Some memory kept struggling to reach her, then came back: its name was Starnesville. She felt the sensation of a shudder. But this is New York City!—she cried to herself in defense of the greatness she had loved; then she faced with unmoving austerity the verdict pronounced by her mind: a city that had left him in these slums for twelve years was damned and doomed to the future of Starnesville.
Then, abruptly, it ceased to matter; she felt a peculiar shock, like the shock of sudden silence, a sense of stillness within her, which she took for a sense of calm: she saw the number "367" above the door of an ancient tenement.
She was calm, she thought, it was only time that had suddenly lost its continuity and had broken her perception into separate snatches: she knew the moment when she saw the number—then the moment when she looked at a list on a board in the moldy half-light of a doorway and saw the words "John Galt, 5th, rear" scrawled in pencil by some illiterate hand—then the moment when she stopped at the foot of a stairway, glanced up at the vanishing angles of the railing and suddenly leaned against the wall, trembling with terror, preferring not to know—then the moment when she felt the movement of her foot coming to rest on the first of the steps—then a single, unbroken progression of lightness, of rising without effort or doubt or fear, of feeling the twisting installments of stairway dropping down beneath her unhesitant feet, as if the momentum of her irresistible rise were coming from the straightness of her body, the poise of her shoulders, the lift of her head and the solemnly exultant certainty that in the moment of ultimate decision, it was not disaster she expected of her life, at the end of a rising stairway she had needed thirty-seven years to climb.
At the top, she saw a narrow hallway, its walls converging to an unlighted door. She heard the floorboards creaking in the silence, under her steps. She felt the pressure of her finger on a doorbell and heard the sound of ringing in the unknown space beyond. She waited. She heard the brief crack of a board, but it came from the floor below. She heard the sliding wail of a tugboat somewhere on the river. Then she knew that she had missed some span of time, because her next awareness was not like a moment of awakening, but like a moment of birth: as if two sounds were pulling her out of a void, the sound of a step behind the door and the sound of a lock being turned—but she was not present until the moment when suddenly there was no door before her and the figure standing on the threshold was John Galt, standing casually in his own doorway, dressed in slacks and shirt, the angle of his waistline slanting faintly against the light behind him.
She knew that his eyes were grasping this moment, then sweeping over its past and its future, that a lightning process of calculation was bringing it into his conscious control—and by the time a fold of his shirt moved with the motion of his breath, he knew the sum—and the sum was a smile of radiant greeting.
She was now unable to move. He seized her arm, he jerked her inside the room, she felt the clinging pressure of his mouth, she felt the slenderness of his body through the suddenly alien stiffness of her coat.
She saw the laughter in his eyes, she felt the touch of his mouth again and again, she was sagging in his arms, she was breathing in gasps, as if she had not breathed for five flights of stairs, her face was pressed to the angle between his neck and shoulder, to hold him, to hold him with her arms, her hands and the skin of her cheek.
"John . . . you're alive . . ." was all she could say.
He nodded, as if he knew what the words were intended to explain.
Then he picked up her hat that had fallen to the floor, he took off her coat and put it aside, he looked at her slender, trembling figure, a sparkle of approval in his eyes, his hand moving over the tight, high collared, dark blue sweater that gave to her body the fragility of a schoolgirl and the tension of a fighter.
"The next time I see you," he said, "wear a white one. It will look wonderful, too,"
She realized that she was dressed as she never appeared in public. as she had been dressed at home through the sleepless hours of that night. She laughed, rediscovering the ability to laugh: she had expected his first words to be anything but that.
"If there is a next time," he added calmly.
"What . . . do you mean?"
He went to the door and locked it. "Sit down," he said.
She remained standing, but she took the time to glance at the room she had not noticed: a long, bare garret with a bed in one corner and a gas stove in another, a few pieces of wooden furniture, naked boards stressing the length of the floor, a single lamp burning on a desk, a closed door in the shadows beyond the lamp's circle—and New York City beyond an enormous window, the spread of angular structures and scattered lights, and the shaft of the Taggart Building far in the distance.
"Now listen carefully," he said. "We have about half an hour, I think. I know why you came here. I told you that it would be hard to stand and that you would be likely to break. Don't regret it. You see?—I can't regret it, either. But now, we have to know how to act, from here on. In about half an hour, the looters' agents, who followed you, will be here to arrest me."
"Oh no!" she gasped.
"Dagny, whoever among them had any remnant of human perceptiveness would know that you're not one of them, that you're their last link to me, and would not let you out of his sight—or the sight of his spies."
"I wasn't followed! I watched, I—"
"You wouldn't know how to notice it. Sneaking is one art they're expert at. Whoever followed you is reporting to his bosses right now.
Your presence in this district, at this hour, my name on the board downstairs, the fact that I work for your railroad—it's enough even for them to connect,"
"Then let's get out of here!"
He shook his head. "They've surrounded the block by now. Your follower would have every policeman in the district at his immediate call. Now I want you to know what you'll have to do when they come here. Dagny, you have only one chance to save me. If you did not quite understand what I said on the radio about the man in the middle, you'll understand it now. There is no middle for you to take. And you cannot take my side, not so long as we're in their hands. Now you must take their side."
"What?"
"You must take their side, as fully, consistently and loudly as your capacity for deception will permit. You must act as one of them. You must act as my worst enemy. If you do, I'll have a chance to come out of it alive. They need me too much, they'll go to any extreme before they bring themselves to kill me. Whatever they extort from people, they can extort it only through their victims' values — and they have no value of mine to hold over my head, nothing to threaten me with. But if they get the slightest suspicion of what we are to each other, they will have you on a torture rack — I mean, physical torture — before my eyes, in less than a week. I am not going to wait for that. At the first mention of a threat to you, I will kill myself and stop them right there."
He said it without emphasis, in the same impersonal tone of practical calculation as the rest. She knew that he meant it and that he was right to mean it: she saw in what manner she alone had the power to succeed at destroying him, where all the power of his enemies would fail. He saw the look of stillness in her eyes, a look of understanding and of horror. He nodded, with a faint smile.
"I don't have to tell you," he said, "that if I do it, it won't be an act of self-sacrifice. I do not care to live on their terms, I do not care to obey them and I do not care to see you enduring a drawn-out murder.