The song is called “The Grave on the Beach.” It isn’t really a spiritual, but it is a very pretty, very sad song.

The water is black and icy cold today. It was probably summer when that girl drowned.

Stephie goes to the boathouse door and tugs at it. It isn’t locked.

Inside are the scents of fish and pitch. Unfamiliar barrels and boxes line the walls.

Black fishnets are suspended on poles up near the ceiling. There’s a broken oar, an old three-legged stool, and other objects Stephie can’t quite distinguish in the dark. She finds a folded tarp, sits down on it, and unties her wet shoes. Then she pulls a corner of the tarp over herself and lies down…

Someone is shaking her by the shoulder.

“Stephie,” Uncle Evert’s voice commands. “Come to, girl.”

Stephie opens her eyes. Uncle Evert is leaning over her, slapping her cheeks gently. When he sees her eyes open, he stops.

“What in the world are you doing in here?” he asks. She can’t tell if his tone is angry or concerned.

“I fell asleep,” she answers foolishly. “I didn’t mean to. I’m sorry.”

“Wet as a drowned cat,” Uncle Evert comments as he lifts the tarp off her. “Why on earth did you come to the boathouse?”

“I’m sorry,” she repeats, though she’s not really sure what she has to be sorry for.

Uncle Evert lifts her up and carries her all the way to the house, over the slippery stones and up the path.

“I can walk,” Stephie tells him. “I’m not sick.”

But she’s glad Uncle Evert doesn’t put her down. It feels safe just to be lying in his arms. When she was very little, before Nellie was born, her papa used to carry her in his arms when she was falling asleep. Gently she leans her head on Uncle Evert’s shoulder.

“What in the world?” Aunt Märta asks, too, when Uncle Evert comes into the kitchen with Stephie and lays her on the wooden kitchen bench. “Where did you find her?”

“Lying in the boathouse,” Uncle Evert tells her. “Did something happen?”

“Not that I know of,” Aunt Märta replies. “Where are your shoes, Stephie?”

“I forgot them down there,” she whispers. “I took them off. They were so wet.”

“But what did you go to the boathouse for?” Uncle Evert asks. “Was somebody mean to you?”

“Yes,” Stephie whispers. “Well, no, not exactly mean…”

That’s all she can get out in Swedish.

“What a strange child,” she hears Aunt Märta say while she is helping her out of her coat and sweater. Stephie’s so cold she’s shivering and her teeth are chattering.

“She’ll have to have a hot bath,” Aunt Märta continues. “You go into the front room, Evert.”

Uncle Evert leaves the kitchen, shutting the door behind him. Aunt Märta heats water on the stove and pours it into the big tub. Stephie tries to unhook her stockings from her garters, but her fingers are too stiff. Aunt Märta has to help her.

The bathwater feels burning hot. As her cold body begins to thaw, her skin aches and prickles. She undoes her damp braids, letting her hair float on the surface of the water.

Aunt Märta brings towels and Stephie’s nightgown. She helps Stephie dry her back, but leaves her to work through her snarled hair herself. Her mother used to comb it gently and part it down the middle. It’s terribly knotted now: Stephie struggles with the comb. It hurts. She can’t be bothered to unsnarl any more; she just brushes the top layer over the worst of the tangles.

Neither Uncle Evert nor Aunt Märta asks her any more questions. Stephie drinks hot milk with honey and goes to bed.

The next morning she has a cold and is allowed to stay home from Sunday school. She ends up having to miss school the whole of the following week.

Uncle Evert stays home, too. There’s a big storm, with winds so strong the Diana can’t be at sea. Uncle Evert amuses Stephie with seamen’s tales, and plays tic-tac-toe with her.

She stiffens every time the telephone rings, but it’s never Britta’s mother calling.

seventeen

By the time Stephie is well enough to go back to school, it’s snowing. Big, wet flakes fall to the ground and melt.

Svante doesn’t touch her braids. That’s something, anyway.

At recess, Britta takes Stephie aside. Stephie can tell from the look on her face that she has something important to say but that she’s trying to drag out the suspense for as long as possible.

Stephie watches the snowflakes whirl. She has no intention of asking Britta what’s on her mind. If Britta has something to say, let her come out with it.

Britta clears her throat. “I have decided to forgive you,” she says solemnly. “If you honestly repent. I’m sure if you do, Jesus will forgive you, too.”

“Thank you,” says Stephie, trying to look repentant.

“Mamma says we must judge kindly and show forbearance,” Britta goes on. “You have lived your whole life in the Kingdom of Sin. It’s not your fault.”

The Kingdom of Sin! Stephie opens her mouth to protest, but Britta continues.

“I want to help you find the true way,” she says. “May I come home with you after school?”

“I’m not sure…,” Stephie falters.

“My mother’s already asked your aunt,” Britta says. “It’s all right with her.”

“Oh,” Stephie mumbles. Things have been going on behind her back, but she can’t figure out what.

After school they walk to Aunt Märta’s together. Britta chatters about Sunday school, about the new song they learned when Stephie was absent, about the approaching holiday season, beginning with Lucia.

“What’s Lucia?” Stephie asks.

“Don’t you know?” Britta responds in surprise. “That’s when we celebrate the Queen of Light.”

This answer doesn’t tell Stephie very much.

“Who’s the Queen of Light?”

Britta explains excitedly all the details of the festival of Lucia.

“One girl in the class is elected Lucia. And six others are her handmaidens. Everybody votes.”

“Who will it be?”

“Someone pretty,” Britta says, and Stephie notes a tiny sigh. “And with a good singing voice.”

Vera has a good voice. And she’s pretty, too.

“We always choose Sylvia,” Britta tells her.

They’re on the last uphill. Britta’s lagging behind. “Slow down, I’ve got a stitch in my side,” she complains.

Suddenly Stephie has the urge to tease Britta. Instead of slowing down she speeds up.

“Wait up!” Britta shouts.

Stephie doesn’t stop until she reaches the crest of the hill. She gazes out at the ocean. In the distance there’s the blinking of a lighthouse. She sees a white flashing light, and if she steps to the side she can see a red one, too. Uncle Evert has explained to her that the boats have to follow the white light. If they’re off course they see the red one, a warning against heading toward the cliffs and the shallows.

Britta catches up. “Why didn’t you wait?” she asks reproachfully.

“I am waiting,” Stephie retorts.

Britta’s eyes narrow in annoyance, but then she appears to remember she is supposed to show forbearance.

“Is that the house down there?” she asks, her voice milder.

“The end of the world,” Stephie says. But Britta doesn’t seem to understand.

“They’re wealthy, aren’t they?” she asks. “The Janssons.”

Stephie’s never thought of Aunt Märta and Uncle Evert as wealthy before. Yes, they do have everything they need. But Aunt Märta does all the housework herself, with no housemaid, and Uncle Evert wears work clothes and smells of fish even when he’s been home for several days.

“Not especially,” Stephie replies.

“What about your family in Vienna?” Britta asks. “They’re rich, aren’t they?”