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VIII — THE EXPIATION OF MADAME DE–COULEVAIN

On a day–bed under the wide square sternposts of the luxurious cabin of the Estremadura lounged Don Juan de la Fuente, Count of Medians, twanging a beribboned guitar and singing an indelicate song, well known in Malaga at the time, in a languorous baritone voice.

He was a young man of thirty, graceful and elegant, with soft dark eyes and full red lips that were half veiled by small moustaches and a little peaked black beard. Face, figure, dress and posture advertised the voluptuary, and the setting afforded him by the cabin of the great forty–gun galleon he commanded was proper to its tenant. From bulkheads painted an olive green detached gilded carvings of cupids and dolphins, fruit and flowers, whilst each stanchion was in the shape of a fish–tailed caryatid. Against the forward bulkhead a handsome buffet was laden with gold and silver plate; between the doors of two cabins on the larboard side hung a painting of Aphrodite; the floor was spread with a rich Eastern carpet; a finer one covered the quadrangular table, above which was suspended a ponderous lamp of chiselled silver. There were books in a rack: the Ars Amatoria of Ovid, the Satiricon, a Boccaccio and a Poggio, to bear witness to the classico–licentious character of this student. The chairs, like the daybed on which Don Juan was sprawling, were of Cordovan leather, painted and gilded, and although the sternports stood open to the mild airs that barely moved the galleon, the place was heavy with ambergris and other perfumes.

Don Juan's song extolled life's carnal joys and, in particular, bewailed the Pope's celibacy amid opulence:

«Vida sin niña no es vida, es muerte,
Y del Padre Santo muy triste es la suerte.»

That was its envoy and at the same time its mildest ribaldry. You conceive the rest.

Don Juan was singing this song of his to Captain Blood, who sat with an elbow leaning on the table and a leg thrown across a second chair. On his dark aquiline face there was a set mechanical smile, put on like a mask, to dissemble his weariness and disgust. He wore a suit of grey camlett with silver lace, which had come from Don Juan's wardrobe, for they were much of the same height and shape as they were akin in age, and a black periwig, that was likewise of Don Juan's providing, framed his countenance.

A succession of odd chances had brought about this incredible situation, in which that detested enemy of Spain came to find himself an honoured guest aboard a Spanish galleon, crawling north across the Caribbean, with the Windward Islands some twenty miles abeam. Let it be explained at once that the langourous Don who entertained him was very far from suspecting whom he entertained.

The tale of how he came there, set forth at great and almost tedious length by Pitt in his chronicle, must here be briefly summarized.

A week ago, on Margarita, in a secluded cove of which his own great ship the Arabella was careened to clear her keel of accumulated foulness, word had been brought him by some friendly Carib Indians of a Spanish pearling fleet at work in the Gulf of Cariaco, which had already collected a rich harvest.

The temptation to raid it proved irresistible to Captain Blood. In his left ear he wore a great pear–shaped pearl of enormous price that was part of the magnificent haul they had once made from a similar fleet in the Rio de la Hacha. So with three piraguas and forty men carefully picked from his crew of close upon two hundred, Blood slipped one night across the narrow sea between Margarita and the Main, and lay most of the following day under the coast, to creep towards evening into the Gulf of Cariaco. There, however they were surprised by a Spanish guarda–costa whose presence they had been far from suspecting.

They put about in haste, and ran for the open. But the guardship gave chase in the brief dusk, opened fire, and shattered the frail boats that bore the raiders. Of the forty buccaneers, some must have been shot, some drowned, and others picked up to be made prisoners. Blood himself had spent the night clinging to a stout piece of wreckage. A stiffish southerly breeze had sprung up at sunset, and driven by this and borne by the currents, he had miraculously been washed ashore at dawn, exhausted, benumbed, and almost pickled by the long briny immersion, on one of the diminutive islands of the Hermanos group.

It was an island not more than a mile and a half in length and less than a mile across, sparsely grown with coconut palms and aloes, and normally uninhabited save by sea–birds and turtles. But at the time of Blood's arrival there, it happened to be tenanted in addition by a couple of castaway Spaniards. These unfortunates had escaped in a sailing pinnace from the English settlement of Saint Vincent, where they had been imprisoned. Ignorant of navigation, they had entrusted themselves to the sea, and with water and provisions exhausted, and at the point of death from thirst and hunger, they had fortuitously made their landfall a month ago. Not daring after that experience to venture forth again, they had subsisted there on shell–fish taken from the rocks and on coconuts, yams, and berries.

Since Captain Blood could not be sure that Spaniards, even when in these desperate straits, would not slit his throat if they guessed his real identity, he announced himself as shipwrecked from a Dutch brig which had been on its way to Curaco, gave himself the name of Peter Vandermeer, and attributed to himself a mixed parentage of Dutch father and Spanish mother, thus accounting for the fluent Castilian which he spoke.

Finding the pinnace in good order, he provisioned her with a store of yams and of turtle, which he himself boucanned, filled her water–casks, and put to sea with the two castaways. By sun and stars he trusted to steer a course due east for Tobago, whose Dutch settlers were sufficiently neutral to, give them shelter. He deemed it prudent, however to inform his trusting companions that he was making for Trinidad.

But neither Trinidad nor Tobago was to prove their destination. On the third day out they were picked up by the Spanish galleon Estremadura, to the jubilation of the two Spaniards and the dismay at first of Captain Blood. However he put a bold face on the matter and trusted to fortune and to the ragged condition in which he went aboard the galleon to escape recognition. When questioned he maintained the fictions of his shipwreck, his Dutch nationality and his mixed parentage, and conceiving that since he was plunging he might as well plunge deeply, and that since he claimed a Spanish mother, he might as well choose one amongst the noblest Spain could afford, he announced her a Trasmiera of the family of the Duke of Arcos, who, therefore, was his kinsman.

The authoritative bearing, which not even his ragged condition could diminish, his intrepid aquiline countenance, dark skin and black hair, and, above all, his fluent, cultured Castilian, made credible the imposture. And, anyway, since he desired no more than to be set ashore on some Dutch or French settlement, whence he could resume his voyage to Curacao, there seemed no reason why he should magnify his identity.

The sybaritic Don Juan de la Fuente who commanded the Estremadura, impressed by this shipwrecked gentleman's tale of high connections, treated him generously, placed a choice and extensive wardrobe at his disposal, gave him a stateroom off the main cabin, and used him in every way as one person of distinction should use another. It contributed to this that Don Juan found in Peter Vandermeer a man after his own heart. He insisted upon calling him Don Pedro, as if to stress the Spanish part in him, swearing that his Vandermeer blood had been entirely beneaped by that of the Trasmieras. It was a subject on which the Spanish gentleman made some ribaldries. Indeed, ribaldry flowed from him naturally and copiously on all occasions, and infected his officers, four of whom, young gentlemen of lineage, dined and supped with him daily in the great cabin.