The lean man put his hat back on. «Hunningten's on our way.»
«Yeah, you can ride there with us if you like,» the old man said.
«Thanks,» said Rivas, climbing over the wheel cowl . . . a bit awkwardly because of his mangled thumb. «I'll pay for the ride when we get there.»
«Sit by me,» the old man added. «Nigel will sit on the roof behind.»
«I'd be cautious too,» acknowledged Rivas as he settled himself on the bench Nigel had just vacated. The last of the fog had drifted away down the bay and he savored the smell of eucalyptus on the warming air as the old man flicked the reins and the wagon lurched into motion.
«If you need to re-stock,» the old man said, «you could sail north to Venice with us too—can always use an extra pair of hands on a boat, and I think this old barge needs some patching up this time. I think the shepherds messed up the keel hinge, and half the line's shot.»
«Sure, sounds good,» said Rivas, though reflecting inwardly that no power on earth could ever get him to enter Venice from its seaward side, where the most altered of the city's denizens limped, hopped and swam about on unimaginable errands in the canals of poisonous Inglewood . . . on the narrow, ever-shifting beaches whose mulitcolored sand was sown with lumps of fused glass and occasional ancient but undecaying bone fragments . . . and even in the very shadow of the structure known as Deviant's Palace.
Though in his years in Venice Rivas had prided himself on being a particularly wild, nothing-to-lose young man, boating by moonlight down canals sane people shunned even at noon and participating in several foolish duels, he had taken care never to venture within blocks of Deviant's Palace. But the stories he'd heard about the place still colored his nightmares: stories of fantastic towers and spires that threw dark stains on the sky, so that even at noon stars could be seen twinkling around the warped rib-cage architecture of its upper levels; of nonhuman forms glimpsed weeping in its remoter windows; of what creatures were sometimes found dying in the canals that entered the place through high arches, and what things these creatures sometimes said; of wooden gargoyles writhing in splintery agony on rainy nights and crying out in voices recognized by passersby as those of departed friends . . . . The place was supposed to be more a nightclub than anything else, and Rivas remembered one young lady who, after he'd impatiently broken off their romance even more quickly than he'd instigated it, had tearfully told him that she was going to get a waitress job at Deviant's Palace. He had never permitted himself to believe that she might really have done it, in spite of the evening when a walruslike thing that a gang of fishermen had netted and dragged to shore and were butchering by torchlight rolled its eyes at him and with its expiring breath pronounced the pet name she'd always called him . . . .
The boat-wagon rattled on southward along the old streets, putting on a little more speed as the sun came up and let the old man see where the potholes and washouts were. For the first half hour of the ride Rivas didn't ask about the girls his companions had rustled, for he didn't want to seem too interested in their business; but the thought that Uri might be in the wagon right below him made him unable to consider anything else, and finally forced him to speak. «How many have you got?» he asked with feigned casualness, jerking his wounded thumb downwards.
«Four,» the old man said. «Or maybe it's three now. Nigel overthumps them sometimes.»
«Vermin,» commented Nigel from behind.
«Nigel doesn't care for ladies.»
«'Specially birdy ones,» Nigel explained.
«I see,» said Rivas, nodding.
Jesus, he thought, what a pair. If I can think of a way to work them ill before I ditch them, I'll do it. And if Uri's in this wagon, I'll kill them. And if Uri's in here and dead, I'll . . .
He turned away as if to look at the inland countryside, for he feared that his amiable smile was turning into some less reassuring expression. Several tumbleweeds were rolling across a field parallel to the wagon like skeletons of some spherical species; and as the things crested a grassy rise and spun free in the air for a moment Rivas thought he saw a faint rosy shadow or stain on one of them . . . but the old man was speaking again and Rivas had to turn and face him.
«My name's Lollypop,» the old man said.
Given ten tries, thought Rivas, I think I might have guessed that. «I'm Pogo Possum,» he said on the spur of the moment, it being a pretty safe bet that neither of these fellows would be well read. «You been in this . . . trade long?»
«Since the sixth year of the last Ace, Nigel and me both. We were around when young Jaybush first appeared and started recruiting followers. Hell, I used to live in Irvine, in a house that's behind the white walls today—or was, I guess, until the big explosion in the last year of that Ace.»
Rivas nodded. The rumors of the midnight flash and deafening roar behind the white walls—and speculations that Jaybush himself had died in the blast, for he subsequently went into cloistered seclusion in the Holy City– had shaken the whole structure of the faith, and Rivas, at the age of twenty-one, had taken advantage of the confusion and quietly left the Jaybirds and fled to Venice.
«Did you ever see Norton Jaybush?» Rivas asked.
«Oh hell yes, in those days before he retired into his damned city he was everywhere.» Lollypop shook his head wonderingly. «Can't really blame people for following him, you know? That man was hard to beat. Still is, I suppose, just doesn't have to prove it anymore. Yeah, I seen him make a dead man get up and walk around and talk to his family—and I mean dead, this guy was bloated up and stinking.»
«Trees bent over when he walked by, like bowing,» said Nigel. «We seen it.»
«It wasn't any big thing at all for a hundred birds at once to circle around over his head neat as the rim of a dish, like a big damn whirling halo, and not a peep out of one of 'em.»
My rival for Uri's devotion, thought Rivas uneasily. And one time father figure of my own, too; though luckily only through the jaybushes, the surrogates, the representatives of him. I probably wouldn't have had the—the what? Strength of character? Certainty of my identity?—to leave the faith if I'd been dealing with Mister Messiah Jaybush himself. And I'd never have dared to disobey him so directly by going straight to Venice as soon as I ditched the faith. Jaybush had nothing but condemnations for that sinful place.
He was startled then by a quick, rhythmic thumping from inside the wagon under him, and it wasn't until Nigel, at the rear of the roof, pounded his fist on the wood and yelled, «Save it, slut—they gonna teach you a new dance,» that Rivas realized what the noise had been. One of the girls was evidently having doubts, losing a little of her confidence that the world was in Jaybush's hands and all was well; for the peculiar running-in-place, arm-waving activity known as Sanctified Dancing was the recommended means to clear the mind of uncomfortable thoughts. Like speaking in tongues, it had never held any attraction for Rivas.
He knew it couldn't be Uri—this would be only her third day in the faith, and she wouldn't have been taught Sanctified Dancing yet—but if she actually was in this wagon he wondered what she was making of the spectacle. Often, he recalled, it was kind of scary when someone erupted into it, stamping and waving and gasping, eyes generally screwed tight shut, and it had to be scarier still when it started happening in a dim confinement and you didn't even know what it was.
He remembered being with her once when her cat dragged itself into the yard, its hind legs useless because of a broken back. Rivas and Uri had been breathlessly rolling around in the grass behind a toolshed in the Barrows yard, and when Uri leaped up and ran to the struggling cat, her eyes were still a little unfocused, her lips swollen—and then when she'd tried to pick it up, the cat had screeched and spun in the grass and Uri had lurched back with bright drops of blood already rolling down her slashed fingers and pattering onto the grass.