When Wahls had signed and initialed the statement, the detectives asked about the jewelry. We believe what you’re telling us, Brown said, but we need a show of good faith. Something that proves you’re telling us the truth. And Wahls nodded his understanding, suddenly confident that the return of the dead woman’s watch and necklace would buy his freedom.
Solved by chance rather than perseverance, the Karen Smith case was as much a message for Tom Pellegrini as anything else. Just as he was replaying the Latonya Wallace murder in his mind like a tape loop, James had lost himself in the details of the cabbie slaying. And to what end? Sweat and logic can solve a case in those precious days that follow a murder, but after that, who the hell knows? Sometimes a late phone call can break a case. Sometimes a fresh connection to another crime-a ballistics match or print hit-can change the outcome. More often, however, a case that stays open a month will stay open forever. Of the six female slayings that provoked the department brass to create the Northwest detail, the Karen Smith case would be only one of two to end in arrest and the only case to reach trial. By the end of March, the detail officers in the other five cases had returned to their districts; the case files were back in the cabinets-a little thicker than before, perhaps, but no better for all the effort.
But Pellegrini has no time for any lesson offered by the Northwest cases. He spends the night of Dennis Wahls’s confession handling shooting calls and rereading portions of the Latonya Wallace office reports. In fact, he is out on a call when they bring Wahls back into the homicide unit and begin typing the warrant for Clinton Butler. And he is long gone in the early hours of the morning when Eddie Brown, flush with the victory, sends the recovered jewelry down to the ECU and offers up for bid the opportunity to tell Dennis Wahls that he, too, will be charged with first-degree murder.
“Hey,” says Brown, standing at the interrogation room door, “someone’s got to go in there and tell this fool he ain’t leaving. He’s still asking about a ride home.”
“Let me do it,” says McCarter, smiling.
“Go ’head.”
McCarter walks into the large interrogation room and closes the door. From the wire mesh window, the scene becomes a perfect pantomime: McCarter’s mouth moving, his hands on his hips. Wahls, shaking his head, crying, pleading. McCarter waving one arm in the air, reaching for the door handle, smiling, turning back into the hallway.
“Ignorant motherfucker,” he says, closing the door behind him.
Two months after the murder of Latonya Wallace, only Tom Pellegrini remains.
Harry Edgerton, the secondary investigator, left to help Bertina Silver pursue another interrogation of his best suspect in the January murder of Brenda Thompson, the woman found stabbed in the car on Garrison Boulevard. Eddie Brown was swallowed up by the sudden break in the Karen Smith case and has now moved on to fresh murders. And Jay Landsman, as much an investigator on the Latonya Wallace murder as any of them, he’s gone too. No one expected otherwise: Landsman has a squad to run, and come the next three weeks of nightwork, all of his detectives are working a fresh spate of murders.
The detail men are also gone, back to the tactical section or to the district commanders who loaned them to homicide for the murder of a little girl. First the tac units were sent down, then the youth section detectives, then the Central men, and then, finally, the two plainclothesmen on loan from Southern District operations. Slowly, inexorably, the Latonya Wallace investigation has become the exclusive preserve of one detective.
Beached by the ebbing tide, Pellegrini sits at his desk in the annex office, surrounded by three cardboard crates of office reports and photographs, lab examinations and witness statements. Against the wall behind his desk is the bulletin board that the men on the detail created but never found the time to hang on a wall. Pinned to its center is the best and most recent photograph of the child. On the left is Edgerton’s rooftop diagram of Newington Avenue. On the right, a map of the Reservoir Hill area and a series of aerial photographs taken from the police helicopter.
On this dayshift as on two dozen others, Pellegrini moves slowly through one of the bound case folders, reading reports that are weeks old, searching for any loose fragment of information that he failed to digest the first time around. Some of the reports are his own, others are signed by Edgerton or Eddie Brown, Landsman or the detail men. That’s the trouble with the red-ball treatment, Pellegrini tells himself, scanning one typewritten page after another. By virtue of their importance, red balls have the potential to become David O. Selznick productions, four-star departmental clusterfucks beyond the control of any single investigator. From almost the moment the body was found, the Latonya Wallace case became the property of the entire police department, until door-to-door canvasses were being done by patrolmen and witness statements were being taken by detail officers with no more than a few days’ experience in death investigation. Knowledge of the case file was soon scattered among two dozen people.
On one level, Pellegrini accepts the logic of unlimited manpower. In the weeks after the little girl’s murder, the red-ball express made it possible to cover the longest piece of ground in the shortest stretch of time. By the end of February, the men on the detail had twice canvassed a three-block radius from the crime scene, had interviewed nearly two hundred people, had executed warrants for three addresses and had done walkthrough consent searches in every rowhouse on the north side of Newington Avenue. But now, the paperwork from that massive campaign has congealed on Pellegrini’s desk. The witness statements alone fill one file, while information about the Fish Man-still the best suspect-is relegated to a manila folder all its own.
Leaning forward in his chair, Pellegrini looks through the scene photos for what must be the three hundredth time. The same child stares out across the rainy pavement with that same lost look. Her arm is still extended in that same reaching motion, palm open, fingers slightly curled.
For Tom Pellegrini, the 3-by-5 color shots no longer produce anything that remotely resembles an emotion. In fact, he concedes to himself, they never really did. In some strange way that only a homicide detective can understand, Pellegrini psychologically stepped away from his victim at the very outset. It was not a conscious decision; it was more the absence of a decision. In some elemental, almost preordained way, the switch in his mind was thrown when he walked into that yard behind Newington Avenue.
The detachment came naturally enough, and Pellegrini still has no reason to question it. If he did, the easy answer would be that a detective can only function properly by accepting the most appalling tragedies on a clinical level. On that basis, the sight of a young child sprawled across the pavement-her torso gutted, her neck contorted-becomes, after an initial moment of shock, a matter of evidence. A good investigator, leaning over a fresh obscenity, doesn’t waste time and effort battering himself with theological questions about the nature of evil and man’s inhumanity to man. He wonders instead whether the jagged wound pattern is the result of a serrated blade, or whether the discoloration on the underside of the leg is indeed an indication of lividity.
On the surface, that professional ethos is part of what keeps any detective from the horror, but Pellegrini knows there is something more to it, something that has to do with the act of bearing witness. After all, he never knew the little girl. He never knew her family. Most important, perhaps, he never really felt their loss. On the day the body was found, Pellegrini left the crime scene to go directly to the ME’s offices, where the autopsy of a little girl demanded the most clinical kind of mind-set. It was Edgerton who told the mother, who watched the family suddenly dissolve in anguish, who represented the homicide unit at the funeral. Since then, Pellegrini had spoken to members of the Wallace family on occasion, but only about details. At those moments, the survivors were both helpful and numb, their pain no longer apparent to a visiting detective. That Pellegrini had not borne witness to their grief somehow kept him from truly seeing the photographs in front of him.