Peggy Jo made one last-ditch attempt to get away, suddenly hitting the brakes and turning the RV into a quiet, middle-class subdivision at the edge of the city. She immediately turned again, onto the poetically named Irish Moss Drive. Before she could get to the end of that street, however, a couple of police cars raced past the RV, boxing it in. Officers in bulletproof vests leaped out of their cars, some holding handguns, a few holding rifles. One officer crouched near an azalea bush; another bent down behind a tree. One of the residents on Irish Moss Drive grabbed his video camera and stood in his doorway to film whatever was going to happen next.

The truth was that no one was exactly sure who was in the RV. The police dispatcher had reported that the bank robber was possibly a white female, but the officers could not rule out that the robber was one of their black suspects who had disguised himself as a woman. Nor could they rule out the possibility that other members of the bank-robbing gang were inside the RV, all of them wielding guns.

Minutes ticked by. Because the curtains were pulled across the windows, the officers were unable to see inside. Some of those close to the RV were saying the things that officers always say in such situations. "Come on out, now."You're surrounded." "Just make it easy on yourself."

From what could later be determined, she sat at the RV's little kitchen table, smoking a Merit, the smoke drifting from her nostrils. On the floor next to the table was her black satchel, the money useless, almost all of it stained red. A couple of feet away from the satchel was her fishing pole, and beside the pole was her box of family photos.

Who knows what she thought about during those moments? Surely she had to have realized that she was facing a long prison sentence. Maybe, if she was lucky, she would get a couple of hours a day in a prison yard where she could feel the sun against her face. Maybe, if she was lucky, she would be released before she died.

A few more minutes passed.

Finally, Peggy Jo went back to her bedroom, where a.357 Magnum loaded with hollow point bullets was hidden underneath a pillow. But she didn't touch that gun. Instead, she picked up a toy pistol that she also kept in the bedroom. She had bought it, apparently, to carry with her in case she ever needed to threaten a bank employee in a future robbery.

She walked to the door and opened it, her hands at her sides. The police officers who had surrounded the RV could not believe what they were seeing: an unassuming woman in a wide-brimmed hat. A woman who was the age of their grandmothers.

"You're going to have to kill me," she said.

"Ma'am, you don't have to do this," replied one of the officers, a young man who would later be advised by his superiors to seek counseling for the guilt that would haunt him.

"You mean to tell me if I come out of here with a gun and point it at y'all, you're not going to shoot me?"

"Please don't. Please don't do that," yelled another officer.

But then she took a step out of the RV, and from the doorway her hand emerged, holding the toy pistol. Just as she began to lower it, four officers fired, the sound of the shots echoing off the surrounding houses and Peggy Jo's RV.

The bullets came at her all at once, hitting her at nearly the same time, and she didn't even stagger. She fell forward, like a stalk of celery being snapped.

Once she hit the ground, however, she somehow found the strength to pull off her sunglasses. For a moment, she lifted her head.That May morning, the light was like honey. A soft breeze blew across the yard. From somewhere came the sound of pigeons cooing. Peggy Jo looked up at the dense new foliage of a sweet gum tree that rose above her.Then she closed her eyes and died.

Still assuming that accomplices were in the RV, a police SWAT team shot tear gas canisters through the windows and stormed through the front door, stepping over her fishing pole and box of photos and turning toward the bedroom. They stared at the bed, still perfectly made up, and at a couple of glass dolphin sculptures on the windowsill. After the "all clear" was announced, one officer found a small baggie of marijuana and another officer found her purse, which contained thirty-eight dollars in cash and her driver's license. The FBI's Millslagle ran a records check and realized that the dead woman was none other than Cowboy Bob. He called Steve Powell at his ranch and left him a message, saying he had some bad news about his old nemesis.

Powell called back. "Say it ain't so," he said almost wistfully.

"Yeah, I'm afraid we killed Peggy Jo," Millslagle said.

For the FBI, of course, the biggest question was how many other banks had Peggy Jo robbed. Some agents wondered if she had tried a bank robbery or two back in the sixties, when she was a freewheeling young woman tooling around Dallas in her burgundy Fiat. Others wondered if she had begun her career in the seventies, when she had been caught stealing the pickup. It is not an uncommon practice, after all, for a bank robber to avoid detection by using a stolen car as a getaway vehicle and then later abandoning it. Still others wondered if she had returned to robbing banks soon after her release from prison. After studying the evidence from the October 2004 robbery at Guaranty Bank, Millslagle did conclude that Peggy Jo was the robber. But that only led to other questions. Why had she gone back to that bank? Was she imitating her heroes Butch Cassidy and the Sundance Kid, who had once robbed the same train twice? And why didn't she dress as a man for that second Guaranty robbery? Why also did she decide to speak to the teller instead of handing the teller a note? Was she hoping that FBI agents would study the bank's surveillance tapes and realize she had returned?

Meanwhile, newspaper and television reporters once again hunted down Peggy Jo's relatives. But they stayed silent. "I didn't know what to tell them," said Pete, who's now retired and living in Plano. "I mean, none of it made the slightest bit of sense. Surely Peggy Jo had to know that if she was in some kind of financial jam again, we would have helped her out."

About thirty members of the Tallas family and a few of Peggy Jo's friends gathered at the Kaufman city cemetery for a private burial service. In an impromptu eulogy, Michelle told a story about Peggy Jo's adopting a wounded duck at the marina and naming it Bernice. One of Michelle's brothers read some Scripture and then said, "I am certain that in the few minutes leading up to her death, as she sat in her RV contemplating her fate, Peg was making peace with God."

There was a long silence. Michelle and Karen covered their faces with their hands and wept. "Okay, I guess we're done," said Pete, nodding at the undertaker, walking away before anyone could see the strain on his face.

Cherry Young, still living in Oklahoma, wasn't at the funeral. She didn't hear about Peggy Jo's death until August, when she called Pete to catch up. "There still isn't a night that goes by that I don't wake up and think about her," Cherry said. "Sometimes I can't get over the sadness that she's gone. But then I think about her walking out of that bank, sixty years old, that bag full of money, and I have to say that she went out doing what she loved. We'll never understand it, but she was doing exactly what she loved. I wish I could write her a note and say,'Good for you, my sweet Peg. Good for you.' "

Skip Hollandsworth was raised in Wichita Falls, Texas, and graduated with a bachelor of arts degree in English from Texas Christian University. He has worked as a reporter and columnist for newspapers in Dallas, and he also has worked as a television producer and documentary filmmaker. Since joining Texas Monthly in 1989, Hollandsworth has received several journalism awards, including a National Headliners Award, the National John Hancock Award for excellence in business and financial journalism, the City and Regional Magazine Gold Award for feature writing, and the Charles Green Award for outstanding magazine writing in Texas, given by the Headliners Club of Austin. He has been a finalist four times for the National Magzine Awards, the magazine industry's equivalent of the Pulitzer Prize, and his work has been included in such publications as The Best American Crime Writing and The Best American Magazine Writing.