Dagny observed some faces—it took her an effort fully to believe it—who were looking at Galt with hatred. Jim was one of them, she noted. When the image of Mouch held the screen, these faces were relaxed in bored contentment, which was not pleasure, but the comfort of license, of knowing that nothing was demanded of them and nothing was firm or certain. When the camera flashed the image of Galt, their lips grew tight and their features were sharpened by a look of peculiar caution. She felt with sudden certainty that they feared the precision of his face, the unyielding clarity of his features, the look of being an entity, a look of asserting existence. They hate him for being himself—she thought, feeling a touch of cold horror, as the nature of their souls became real to her—they hate him for his capacity to live.

Do they want to live?—she thought in self-mockery. Through the stunned numbness of her mind, she remembered the sound of his sentence: "The desire not to be anything, is the desire not to be."

It was now Mr. Thompson who was yelling into the microphone in his briskest and folksiest manner: "And I say to you: kick them in the teeth, all those doubters who're spreading disunity and fear! They told you that John Galt would never join us, didn't they? Well, here he is, in person, of his own free choice, at this table and at the head of our State! Ready, willing and able to serve the people's cause!

Don't you ever again, any of you, start doubting or running or giving up! Tomorrow is here today—and what a tomorrow! With three meals a day for everyone on earth, with a car in every garage, and with electric power given free, produced by some sort of a motor the like of which we've never seen! And all you have to do is just be patient a little while longer! Patience, faith and unity—that's the recipe, for progress! We must stand united among ourselves and united with the rest of the world, as a great big happy family, all working for the good of all! We have found a leader who will beat the record of our richest and busiest past! It's his love for mankind that has made him come here—to serve you, protect you and take care of you! He has heard your pleas and has answered the call of our common human duty! Every man is his brother's keeper! No man is an island unto himself! And now you will hear his voice—now you will hear his own message! . . . 'Ladies and gentlemen," he said solemnly, "John Galt—to the collective family of mankind!"

The camera moved to Galt. He remained still for a moment. Then, with so swift and expert a movement that his secretary's hand was unable to match it, he rose to his feet, leaning sidewise, leaving the pointed gun momentarily exposed to the sight of the world—then, standing straight, facing the cameras, looking at all his invisible viewers, he said: "Get the hell out of my way!"

CHAPTER IX

THE GENERATOR

"Get the hell out of my way!"

Dr. Robert Stadler heard it on the radio in his car. He did not know whether the next sound, part-gasp, part-scream, part-laughter, started rising from him or from the radio—but he heard the click that cut them both off. The radio went dead. No further sounds came from the Wayne-Falkland Hotel.

He jerked his hand from knob to knob under the lighted dial. Nothing came through, no explanations, no pleas of technical trouble, no silence-hiding music. All stations were off the air.

He shuddered, he gripped the wheel, leaning forward across it, like a jockey at the close of a race, and his foot pressed down on the accelerator. The small stretch of highway before him bounced with the leaping of his headlights. There was nothing beyond the lighted strip but the emptiness of the prairies of Iowa.

He did not know why he had been listening to the broadcast; he did not know what made him tremble now. He chuckled abruptly—it sounded like a malevolent growl—either at the radio, or at those in the city, or at the sky.

He was watching the rare posts of highway numbers. He did not need to consult a map: for four days, that map had been printed on his brain, like a net of lines traced in acid. They could not take it away from him, he thought; they could not stop him. He felt as if he were being pursued; but there was nothing for miles behind him, except the two red lights on the rear of his car—like two small signals of danger, fleeing through the darkness of the Iowa plains.

The motive directing his hands and feet was four days behind him. It was the face of the man on the window sill, and the faces he had confronted when he had escaped from that room. He had cried to them that he could not deal with Galt and neither could they, that Galt would destroy them all, unless they destroyed him first. "Don't get smart, Professor," Mr. Thompson had answered coldly. "You've done an awful lot of yelling about hating his guts, but when it comes to action, you haven't helped us at all. I don't know which side you're on. If he doesn't give in to us peaceably, we might have to resort to pressure—such as hostages whom he wouldn't want to see hurt—and you're first on the list, Professor." "I?" he had screamed, shaking with terror and with bitterly desperate laughter. "I? But he damns me more than anyone on earth!" "How do I know?" Mr. Thompson had answered. "I hear that you used to be his teacher. Arid, don't forget, you're the only one he asked for."

His mind liquid with terror, he had felt as if he were about to be crushed between two walls advancing upon him: he had no chance, if Galt refused to surrender—and less chance, if Galt joined these men.

It was then that a distant shape had come swimming forward in his mind: the image of a mushroom-domed structure in the middle of an Iowa plain.

All images had begun to fuse in his mind thereafter. Project X—he had thought, not knowing whether it was the vision of that structure or of a feudal castle commanding the countryside, that gave him the sense of an age and a world to which he belonged. . . . I'm Robert Stadler —he had thought—it's my property, it came from my discoveries, they said it was I who invented it. . . . I'll show them!—he had thought, not knowing whether he meant the man on the window sill or the others or the whole of mankind. . . . His thoughts had become like chips floating in a liquid, without connections: To seize control . . .

I'll show them! . . . To seize control, to rule . . . There is no other way to live on earth. . . .

These had been the only words that named the plan in his mind. He had felt that the rest was clear to him—clear in the form of a savage emotion crying defiantly that he did not have to make it clear. He would seize control of Project X and he would rule a part of the country as his private feudal domain. The means? His emotion had answered: Somehow. The motive? His mind had repeated insistently that his motive was terror of Mr. Thompson's gang, that he was not safe among them any longer, that his plan was a practical necessity. In the depth of his liquid brain, his emotion had held another kind of terror, drowned along with the connections between his broken chips of words.

These chips had been the only compass directing his course through four days and nights—while he drove down deserted highways, across a country collapsing into chaos, while he developed a monomaniac's cunning for obtaining illegal purchases of gas, while he snatched random hours of restless sleep, in obscure motels, under assumed names. . . .

I'm Robert Stadler—he had thought, his mind repeating it as a formula of omnipotence. . . . To seize control—he had thought, speeding against the futile traffic lights of half-abandoned towns—speeding on the vibrating steel of the Taggart Bridge across the Mississippi—speeding past the occasional ruins of farms in the empty stretches of Iowa. . . . I'll show them—he had thought—let them pursue, they won't stop me this time. . . . He had thought it, even though no one had pursued him—as no one was pursuing him now, but the taillights of his own car and the motive drowned in his mind.