After dinner they continued chatting as they drank coffee. Eventually Helen asked Harold if he was ready. Yes, I think so.

Good.

O good. The table was cleared and the dishes set to soak while they went to the parlor. Harold sat at the piano and rubbed his hands for a few minutes, played a few scales, then turned to his sisters, shall I play the Appassionata?

O yes, do.

That would be wonderful, Harold.

He turned to the piano, straightened his back and looked at the keyboard for a moment, then started playing. With the first contact of his fingers with the keys he felt transformed and transported. It was not just that he was no longer Harold Livingston age 53, bachelor, lawyer, living with his two unmarried sisters; or that he transcended his daily life and was now a concert pianist. He transcended even that. He simply became a part of the music. But not a part of the music he played, but the music Beethoven wrote. Many times, through the many years, Harold tried to believe he was hearing something other than what he was playing, but his ear was too keen. There certainly was passion in his playing. And power. And the arpeggios were clear and distinct. He knew his playing was inspired and he had great respect for the music, but he also knew that there was a slight stiffness and imperfection of technique. But what he did not hear was of even greater importance than what he did, for he did not hear the brilliance of imagination, that rush of genius that made for greatness which was the only flaw that practice could not erase… not now. But Harold had long since stopped hearing the notes coming from the piano and listened instead to the music that came from his heart, the music that was in the soul of the notes. This is what Harold heard as he watched his fingers moving across the keyboard, and what flowed through his being…

When he finished he sat still for a moment, still experiencing the music, then smiled and turned and looked at his applauding sisters who were thrilled beyond words, having heard the greatest rendition of the Appassionata ever performed. He stood and bowed and walked over to his sisters. Thank you. Thank you.

O it was marvellous, Harold, simply marvellous.

O yes, it was the finest I have ever heard.

I'll go make some hot chocolate for us to have with our cake. O, how I love Monday nights.

Before retiring Harold played the Sviatoslav Richter recording of the Appassionata, his eyes closed, elbows resting on the arms of his chair, hands in front of his face, fingertips touching slightly. He heard the music… From time to time he smiled and nodded his head in approval, feeling a sensation of wholeness as the music within him matched the music without. When the music stopped he continued sitting for many minutes with his eyes closed until the flashing lights vanished. He got up and put the record carefully in its jacket. Virginia is quite right about Monday, though it is not just the night that is wonderful.

He undressed and hung everything in its proper place, put on his pajamas and robe and went to the bathroom and brushed his teeth, then rinsed his mouth. He looked in the mirror, then turned off the light and went back to his bedroom. He lay on his back for a few moments feeling the silence, then thought that perhaps he would not have boiled eggs for breakfast… but he did not have to make that decision now. He turned on his side, closed his eyes, and slept.

Of Whales and Dreams

Many, many years ago a man told me that to deny my dream was to sell my soul. I was young and did not know that the words were finding their own particular place within me so they would be mine forever, but I do remember blinking my eyes and nodding my head as if the very motion was forcing the truth in what he said deeper within me.

And I was full of dreams. Dreams, dreams, dreams. And I dream still.

And the whale is a dream.

When I was a child and landlocked, playing ships was my game. A stick in water was fine. I did not need sails or steam, only imagination, and my ships sailed through mirror-like waters or weathered the most treacherous of storms. And the suns reflection looked up at me from the south sea lagoons, or, as a breeze rippled the water, the reflection became a broken moon in the Atlantic. And sea-walls and jetties were my playgrounds and I would spend endless days on the shore or pier watching the various vessels of every description and flag sail in and out of the harbor, or drop their anchor and rest while small launches brought men ashore. I was aware the pilots knew just where each ship should be, and how much room to leave, yet still I constantly marvelled at how a harbor filled with anchored ships could be so free of problems. And I would sit for hours watching the tide slowly change the positions of the ships as they tugged at their anchor chains. I watched and dreamed.

And then, as the years went so slowly by, I would stand at the head of a pier and wait for a tug to tie up, hoping the captain would see me and yell down for me to come aboard, that they needed a messboy, and I would leap on her deck and the mooring lines would be let go immediately and we would be off on our adventure.

And at night I would lie in my bed and allow my imagination to take me any-which-where and I would sail to the places I had seen in pictures, and see our tug battling the seas of Cape Hatteras, or sailing thru the Keys, the very words sounding distant and romantic.

And one day I did leap on a tug and crossed the harbor and back. I was living in a dream. An old deckhand chuckled at me and told me about his days at sea and all the countries he had seen and all the oceans he had crossed, and told me of the time he shipped on a whaler and how the whales looked as they flowed through the sea, and of the sudden bursting forth when they breached and the banging roar of the huge flukes cracking the surface of the water. And he even imitated the voice of a whale. The captain let me in the wheel house, and allowed me to take the wheel for a minute, but I spent almost all of those few hours with the old deckhand listening to more and more stories about whales. For days and nights I relived that day, dreaming always of teaching the whales to dance.

While still in my mid-teens I finally went to sea. A lifetime spent dreaming of the sea died and now a new life of living the dream had begun. And still I pursued my dream even though it was now my life. I never did ship on a whaler, but manys the time Ive seen them break the surface of the sea, barely causing a ripple, looking so gentle and strong and indomitable, and, as I stood at the gunnel watching them, in my head I would be playing a song on a concertina and pipe, teaching them to dance, and they honked their glee as they whirled and twirled through the water waving their flukes in time and merriment to the music

And when it came time to stop they sang a final note and waved and continued on their inevitable way, and me on mine, leaning against the gunnel, staring at the disappearing ripples, feeling a part of them was still with me and a part of me with them. They somehow became a part of my dream, in some strange way as important a part of the dream as me. It took the two of us to make the dream. And it does still.

And still I dream though Ive been on the beach now for some years, in Snug Harbor. We’re all ex-sailors here and talk of the many ports we’ve been to, of the endless countries and people we’ve seen, so many of which have changed names a dozen times over. But I spend as much time alone as possible, looking down at the harbor, a harbor that was once filled with vessels of every type, a harbor that is now spotted with an occasional ship. As with all things its changed.

But my dreams the same. And I pursue it still.