher, artist: the classic degeneration.

Forgive me, for I do love you, we fit. Like a Tibetan lama I rise out of myself above the bed and see how we make, yin and yang, a person between us. But at the hour in the afternoon when my father and I would be heading home in the car, I glance around at the nest we have made, at the floor boards polished by our bare feet, at the continents of stain on the ceiling like an old and all-wrong discoverer’s map, at the earnestly bloated canvases I conscientiously cover with great streaks straining to say what even I am beginning to suspect is the unsayable thing, and I grow frightened. I consider the life we have made together, with its days spent without relation to the days the sun keeps and its baroque arabesques of increasingly attenuated emotion and its furnishings like a scattering of worn-out Braques and its rather wistful half-Freudian half-Oriental sex-mysticism, and I wonder, Was it for this that my father gave up his life?

Lying awake beside you in the rose-touched dark, I wake on a morning long ago, in Vera Hummel’s guest bedroom. Her room shone in the aftermath of the storm. My dreams had been a bent extension, like that of a stick thrust into water, of the last waking events-the final mile staggering through the unwinding storm; my father’s beating at the door of the dark house, knocking and whinnying and rubbing his hands together in desperation yet his importunity no longer seeming absurd or berserk to me but necessary, absolutely in my blind numbness necessary; then Vera Hummel yawning and blinking in the bleaching glare of her kitchen, her un bound hair fanning over the shoulders of her blue bathrobe and her hands tucked in the sleeves and her arms hugging herself as she yawned; and the limping clump of her husband descending the stairs to receive my father’s outpour of explanation and gratitude. They put us in their guest bedroom, in a postered sway-backed bed inherited from Mr. Hummel’s mother, my grandfather’s sister Hannah. It smelled of feathers and starch and was so like a hammock that my father and I, in underclothes, had to cling to the edges to keep from sliding together in the middle. For some minutes I kept tense. I seemed stuffed with the jiggling atoms of the storm. Then I heard the first rasp of my father’s snuffly little snore. Then the wind outside the room sighed mightily, and this thrust of sound and motion beyond me seemed to explain everything, and I relaxed.

The room was radiant. Beyond the white mullions and the curtains of dotted Swiss pinned back with metal flowers painted white, the sky was undiluted blue. I thought, This morning has never occurred before, and I jubilantly felt myself to be on the prow of a ship cleaving the skyey ocean of time. I looked around the room for my father; he was gone. I had sunk into the center of the bed. I looked for a clock; there was none. I looked to my left to see how the sun lay on the road and field and mailbox, and my gaze met instead a window giving on the luncheonette’s brick wall. Next to the window, its chipping veneer somehow grimacing, was an old-fashioned bureau with fluted glass knobs, a wavy-faced top drawer, and ponderous scroll feet like the toeless feet of a cartoon bear. The radiance beyond the house picked out the silver glints in the stems and leaves of the wallpaper. I closed my eyes to listen for voices, heard a vacuum cleaner humming at some distance, and must have slipped back into sleep. When I awoke again the strangeness of it all-the house, the day so fair and sane in the wake of madness, the silence, inside and out (why had I not been wakened? what had happened to the school? wasn’t it Wednesday?)-held me from falling back, and I arose and dressed as much as I could. My shoes and socks, set to dry on a radiator in the room, were still damp. The strange walls and hallways, demanding thought and courage at every turn, seemed to suck strength from my limbs. I located the bathroom and splashed cold water on my face and ran my wet finger back and forth across my teeth. In bare feet I went down the Hummels’ stairs. They were carpeted with a fresh-napped beige strip held in place by a brass rod at the base of each riser. This was the kind of Olinger home, solid and square and orthodox, that I wished my family lived in. I felt dirty and unworthy in my weary red shirt and three-day underwear.

Mrs. Hummel came in from the front room wearing a pinned-up bandana and an apron patterned with starlike anemones. She held a dainty straw wastebasket in her hand and, grinning so her gums flashed, hailed me with, “Good morning, Peter Caldwell!” Her pronouncing my name in full somehow made me completely welcome. She led me into the kitchen and in walking behind her I felt myself, to my surprise, her height, or even an inch taller. She was tall as local women went and I still thought of her as the goddess-size she had appeared to me when I first arrived at the high school, a runty seventh-grader, my waist no higher than the blackboard chalk-troughs. Now I seemed to fill her eyes. I sat at the little porcelain-topped kitchen table and she served me like a wife. She set before me a thick tumbler of orange juice whose translucence cast on the porcelain in sunlight an orange shadow like a thin slice of the anticipated taste. It was delicious for me to sit and sip and watch her move. She glided in blue slippers from cupboard to refrigerator to sink as if these intervals had been laid out after measuring her strides; her whole spacious and amply equipped kitchen contrasted with the cramped and improvised corner where my mother made our meals. I wondered why some people could solve at least the mechanical problems of living while others, my people, seemed destined for lifetimes of malfunctioning cars and underheated toiletless homes. In Olinger, we had never had a refrigerator, but instead a humiliating old walnut icebox, and my grandmother never sat down with us at the table but ate standing up, off the stove with her fingers, her face wincing in the steam. Haste and improvidence had always marked our domestic details. The reason, it came to me, was that our family’s central member, my father, had never rid himself of the idea that he might soon be moving on. This fear, or hope, dominated our home.