"Nice old man for a ganglord," Lucas said to Malone. To Martin: "He may also have been sending a message to us. With the timing, I mean."

Martin nodded. "Not too much curiosity about this particular killing or the Mejias will be forced to prove their innocence by naming two high FBI officials and an American police officer as their alibis. And perhaps provide some details of what could be portrayed as an exceedingly cynical deal."

"Your English is really good," Lucas said.

"They didn't have to do this," Mallard said, moving his hand toward the ruins of Octavio Diaz.

"The killing wasn't done for you," Martin said. "The timing of the killing, possibly-but that would be a minor aspect of it. Perhaps we are even reading too much into that. Mejia needed to send a message to the… population. I knew that. I knew that Diaz was a walking dead man. But I hoped to find him before he died." He looked at the body again, reluctantly. "I was late."

5

TOM AND MICHELLE LAWTON LIVED IN a stucco house surrounded by rubber trees, with one overhanging tangerine, in Atwater Village off Los Feliz, behind a concrete ditch that everyone in Los Angeles called a river.

Down the river, if there'd been water in it, and you'd been allowed to boat it, and if you'd followed it far enough, you'd come to the Port of Long Beach-which is where the Lawtons berthed their sailboat. They got to the boat in a red '96 Jeep Cherokee with a surfboard rack on top, down I-5 and the 710, rather than down the river.

The Lawtons grew a little weed under lights, kept a couple of red-striped cats, and Michelle read mystery stories and made tangerine marmalade and worked part-time in a chain bookstore, while Tom took meetings on his screenplay. The screenplay involved the shadowy world of flesh smugglers, who ran human cargo into the States against the best efforts of outmanned and outgunned American law-enforcement officers, played by one or both of the Sheen brothers, although Tom'd take Jean-Claude Van Damme and a chick named Heather if he had to.

The few people who'd read the screenplay suggested that it wasn't realistic enough. Not enough violence, they said. Not enough brutality. A mailroom guy from ICM told Tom around a Garden Veggie sandwich in a bagel joint that it could use a little sexual and racial schtick. Maybe the human cargoes should be Chinese sex slaves, and he could try to sell the product to Jackie Chan.

What pissed Tom off was that he and Michelle were smugglers of human flesh. Neither one had ever owned a gun or had more than the briefest encounters with officers of the law, for the good reason that they smuggled only one person at a time, never anything but Americans, and those persons always had good documents, which they brought themselves or Tom supplied through a Persian guy from Pasadena who made really good Texas driver's licenses.

The Lawtons weren't overwhelmingly busy as smugglers, but their rates were high and a body a month pretty much covered their nut.

THIS PARTICULAR BODY was a woman, who would come across on Wednesday evening. She had her own ID, and it was good, Tom's man-in-Mexico said.

At Wednesday noon, the Lawtons took their boat, the Star of Omaha, out the Long Beach channel. A six- or eight-knot breeze was blowing across the Islands, and they cut the diesel, put up the sails and headed south, taking their time. They weren't going to Mexico. They were going to a spot fifteen miles off San Diego. Crossing the border was the job of their Mexican contact, a guy named Juan Duarte.

Duarte owned a twenty-two-foot Boston Whaler Guardian, with a haze-gray hull, just like the American Coast Guard, but without the Coast Guard's bow-mounted fifty-caliber machine gun. The hull color, which was standard, was the closest thing on earth to the Romulans' cloaking device-from twenty feet, on a dark night, it was invisible. Juan put the body in the boat, waited for dark, then idled up the coast to a spot distinguished only by its GPS coordinates. He found the Lawtons with their sails backed, quietly waiting, a couple of cigarette coals glowing in the dark. Though the Star of Omaha 's hull was white, they were very nearly as invisible as the Whaler.

"Dude," Duarte called, using the international sailboat hailing sign.

"Juan, how are you?"

Juan tossed a bowline over the sailboat's foredeck and Tom used it to pull the two boats together; the Lawtons had dropped foam fenders over the side to keep them from knocking too hard. The body threw a bag into the sailboat, then clambered up and over the side into the sailboat's cockpit.

"Nice to see you," Tom said, nodding at her in the dark. The body nodded back; she could smell tobacco on him, a pleasant odor. Michelle passed a small package to Juan: "It's an olive-wood rosary from Jerusalem, for your mom. It was blessed in the Church of the Holy Sepulcher, where Mt. Calvary is. Jimmy brought it back," she said.

"Thank him for me," Juan said.

"You good?" Tom called down to Juan.

Juan held up a hand, meaning that he'd been paid, and said, "Cast me off, there." Tom tossed the bowline back in the Whaler, and they drifted apart again. "See you," Juan called. "Maybe got something week after next."

"Call me," Tom said.

That was pretty much all there was to it. The Lawtons gave the body a peanut-butter-and-tangerine-marmalade sandwich, which she'd ordered in advance, through Duarte. They talked in a desultory way, as they loafed through the night. The body had a nice husky whiskey voice, and Tom thought if she kept talking he might get a little wood on the sound alone, though he'd never tell Michelle that. Tom turned on the running lights a few miles north of the rendezvous. They saw boats coming and going; nothing came close.

By morning, they were off Long Beach again, and they took their time going in. There was always a chance that they'd be stopped by the Coasties, but the passenger's documents were good and the boat was clean. Tom had no idea who the body was-his one really salient criminal characteristic was a determined lack of curiosity about his cargoes.

He was not even interested in why an American wanted to be smuggled back into the country. There were any number of people who preferred to come and go without unnecessary time-wasting bureaucratic entanglements, and Tom really didn't blame them. We were the home of the free, were we not?

A few minutes after eight o'clock in the morning, the body walked down the dock, a cheap TWA flight bag on her shoulder. The Lawtons were still on the boat, stowing equipment. The $3,000 that the body left behind was taped to Michelle's butt, just in case. Michelle last saw the other woman walking toward the corner of the ship's store. When she looked back again, a moment later, the body was gone.

RINKER CAUGHT A CAB to LAX, and from LAX, another to Venice, and from Venice, after getting a quick lunch on the beach and walking along some narrow, canal-lined streets for a while, watching her back, she caught another one out to the industrial flats in Downey. The driver didn't much want to go there, but when Rinker showed him a fifty, he took the money and dropped her in front of Jackie Burke's store. Burke ran a full-time custom hotrod shop on the front side of his warehouse, and a part-time stolen-car chop shop in the back. Rinker had once solved a desperate problem for him.

Burke was a chunky man, strong, dark-complected, balding, tough as a lug nut; his store smelled of spray paint and welding fumes. He was standing beside the cash register, sweating and talking over a hardboard counter to a young Japanese-American kid about putting a nitrox tank in the kid's Honda.

He didn't recognize Rinker for a moment. Women didn't often come into the shop, and he sort of nodded and said, "Be with you in a minute," and went back to the kid and then suddenly looked back. Rinker lifted her sunglasses and smiled. Burke said, "Holy shit," and then to the kid, "Let me put you with one of my guys. I gotta talk to this lady."