"That's the kind of thing I've been wondering about," said Kasabian. "Why aren't our two images more similar? Our bodies aren't shaped so differently. Is it arbitrary?"
"It's because the pattern where you are has to fit with the pattern where I am," explained Tre. "It's a tessellation of space, a division of space into cells.
And because the tessellation is based on quasicrystals, it tends to not want to repeat."
"Very weightless," said Kasabian. "But if I wanted to start out with my desk being made of, say, six dodoes, would I be able to do it?"
"Oh yeah," said Tre. "That's a special hidden feature, as a matter of fact. I'll show you how."
"Good," said Kasabian. "Because if we wanted to use it to like advertise something, the client might want to specify the way that the image of their product came out—and have everything else constellate itself around that."
"What would we want to advertise? Imipolex from Emperor Staghorn Beetle Larvae, Ltd.?"
"No no. Your first ads will be for wendy meat—just like you guessed when you talked to Cynthia. Emperor Staghorn wants your philtre's source code all right, but they don't want it for an ad. One of their limpware engineers wants to use it for quasicrystal design. If we license the design to them, they'll pay bucks instead of suing."
"Wow," said Tre. "I didn't realize what I'd done was so floatin'. Maybe I should work for Emperor Staghorn instead of for you."
"Don't do that," said Kasabian quickly. "You'd have to move to India. Also I know for a fact that the Emperor Staghorn scientist who wants to use your philtre would never let them hire you. Sri Ramanujan. He's very secretive and he doesn't want his assistants to understand what he's doing. He doesn't want you, Tre, he just wants your philtre. Plus any more weird tessellations that you can come up with."
"So you want me to be more of an artist than an engineer," mused Tre.
"Actually, that feels about right. Some of these courses I've been taking—"
"You've got a great creative talent," urged Kasabian. "You should go with it!"
They fooled around with the Perplexing Poultry some more, and then Kasabian ran a bunch of Apex Images demos for Tre. Finally they took their uvvies off.
"Apex does really lifty stuff," said Tre. "The ads are beautiful."
"Thanks," said Kasabian. "So now the Mentor wants to know: Are you ready to start working for us?"
"Advertising wendy meat is kind of lame, but I'd feel good about inventing new philtres and helping Emperor Staghorn Beetle."
"Have you ever tasted wendy meat?" asked Kasabian. "No? Guess what—neither have I. The gnarl of the images is all that matters."
"I wouldn't have to like physically come in here every day, would I?"
"God no. Nobody comes in here regularly except me and Cynthia Major. Apex can give you a base salary plus royalties on the philtres and any other research work that you produce. You keep the copyrights, but we get exclusive first rights for use. Occasionally we might ask you to do some specific contract work.
Like tweaking a philtre to fit an ad."
They made a firm deal and signed some papers.
"Okay," said Tre. "Now tell me who the Mentor is."
"Stahn Mooney," said Kasabian.
"Ex-Senator Stahn?"
"None other. Stahn owns Apex, also he and his wife own most of Wendy Meat and W.
M. Biologicals. When Stahn got voted out of the Senate, he didn't leave with empty pockets! Put your uvvy back on, he wants to talk with you."
The uvvy fed Tre the visual image of a jaded-looking man in his fifties. The man was sitting in a wood-paneled room with a crackling fire in a huge stone hearth; the flames of the fire were made up of Perplexing Poultry. The man's mouth spread in a long, sly smile that Tre recognized from the many Stahn Mooney news stories he'd watched over the years.
"Hi, Stahn," said Tre. "I'm happy to meet you."
"It's my pleasure," said Stahn. "These Perplexing Poultry of yours are the waviest thing I've seen all year. The proverbial software high. You must be a fellow stoner."
"I lift," allowed Tre.
"Yaar," said Stahn judiciously. "I've been listening in just now while Kasabian here's been telling you about how we can sell the Poultry for more than just ads."
"Yeah," said Tre. "Like for limpware engineering?"
"Big-time." Stahn gave a wheezy chuckle. He seemed not to be in the best physical condition. "Sri Ramanujan at Emperor Staghorn Beetle Larvae, Ltd., is working on some new method for bringing humans and moldies closer together.
He won't give out any details, but it's bound to be a force for good, the way I look at it. Humans and moldies were meant to be one. Like Wendy and her Happy Cloak! Ramanujan says your Perplexing Poultry would be just the thing for his project if you could make them be four-dimensional. Does that make any sense to you?"
"I might be able to do it," said Tre after a minute's thought. "To fit into our space, the new philtre would actually be a three-dimensional projection of a four-dimensional tessellation. Like a shadow. I do know that the generalized Schmitt-Conway biprism will tile aperiodically in all dimensions of the form
3 times M. But dimensions four and five? Conway may also have done some work on aperiodic four-dimensional and five-dimensional tessellations. I can look into it."
"Stuzzadelic! Welcome aboard, Tre Dietz!" After a few more pleasantries, old Senator Stahn cut the connection.
With Tre all signed up, Kasabian suddenly turned out to be too busy to actually have lunch with Tre, somewhat to Tre's disappointment. With nothing better to do, Tre walked down Columbus Street to look for Benny at Real Compared To What.
The place had a honky-tonk facade covered with fuff hollows. There were some citified moldies lounging around in front, not doing much of anything, and there was a black man beckoning people in from the sidewalk.
"Light and tight!" the barker exclaimed to Tre. "Real Compared To What. Zoom on it, brah."
"I'm looking for a friend."
"Aren't we all. We got lots of friends inside."
"Can I peek in for free?"
"Look it over, and if you don't love it in two minutes, there's no charge.
Gustav! Show the man in."
One of the moldies came hunching over; it was shaped like a big inchworm, orange with purple spots. "Do you need an uvvy, sir?" "Not yet," said Tre. "I'll just use my eyes for now." He followed Gustav the moldie in through the thick curtains that hung over Real Compared To What's door.
Inside there was music and a closed-in smell of bodily fluids. The audience area was pitch-dark, and spotlights were on a stage with crawly uvvies, moldies, random pieces of imipolex, and several nude people, one of whom was Benny Phlogiston, on all fours with an erection, an uvvy on his neck, and a busy fat limpware dildo rhythmically reaming his butt.
"Hey, Benny!" shouted Tre. "Do you know what you're doing?"
Benny's head turned uncertainly in Tre's direction. His eyes had the glazed-over look of someone who's fully into mental uvvy space and all but obliv to the realtime world.
"Benny! Are you sure you're getting what you wanted?"
The dildo chose this instant to pull out of Benny and hop away. Benny came to his senses and stood up with a rapidly developing soft-off. He found his clothes back at his seat, donned them, and followed Tre back to the street. They moved slowly up the block.
"What a burn," said blushing Benny. "Did that really happen?"
"What did you think was happening?"
"It was this really sexy woman, this dominatrix type. She came off the stage and got me and stripped me and took me—I thought—to her boudoir room so I could be her love slave. She wanted to… to—"
"To buttfuck you with a dildo. No need to be embarrassed, Ben. It's a common male fantasy, pitiful creatures that we are—"