There. Sitting upright. Now leave me alone. Stupid game. Doesn't matter.
"Try to catch this!"
Jonathan squeezed his eyes shut to break the film from them. There were three men out there. Quite close. Tacked on the wall. What the hell do they want now? Why don't they leave me alone?
"Catch this and slip it around you!"
"Go away," he mumbled.
Ben's voice roared from a distance. "Put it around you, goddamit!"
Mustn't piss Ben off. He's mean when he's pissed off.Groggily, Jonathan struggled into the noose of the lasso. Now that's it. Don't ask any more. Let me sleep. Stop squeezing the goddamned breath out of me!
Jonathan heard the young men call anxiously back to Ben. "We can't pull him in! Not enough slack!"
Good. Leave me alone, then.
"Jon?" Ben's voice was not angry. He was coaxing some child. "Jon, your axe is still around your wrist."
So what?
"Cut the line above you, Jon."
Ben's gone crazy. He must need sleep.
"Cut the line, ol' buddy. It'll only be a short fall. We've got you."
Go ahead, do it. They'll keep at you until you do.He hacked blindly at the nylon line above him. Again and again with mushy strokes that seldom struck the same place twice. Then a thought slipped into his numb mind, and he stopped.
"What did he say?" Ben called to the rescuers.
"He said that Jean-Paul will fall if he cuts the line."
"Jon? Listen to me. It's all right. Jean-Paul's dead."
Dead? Oh, I remember. He's here and he's dead. Where's Anderl? Where's Karl? They re somewhere else, because they're not dead like Jean-Paul. Is that right? I don't understand it. It doesn't matter anyway. What was I doing? Oh, yes. Cut the fucking rope.
He hacked again and again.
And suddenly it snapped. For an instant the two bodies fell together, then Jean-Paul dropped away alone. Jonathan passed out with the pain of his ribs cracking as the lasso jerked tight. And that was merciful, because he did not feel the impact of his collision with the rock.
ZURICH: AUGUST 6
Jonathan lay in bed in his sterile cubicle within the labyrinthine complex of Zurich's ultramodern hospital. He was terribly bored.
"...Seventeen, eighteen, nineteen down; by one, two, three, four, five..."
With patience and application, he discovered the mean number of holes in each square of acoustic tile in the ceiling. Balancing this figure on his memory, he undertook to count the tiles across and down, then to multiply for the total number of tiles. This total he intended to multiply by the number of holes in each tile to arrive at the grand total of holes in his entire ceiling!
He was terribly bored. But his boredom had lasted only a few days. For the greater part of his hospitalization, his attention had been occupied with fear, pain, and gratitude at being alive. Once during the trip down from the Gallery Window he had risen foggily to the surface of consciousness and experienced the Dantesque confusion of light and motion as the train swayed and clattered through a tunnel. Ben's face rippled into focus, and Jonathan complained thickly, "I can't feel anything from the waist down."
Ben mumbled some reassuring sounds and dissolved.
When Jonathan next contacted the world, Dante had given way to Kafka. A brilliant ceiling was flying past above him, and a mechanized voice was paging doctors by name. A starched white upside-down female torso bent over him and shook its dumpling head, and they wheeled him on more quickly. The ceiling stopped its giddy rush, and male voices somewhere nearby spoke with grave rapidity. He wanted to tell them that he could feel nothing from the waist down, but no one seemed interested. They had cut away the laces of his boots and were taking off his pants. A nurse clicked her tongue and said with a mixture of sympathy and eagerness, "That may have to be amputated."
No! The word rushed to Jonathan's mind, but he passed out before he could tell them that he would rather die.
Ultimately, they saved the toe in question, but not before Jonathan had endured days of pain, strapped to his bed under a plastic tent that bathed his exposure-burnt extremities in a pure oxygen atmosphere. The only relief he got from the bone-eroding immobility was a daily sponging down with alcohol and cotton. Even this respite carried its calculated indignities, for the mannish nurse who did the job always handled his genitals like cheap bric-a-brac that had to be dusted under.
His injuries were widespread, but not serious. In addition to the exposure and frostbite, his nose had been broken by the impact of Jean-Paul's corpse; two of his ribs had cracked when the lasso snapped tight; and his collision with the face had resulted in a mild concussion. Of all of these, the nose bothered him longest. Even after the physical restrictions of the oxygen atmosphere tent had been lifted and the ribs had mended sufficiently to make the adhesive tape more troublesome than the pain, the broad bandage across the bridge of his nose continued to torment him. He could not even read, because the visual distraction of the white pad tempted him to stare strabismically.
But boredom was the greatest plague of all. He received no visitors. Ben had not accompanied him to Zurich. He stayed at the hotel, paying off bills and attending to the retrieval and transportation of the dead. Anna remained too, and they made love a few times.
So great was the boredom that Jonathan was driven to finishing the Lautrec article. But when he read it over the next morning, he growled and tossed it into the wastebasket beside his bed.
The climb was over. The Eiger Birds flew south to their padded nests, sated with sensation for the moment. Newsmen waited around for a couple of days, but when it became apparent that Jonathan would survive, they left the city in a noisy flutter, like carrion disturbed at their cadaver.
By the end of the week the climb was no longer news, and soon the attention of the press was siphoned off to the most publicized event of the decade. The United States had deposited two grinning farm boys on the moon, by which achievement the nation aspired to infuse into the community of man a New Humility in the face of cosmic distance and American technology.
The only letter he received was a postcard from Cherry, one side of which was covered with stamps and postal marks that showed it had gone from Long Island to Arizona to Long Island to Kleine Scheidegg to Sicily to Kleine Scheidegg to Zurich. Sicily? The handwriting was oval and large at first, then regularly smaller and more cramped as she had run out of space.
"Wonderful news!!! I have been released from that burden (hem, hem) I carried for so long! Released and released! Fantastic man! Quiet, gentle, calm, witty—and a lover of me. Happened like that (imagine snap of fingers)! Met. Married. Mated. And in that order, too! What's this world coming to? You've lost your chance. Cry your eyes out. God, he's wonderful, Jonathan! We're living at my place. Come and see us when you get home. Which reminds me, I drop over to your place once in a while to make sure no one's stolen it. No one has. But some bad news. Mr. Monk quit. Got a steady job working for the National Park Service. How's Arizona? Released, I say! Tell you all about it when you get back. All right, how's Switzerland?"
Flip.
Jonathan lay looking up at the ceiling.
The first day after restrictions against visitors were lifted, he had the company of a man from the American Consulate. Short, plump, with long hair crisscrossed over the naked pate, raven eyes blinking behind steel-rimmed glasses, he was of that un-dramatic type CII recruits specifically because they do not fit the popular image of the spy. So consistently does CII use such men that they have long ago become stereotypes that any foreign agent can pick from a crowd at a glance.