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But Edgerton also knows that nothing happens in a vacuum. He is being left alone to work his case largely because D’Addario can afford to leave him alone. On the day that Andrea Perry was discovered, the clearance rate stood at a fat 74 percent, with five outstanding murder warrants still on the street-a rate that compares favorably to both the previous year’s totals and the national average. As a result, D’Addario can once again make decisions without worrying about public consumption or the perceptions of the command staff. From talking with Pellegrini, Edgerton knows that the lieutenant has already expressed some dissatisfaction with the tidal wave of investigation that followed Latonya Wallace’s death. At various stages in that probe, D’Addario had listened to Landsman and Pellegrini both argue that less could be more, and the lieutenant seemed to agree. If the clearance rate had been higher, if the department hadn’t also been publicly sweating the murders of all those women in the Northwest, then the case might have gone differently. Now, with the board showing more black than red, the homicide unit’s political equilibrium has been fully restored. Thanks to some hard work, some skillful maneuvering and not a little luck, D’Addario’s reign has survived the threat and been returned to its rightful glory. And if the rise in the clearance rate and D’Addario’s true feelings about the red-ball treatment aren’t reasons enough for Edgerton to be granted his distance, then Edgerton also understands that he is alone on this case simply because the murder has fallen to Nolan’s squad.

Not only does Nolan have absolute confidence in Edgerton’s methods, but he is the sergeant least likely to ask for help from the rest of the shift and from D’Addario in particular. Of the three sergeants, only McLarney and Landsman are now counted among LTD’s true disciples; Nolan had stayed on the fence during D’Addario’s year-long conflict with the captain. Lately, the lieutenant has taken some pleasure in bringing that out.

Two nights ago, all three squad sergeants were in the coffee room as D’Addario prepared to leave at the end of a four-to-twelve shift.

“I note by my watch that it’s nigh on twelve o’clock,” he declared dramatically. “And I know that before the cock crows thrice, one of you shall betray me…”

The sergeants laughed nervously.

“… but it’s okay, Roger, I understand. You gotta do what you gotta do.”

As Nolan’s man, Edgerton couldn’t really be sure exactly why he was being isolated on the Andrea Perry case. It may well be Dee’s faith in him, or it may be the lieutenant’s new philosophy about leaving red balls to the primary investigator. Then again, it may just be that Roger Nolan is the one sergeant who is not about to ask his lieutenant for anything. Maybe, Edgerton thinks, it’s a little of all three. For an outsider like himself, it’s always harder to get a handle on the office politics.

But whatever the reasons for D’Addario’s distance from the investigation, Edgerton understands that the effect is the same: He is on the longest possible leash. As a result, Andrea Perry will not become Latonya Wallace, just as Edgerton will not become another Pellegrini. Good-bye to the detail officers, to the FBI psych profiles, to the aerial photographs of the crime scene, to a hundred endless debates among a full squad of homicide detectives. Instead, this child’s murder will be one man out in the street, with time enough and room enough to solve his murder. Or, perhaps, hang himself.

Whichever comes first.

It is a beautiful courthouse, truly impressive in its classical form. The bronze doors, the varied Italian marbles, the deep redwoods and gilded ceilings-the Clarence M. Mitchell Jr. Courthouse on North Calvert Street is a work of great architecture, as fine and glorious as any structure ever built in the city of Baltimore.

If justice itself were measured by the grandeur of its house, then a Baltimore detective would have little to fear. If well-cut stone and hand-carved woods could guarantee a righteous vengeance, then the Mitchell Courthouse and its companion across the street-the old post office building now known as Courthouse East-might be places of sanctuary for a Baltimore law officer.

The city fathers spared little when they created these two exquisite buildings in the heart of downtown, and in the last several years their descendants have been equally generous in their ongoing effort to renovate and preserve the beauty of both structures. From the arraignment courts to the jury rooms, from front lobbies to back corridors, the courthouse complex exists so that generations of law officers and lawyers could walk the halls of justice and feel their spirits soar. Stepping lightly down the restored portico of the post office building, or walking into the elegance of Judge Hammerman’s paneled palace, a detective has every reason to hold his head high in the knowledge that he has arrived at a place where society can exact its price. Justice will be done here; all the hard, dirty work performed in the city’s rotten core will no doubt be gracefully shaped into a clean and solemn judgment of guilty. A jury of twelve respectable, thoughtful men and women will rise as one to render that verdict, imposing the law of a good and valiant people on an evil man.

So how is it that every Baltimore detective of this epoch enters his courthouse with his head down, his badge drawn with practiced boredom for the sheriff’s deputies who man the metal detector in the first-floor lobby? How can those detectives step so heavily toward the elevators, oblivious of the beauty all around them? How can they crush their cigarette butts into the stone with such seeming indifference, then knock on a prosecutor’s office door as if it were the very gate of purgatory? How can a homicide detective bring his best work to this, his final destination, wearing a look of utter resignation?

Well, for one thing, he’s probably been up all night working two fresh shootings and a cutting on the midnight shift. No doubt the same detective scheduled to testify in Bothe’s court this afternoon just finished his overnight paperwork in time to listen to a dayshift’s roll call. No doubt he then spent another hour downing four cups of black coffee and an Egg McMuffin. Now he’s probably lugging paper evidence bags from the ECU to some lawyer’s cubbyhole on the third floor, where he will be informed that his best witness hasn’t yet shown up for court and isn’t answering a sheriff deputy’s phone calls. Beyond those worldly concerns, this same detective-if he knows his business-is obligated to arrive in the legal arena with a mind clouded by something other than transcendent visions of moral victory. In his heart of hearts, a veteran detective is inspired not by the glories of the courthouse, but by Rule Number Nine in the lexicon, to wit:

9A. To a jury, any doubt is reasonable.

9B. The better the case, the worse the jury.

And, in addition to rules 9A and 9B:

9C. A good man is hard to find, but twelve of them, gathered together in one place, is a miracle.

A detective who ventures into the corridors of justice with anything less than a firm and familiar skepticism for the American legal process is a man leaning into the punches. It’s one thing, after all, to see some of your best work torn to shreds by twelve of Baltimore’s finest citizens, but it’s another thing entirely to watch it happen from a state of naive incredulity. Better to check your expectations at the courthouse doors and enter its glistening corridors in full, willful anticipation of the debacle to follow.

The rock-and it’s a fine, honorable rock-upon which our legal system is built states that a defendant is innocent until found guilty by the unanimous vote of a dozen peers. Better that a hundred guilty men should walk free before one innocent man is punished. Well, by that standard, the Baltimore court system is pretty much working to code.