There was silence in the tiled room with the bright sun outside and the quiet splash of a gondolier’s oar in the shady waters of the canal. Pen Browning looked cautiously at Holmes.

“Let me have this clearly, sir, you are talking of…”

“Fraud,” said Holmes exuberantly, “on an outrageous and preposterous scale. Indeed, though esparto grass had been available since 1861, I would suggest that this is a very recent fraud, committed within the past few months. More specifically, those who committed it could only do so in safety once your father was dead.”

“But you talked of 1861, Mr Holmes, almost thirty years ago. My father lived until last December.”

“Very well,” said Holmes patiently, “If you will look through the microscope again, you may be able to see similar specks in the paper. However, they lack the fine hairs of the esparto leaves. These other specks are traces of chemical wood. During its manufacture, this sheet of paper with its date of 1855 has passed through a mill where it was in contact with such pulp. However, the first use in England of chemical wood in paper for printing was in 1873. In the form we have it here, it was unknown to us until about five years ago. Taking all the evidence, including the likelihood that had your father still been alive he would have denounced the poem about Savonarola as a fraud, the date of this manuscript is almost certainly not six months ago.”

“And the letters, Mr Holmes?”

“They are written on the same paper. The forger-or impostor in the case of the letters-was prepared to take a chance. Having acquired forged copies of these books which had been accepted as genuine in their dates, he thought himself safe in cutting out fly-leaves on which to compose forged documents.”

“Can you be certain that so many of these books are forgeries?”

Holmes sighed.

“I will tell you what I am certain of, Mr Browning. The rare 1847 edition of your mother’s Sonnets contains traces of chemical wood and, on that evidence, must have been printed more than thirty years later. Her poem The Runaway Slave, in what purports to be a first edition of 1849, contains a modern form of the letters ‘f’ and ‘j’ cast as type for the printer Richard Clay in 1880 and never used before then.”

Pen Browning looked dumbfounded, there was no other word for it.

“It is a conspiracy, Mr Holmes! Nothing less.”

Holmes brushed this aside.

“Among the other rare editions, the paper used for the so-called first edition of Tennyson’s Morte d’Arthur in 1842 has the 1880 type as well as esparto grass and chemical wood. The same is true of Mr Swinburne’s Dolores which purports to be a first rare printing of 1867. There are multiple copies of all the volumes to be found on these shelves and in these cupboards, ready to be slipped into book auctions. A small fortune if they could be sold as genuine to J. P. Morgan and his rivals. However, Lord Tennyson and Mr Swinburne are still alive, therefore they must wait a little. Your parents were, for the forgers, conveniently dead-as indeed was Lord Byron. Even if a manuscript forgery was skilful enough, it was important that whoever was supposed to have written it was no longer alive to deny the claim. Meantime, such treasures of Byron and Beckford, of Elizabeth Barrett and Robert Browning, would make a fortune for the criminal. This, believe me, was only a beginning.”

“And Mr Howell?”

“We are advised by that estimable weekly paper The Winning Post and Sportsman’s Weekly that he has indeed been gathered to his fathers.”

“With his throat cut?”

“I should take the liberty of doubting that. I think it more likely that when he was taken into the Home Hospital in Fitzroy Square-with pneumonia shall we say?-he seized the chance of putting about a story that would deter his creditors once and for all. Unfortunately for him and, I imagine, rather to his own surprise he then succumbed in reality to this pneumonia. I rather think he is now beyond justice of the sort administered by judges of the Central Criminal Court.”

“It was not revenge of some kind?” I asked,

Holmes shook his head.

“As for the coin wedged between his teeth, you may forget the underworld of Naples. More probably, the loyal fingers of Rosa Corder or some other classically-minded acquaintance placed it there to pay Charon the ferryman for the crossing of the Styx into Hades.”

“And the cutting of the throat was an incision in the trachea to the bronchial tubes to assist his breathing?” I asked sceptically.

“It would not be unknown.”

Pen Browning interrupted.

“What of the volume of Sonnets in his pocket?”

“I believe that was there,” said Holmes quietly, “However great Howell’s avarice, it was mixed with a very large dash of vanity. Hence the stories of having dived for treasure on a sunken galleon, having been sheikh of a Moroccan tribe, and indeed of being attaché at the Portuguese embassy in Rome. Perhaps he knew that his last moment had come and he certainly knew that those who had attended him would have found the ‘1847’ Sonnets in his pocket.”

“That would convict him of nothing.”

“There is a certain type, Mr Browning, whose greatest pleasure is in boasting of his tricks. He is like the murderer who taunts the police with ‘Catch me if you can.’ He puts his neck in the noose and snatches it out again.”

“And Howell?”

“‘Leaves of grass,’ which I can well believe were his last words, was not a reference to Mr Whitman but to the Sonnets. Esparto grass. The world had been tricked. But where was the fun unless, before he died, he could tell the world how cleverly it had been tricked?”

“He was not murdered after all?”

“His killer was far more likely to be a meek and merciless little microbe, thriving on the fermentation in his lungs, than the agent of a Neapolitan criminal gang. The story of underworld vengeance has too much of Gussie Howell about it to be believed.”

8

After that, Sherlock Holmes was not inclined to remain in Venice “to no purpose,” as he said. It was impossible to book a wagon-lit for the next day’s Grand European Express to Calais and London. On the following day we were more fortunate. By then the fate of Augustus Howell was beyond question. His death had been attended by such drama of his own making that they had held a coroner’s inquest on him. The report in the Continental edition of The Times reported a verdict of death from natural causes.

“How are the mighty fallen!” Holmes exclaimed as he closed the pages of the newspaper. “Poor Gussie Howell! To die of natural causes after all!”

It was the evening before our departure and we were sitting at a table outside Florian’s with the sunset casting fire across the outlines of basilica and palaces. We were waiting for Pen and Fannie Browning, whom Holmes had insisted should be our guests before we left for home.

“There is something amiss in their household which I cannot quite put my finger on, Watson. It is probably the incompatibility of Puritan principles and nude female models under the same roof. I sense that the young Brownings’ marriage is ‘but for a two months voyage victualled,’ as Shakespeare puts it. I would therefore prefer to meet on neutral ground.”

That evening, under the lamplight and the soft echoes of the wavelets by the canal steps, Holmes offered his final advice in response to questions from the youthful Pen Browning.

“You have a clear course before you now. You or your attorney must let it be known that whatever manuscripts are in the hands of auctioneers or vendors, purporting to be written by your parents, have been proved fraudulent. You may call me to witness if necessary. You must make it plain that those who dabble in such things are parties to a criminal fraud, carried out solely for the purposes of deception. That will put a stop to most dealings.”