“Remember those pork chops we had that time?” He starts nibbling on his fingernail. “Will you make those for us this week?”

“I fix em for supper tonight. Got some in the freezer. And tomorrow night you having chicken and dumplings.”

“Oh, Cora Blue used to make us those.”

“Sit up there at the table and I’m on do you a good BLT to take with you in the truck.”

“And will you toast the bread?”

“A course. Can’t have no proper sandwich on no raw bread. And this afternoon I’ll make one a Minny’s famous caramel cakes. And next week we gone do you a fried catfish . . .”

I pull out the bacon for Mister Johnny’s lunch, get the skillet out to fry. Mister Johnny’s eyes are clear and wide. He’s smiling with every part of his face. I fix his sandwich and wrap it in waxed paper. Finally, somebody I get the satisfaction of feeding.

“Minny, I have to ask, if you’re here . . . what in the world is Celia doing all day?”

I shrug. “I ain’t never seen a white woman sit there like she do. Most of em is busy-busy, running errands, acting like they busier than me.”

“She needs some friends. I asked my buddy Will if he’d get his wife to come out and teach her to play bridge, get her in a group. I know Hilly’s the ringleader of all that stuff.”

I stare at him, like if I kept real still, maybe it wouldn’t be true. Finally I ask, “That Miss Hilly Holbrook you talking about?”

“You know her?” he asks.

“Mm-hmm.” I swallow the tire iron that’s rising up in my throat at the thought of Miss Hilly hanging around this house. Miss Celia finding out the truth about the Terrible Awful. There’s no way those two could be friends. But I bet Miss Hilly would do anything for Mister Johnny.

“I’ll call Will tonight and ask him again.” He pats me on my shoulder and I find myself thinking about that word again, truth. And Aibileen’s telling Miss Skeeter all about it. If the truth gets out on me, I’m done. I crossed the wrong person, and that’s all it takes.

“I’m going to give you my number at the office. Call me if you ever run into trouble, alright?”

“Yessuh,” I say, feeling my dread erase any relief I had coming to me today.

MISS SKEETER

chapter 11

IT’S TECHNICALLY WINTER in most of the nation, but already there is gnashing of teeth and wringing of hands in my mother’s house. Signs of spring have come too early. Daddy’s in a cotton-planting frenzy, had to hire ten extra field workers to till and drive tractors to get the seed in the ground. Mother’s been studying The Farmer’s Almanac, but she’s hardly concerned with planting. She delivers the bad news to me with a hand on her forehead.

“They say this’ll be the most humid one in years.” She sighs. The Shinalator never did much good after those first few times. “I’d pick up some more spray cans down at Beemon’s, the new extra-heavy kind.”

She looks up from the Almanac, narrows her eyes at me. “What are you dressed that way for?”

I have on my darkest dress, dark stockings. The black scarf over my hair probably makes me look more like Peter O’Toole in Lawrence of Arabia than Marlene Dietrich. The ugly red satchel hangs from my shoulder.

“I have some errands to run tonight. Then I’m meeting... some girls. At church.”

“On a Saturday night?”

“Mama, God doesn’t care what day of the week it is,” I say and make for the car before she can ask any more questions. Tonight, I’m going to Aibileen’s for her first interview.

My heart racing, I drive fast on the paved town roads, heading for the colored part of town. I’ve never even sat at the same table with a Negro who wasn’t paid to do so. The interview has been delayed by over a month. First, the holidays came and Aibileen had to work late almost every night, wrapping presents and cooking for Elizabeth’s Christmas party. In January, I started to panic when Aibileen got the flu. I’m afraid I’ve waited so long, Missus Stein will have lost interest or forgotten why she even agreed to read it.

I drive the Cadillac through the darkness, turning on Gessum Avenue, Aibileen’s Street. I’d rather be in the old truck, but Mother would’ve been too suspicious and Daddy was using it in the fields. I stop in front of an abandoned, haunted-looking house three down from Aibileen’s, as we planned. The front porch of the spooky house is sagging, the windows have no panes. I step into the dark, lock the doors and walk quickly. I keep my head lowered, my noisy heels clicking on the pavement.

A dog barks and my keys jangle to the pavement. I glimpse around, pick them up. Two sets of colored people sit on porches, watching, rocking. There are no streetlights so it’s hard to say who else sees me. I keep walking, feeling as obvious as my vehicle: large and white.

I reach number twenty-five, Aibileen’s house. I give one last look around, wishing I wasn’t ten minutes early. The colored part of town seems so far away when, evidently, it’s only a few miles from the white part of town.

I knock softly. There are footsteps, and something inside slams closed. Aibileen opens the door. “Come on in,” she whispers and quickly shuts it behind me and locks it.

I’ve never seen Aibileen in anything but her whites. Tonight she has on a green dress with black piping. I can’t help but notice, she stands a little taller in her own house.

“Make yourself comfortable. I be back real quick.”

Even with the single lamp on, the front room is dark, full of browns and shadows. The curtains are pulled and pinned together so there’s no gap. I don’t know if they’re like that all the time, or just for me. I lower myself onto the narrow sofa. There’s a wooden coffee table with hand-tatted lace draped over the top. The floors are bare. I wish I hadn’t worn such an expensive-looking dress.

A few minutes later, Aibileen comes back with a tray holding a teapot and two cups that don’t match, paper napkins folded into triangles. I smell the cinnamon cookies she’s made. As she pours the tea, the top to the pot rattles.

“Sorry,” she says and holds the top down. “I ain’t never had a white person in my house before.”

I smile, even though I know it wasn’t meant to be funny. I drink a sip of tea. It is bitter and strong. “Thank you,” I say. “The tea is nice.”

She sits and folds her hands in her lap, looks at me expectantly.

“I thought we’d do a little background work and then just jump right in with the questions,” I say. I pull out my notebook and scan the questions I’ve prepared. They suddenly seem obvious, amateur.

“Alright,” she says. She is sitting up very straight, on the sofa, turned toward me.

“Well, to start, um, when and where were you born?”

She swallows, nods. “Nineteen o-nine. Piedmont Plantation down in Cherokee County.”

“Did you know when you were a girl, growing up, that one day you’d be a maid?”

“Yes ma’am. Yes, I did.”

I smile, wait for her to elucidate. There is nothing.

“And you knew that . . . because . . . ?”

“Mama was a maid. My granmama was a house slave.”

“A house slave. Uh-huh,” I say, but she only nods. Her hands stay folded in her lap. She’s watching the words I’m writing on the page.

“Did you . . . ever have dreams of being something else?”

“No,” she says. “No ma’am, I didn’t.” It’s so quiet, I can hear both of us breathing.

“Alright. Then . . . what does it feel like, to raise a white child when your own child’s at home, being . . .” I swallow, embarrassed by the question, “. . . looked after by someone else?”

“It feel . . .” She’s still sitting up so straight it looks painful. “Um, maybe . . . we could go on to the next one.”

“Oh. Alright.” I stare at my questions. “What do you like best about being a maid and what do you like least?”