“You must understand that by now I was burning with physical need to drink. I could not have made it through another day without feeding. But there were alternatives: rats abounded in the streets, and somewhere very near a dog was howling hopelessly. I might have fled the room had I chosen and fed and gotten back easily. But the question pounded in me: Am I dammed? If so, why do I feel such pity for her, for her gaunt face? Why do I wish to touch her tiny, soft arms, hold her now on my knee as I am doing, feel her bend her head to my chest as I gently touch the satin hair? Why do I do this? If I am damned I must want to kill her, I must want to make her nothing but food for a cursed existence, because being damned I must hate her.

“And when I thought of this, I saw Babette’s face contorted with hatred when she had held the lantern waiting to light it, and I saw Lestat in my mind and hated him, and I felt, yes, damned and this is hell, and in that instant I had bent down and driven hard into her soft, small neck and, hearing her tiny cry, whispered even as I felt the hot blood on my lips, ‘It’s only for a moment and there’ll be no more pain.’ But she was locked to me, and I was soon incapable of saying anything. For four years I had not savored a human; for four years I hadn’t really known; and now I heard her heart in that terrible rhythm, and such a heart not the heart of a man or an animal, but the rapid, tenacious heart of the child, beating harder and harder, refusing to die, beating like a tiny fist beating on a door, crying, ‘I will not die, I will not die, I cannot die, I cannot die…’ I think I rose to my feet still locked to her, the heart pulling my heart faster with no hope of cease, the rich blood rushing too fast for me, the room reeling, and then, despite myself, I was staring over her bent head, her open mouth, down through the gloom at the mother’s face; and through the half-mast lids, her eyes gleamed at me as if they were alive! I threw the child down. She lay like a jointless doll. And turning in blind horror of the mother to flee, I saw the window filled with a familiar shape. It was Lestat, who backed away from it now laughing, his body bent as he danced in the mud street. ‘Louis, Louis,’ he taunted me, and pointed a long, bone-thin finger at me, as if to say he’d caught me in the act. And now he bounded over the sill, brushing me aside, and grabbed the mother’s stinking body from the bed and made to dance with her.”

“Good God!” whispered the boy.

“Yes, I might have said the same,” said the vampire. “He stumbled over the child as he pulled the mother along in widening circles, singing as he danced, her matted hair falling in her face, as her head snapped back and a black fluid poured out of her mouth. He threw her down. I was out of the window and running down the street, and he was running after me. ‘Are you afraid of me, Louis?’ he shouted. ‘Are you afraid? The child’s alive, Louis, you left her breathing. Shall I go back and make her a vampire? We could use her, Louis, and think of all the pretty dresses we could buy for her. Louis, wait, Louis! I’ll go back for her if you say!’ And so he ran after me all the way back to the hotel, all the way across the rooftops, where I hoped to lose him, until I leaped in the window of the parlor and turned in rage and slammed the window shut. He hit it, arms outstretched, like a bird who seeks to fly through glass, and shook the frame. I was utterly out of my mind. I went round and round the room looking for some way to kill him. I pictured his body burned to a crisp on the roof below. Reason had altogether left me, so that I was consummate rage, and when he came through the broken glass, we fought as we’d never fought before. It was hell that stopped me, the thought of hell, of us being two souls in hell that grappled in hatred. I lost my confidence, my purpose, my grip. I was down on the floor then, and he was standing over me, his eyes cold, though his chest heaved. ‘You’re a fool, Louis,’ he said. His voice was calm. It was so calm it brought me around. ‘The sun’s coming up,’ he said, his chest heaving slightly from the struggle, his eyes narrow as he looked at the window. I’d never seen him quite like this. The fight had got the better of him in some way; or something had. ‘Get in your coffin,’ he said to me, without even the slightest anger. ‘But tomorrow night… we talk.’

“Well, I was more than slightly amazed. Lestat talk! I couldn’t imagine this. Never had Lestat and I really talked. I think I have described to you with accuracy our sparring matches, our angry go-rounds.”

“He was desperate for the money, for your houses,” said the boy. “Or was it that he was as afraid to be alone as you were?”

“These questions occurred to me. It even occurred to me that Lestat meant to kill me, some way that I didn’t know. You see, I wasn’t sure then why I awoke each evening when I did, whether it was automatic when the deathlike sleep left me, and why it happened sometimes earlier than at other times. It was one of the things Lestat would not explain. And he was often up before me. He was my superior in all the mechanics, as I’ve indicated. And I shut the coffin that morning with a kind of despair.

“I should explain now, though, that the shutting of the coffin is always disturbing. It is rather like going under a modern anesthetic on an operating table. Even a casual mistake on the part of an intruder might mean death.”

“But how could he have killed you? He couldn’t have exposed you to the light; he couldn’t have stood it himself.”

“This is true, but rising before me he might have nailed my coffin shut. Or set it afire. The principal thing was, I didn’t know what he might do, what he might know that I still did not know.

“But there was nothing to be done about it then, and with thoughts of the dead woman and child still in any brain, and the sun rising, I had no energy left to argue with him, and lay down to miserable dreams.”

“You do dream!” said the boy.

“Often,” said the vampire. “I wish sometimes that I did not. For such dreams, such long and clear dreams I never had as a mortal; and such twisted nightmares I never had either. In my early days, these dreams so absorbed me that often it seemed I fought waking as long as I could and lay sometimes for hours thinking of these dreams until the night was half gone; and dazed by them I often wandered about seeking to understand their meaning. They were in many ways as elusive as the dreams of mortals. I dreamed of my brother, for instance, that he was near me in some state between life and death, calling to me for help. And often I dreamed of Babette; and often — almost always — there was a great wasteland backdrop to my dreams, that wasteland of night I’d seen when cursed by Babette as I’ve told you. It was as if all figures walked and talked on the desolate home of my damned soul. I don’t remember what I dreamed that day, perhaps because I remember too well what Lestat and I discussed the following evening. I see you’re anxious for that, too.

“Well, as I’ve said, Lestat amazed me in his new calm, his thoughtfulness. But that evening I didn’t wake to find him the same way, not at first. There were women in the parlor. The candles were a few, scattered on the small table and the carved buffet, and Lestat had his arm around one woman and was kissing her. She was very drunk and very beautiful, a great drugged doll of a woman with her careful coif falling slowly down on her bare shoulders and over her partially bared breasts. The other woman sat over a ruined supper table drinking a glass of wine. I could see that the three of them had dined (Lestat pretending to dine… you would be surprised how people do not notice that a vampire is only pretending to eat), and the woman at the table was bored. All this put me in a fit of agitation. I did not know what Lestat was up to. If I went into the room, the woman would turn her attentions to me. And what was to happen, I couldn’t imagine, except that Lestat meant for us to kill them both. The woman on the settee with him was already teasing about his kisses, his coldness, his lack of desire for her. And the woman at the table watched with black almond eyes that seemed to be filled with satisfaction; when Lestat rose and came to her, putting his hands on her bare white arms, she brightened. Bending now to kiss her, he saw me through the crack in the door. And his eyes just stared at me for a moment, and then he went on talking with the ladies. He bent down and blew out the candles on the table. ‘It’s too dark in here,’ said the woman on the couch. ‘Leave us alone,’ said the other woman. Lestat sat down and beckoned her to sit in his lap. And she did, putting her left arm around his neck, her right hand smoothing back his yellow hair. ‘Your skin’s icy,’ she said, recoiling slightly. ‘Not always,’ said Lestat; and then he buried his face in the flesh of her neck. I was watching all this with fascination. Lestat was masterfully clever and utterly vicious, but I didn’t know how clever he was until he sank his teeth into her now, his thumb pressing down on her throat, his other arm locking her tight, so that he drank his fill without the other woman even knowing. ‘Your friend has no head for wine,’ he said slipping out of the chair and seating the unconscious woman there, her arms folded under her face on the table. ‘She’s stupid,’ said the other woman, who had gone to the window and had been looking out at the lights. New Orleans was then a city of many low buildings, as you probably know. And on such clear nights as this, the lamplit streets were beautiful from the high windows of this new Spanish hotel; and the stars of those days hung low over such dim light as they do at sea. ‘I can warm that cold skin of yours better than she can.’ She turned to Lestat, and I must confess I was feeling some relief that he would now take care of her as well. But he planned nothing so simple. ‘Do you think so?’ he said to her. He took her hand, and she said, ‘Why, you’re warm.’”