In art one has the opportunity to encode the entire soul. This topic happens to be my primary area of interest."
"How do you mean? Like to transmit your personality to distant moldies?"
"How quickly you penetrate to the essence! In fact, I will transmit my personality by having sex with a female moldie and programming a child. But, yes, remote personality transmission lies at the heart of my research interest.
In fine, I hypothesize that such transmissions are taking place throughout the universe. I believe that a great number of personalities are being transmitted everywhere and everywhen—there are souls flying past us thick and fast. I hold that it is only a technological lack that prevents these personalities from being locally received. Many technological advances are still needed before one might hope to carry out what I immodestly call a Gurdle Decryption of a personality wave. It will take perhaps another twenty years. Seven lifetimes for a moldie."
The hash oil was hitting Willy now and he was having trouble following Gurdle's line of conversation. It seemed almost as if the moldie might be insane. And what a stench he had. Like vile, overripe cheese smeared across rotten carrion.
"I base my reasoning on an information-theoretical argument which my fellows find quite compelling," continued Gurdle. "It involves an examination of the power spectrum of cosmic rays. But I see your mind is wandering, Mr. Taze.
This festive occasion is not the time to go into details. Would you like to visit me in the Nest to discuss these things?"
"I'd love to visit the Nest," said Willy. "But not just yet. I still need to settle in."
"I'll ping you anon," said Gurdle. "Let me repeat that I am very delighted to have met you." Glassy-eyed Willy watched the reeking purple moldie slither away.
Now the annoyingly bossy Bei Ng was in Willy's face again. At Bei's side was a heavily made-up Cambodian woman—or man?—with long blonde hair. "Bei says you'll need help in finding a place to live, Willy," said the morph, laying a fluttering hand on the center of Willy's chest. "My name is Lo Tek. I do all sorts of things at ISDN. We can go out tomorrow and look at some properties.
If you have a minute, I'd like to take down some personal information so we can narrow in on—"
"Thanks, but I'm planning to live in the Einstein-Luna Hotel for now," said Willy and twisted away. He got another drink from the bar—just water this time—and headed off across the terrace, joining a group of three interesting-looking types: a shirtless man with a hair-grafted mohawk that went all the way down his spine, a voluptuous woman with long curly dark hair, and a stocky man with a narrow goatee shaped like a vertical rectangle. They were passing around a smokeless pipe that resembled a small chemical refinery.
"Hi, guys," said Willy. "Nice view here."
"Willy Taze!" said the goateed man. Although he spoke with a heavy ironic drawl, he seemed quite sociable. "Welcome to the Pocked World. I'm Corey Rhizome and this is Darla Starr and Whitey Mydol."
"Whitey and Darla! I saw you on the vizzy this spring. When Stahn Mooney helped Darla escape from the hoppers' Nest. After the chipmold killed the boppers."
"Yup," said Darla. Her breasts were large and bare, with gold chains hanging across them. "I was pregnant. And now I'm the mother of twins. And I can go back to getting as lifted. You want a hit, Willy? Give him the pipe, Whitey."
Willy inhaled a cautious toke from the complicated little pipe. It tasted like very strong pot with a snappy tingle to it. Very very strong pot with maybe some customized extra indoles. Willy exhaled the invisible particle-free vapor, and as the new drug layered itself over the hash liqueur, the sounds of the party clicked into a perfect tapestry decorated by the patterns of the voices of Willy's three new friends.
"Yaar, Corey grows this himself," Whitey said, taking back the pipe. "Mongo big plants. Corey and the beanstalk." Whitey's rangy, hard-looking features were bent into a loose grin that was a joy to behold. "Bran Corey! Tell Willy here about your idea for Silly Putters."
"Silly Putters?!?" demanded Darla.
"Yeah," said Corey. "It's the only possible name. I thought about it."
"Only possible name for what?" asked Willy.
"Evil imipolex toys," said Corey. "Imipolex is such a great new medium. It's like clay that's alive. The Silly Putters will be toys, but hopefully more adult and corrupted. Later I want to make a line of pets modeled on real and mythical animals. But first of all, to have some fun, I want to do some copies of classic three-dimensional logo creatures. The Dough-Boy. Barbie. Reddy Kilowatt. The Western Exterminator Man. The Fat Boy. Squawky Bird. Vector Man. Giggles the Bear. Tedeleh Torah. The Pig Chef. The Help Daemon. I'd like to give them each a DIM so they can run around and lay trips on people. Without having them be smart and autonomous like moldies. Would that work, Willy? Check out this study I've been hacking. It's what they're calling a philtre—a philtre's like a cephscope tape, but interactive."
Corey took an uvvy out of his pocket and put it on Willy's neck. Dozens of lively rubbery creatures appeared, overlaid on the crowded terrace party.
Some of the figures, like Vector Man, were familiar if somewhat warped, while others were wholly unknown. Tedeleh Torah came jauntily hopping toward them on his two scroll legs and unfurled himself like a flasher, brazenly displaying sacred Hebrew writing that twisted and curled like snakes. Squawky Bird flapped awkwardly forward and began pecking up the writhing letters as if they were worms, Squawky drooling and slobbering while s/he did this. Vector Man's linked spheres came free and all bounced straight at Willy's face and, awww, they weren't spheres at all, they were prickly-ass 3D Mandelbrot sets. Willy flinched, but kept watching. This was majorly stuzzadelic art. Across the terrace, Barbie got down on her plastic knees and gave the Western Exterminator Man a deep-throat Barbie blow job, with the Exterminator Man all droppin' his hammer and goin' "Whoah!" The chromed Help Daemon walked up to Willy and presented him with a bill made out for a hundred trillion dollars. The Pig Chef ran a knife down his own stomach and began offering people fresh platters of steamy chitlins. Giggles the Bear grabbed the Pig Chef's knife and butchered the Dough-Boy up into cookies that Reddy Kilowatt zapped into golden crisps with his lightning-bolt fingers. It just kept going on and on and getting crazier.
Finally Willy reached back and pulled off the uvvy.
"That's wild, Corey. It must have been a lot of work."
"Not for me. The images are all appropriated. And I used some commercial toonware to set their behaviors. I've been doing this kind of thing for years."
"Corey's jammed the Net so many times," said Whitey. "Doctoring vizzycasts, replacing commercials with his own weird Rhizome riffs. You know how there's no corporate vizzy news on the Moon no more because the announcers kept turning into like giant ants? That's thanks to Corey."
"Affirmo, I slew that dragon," said Corey. "But now I'm into a more personal kind of art. I'm drawn to the idea of making actual physical objects. Not just logos. Historical and allegorical figures as well. And figures exemplifying universal concepts. Hummel figurines for the twenty-first century. The Traveling Salesman meets the Farmer's Daughter."
"But can she do this?" interrupted Darla, hefting her breasts and somehow getting her nipples to spray out many thin jets of milk.
"Aw, Darla," said Whitey, stepping forward so that the milk sprayed onto his bare chest. "You're slushed, babe."
"Vintage loonie grunge," said Corey. To Willy, it all seemed quite mad and joyous.
Willy went to visit Corey's quarters the next day: a five-room spread carved into stone fifty feet below the lunar surface. You got there by sliding down a pole in the center of a chute that led to a warren of hallways with doors to lots of people's apartments.