He lingered at the girl's tube, wating to see if the two would come in from the lobby. As a matter of idle curiosity he tried to catch the mannequin's eye but she seemed totally oblivious of his near presence. Then her light changed from red to a deep purple and she shifted from a demure wood-nymph pose to one of ecstatic abandon—head thrown back, one knee raised and angled across the other leg, hips thrust forward. Bolan grinned and went on. London could be an interesting town, he was thinking, to a guy who had plenty of time for playing. Not so for Bolan; Scotland Yard had just invaded the bar.

Bolan found the stairway and descended to the major arena. It was a large room with a seemingly endless sea of close-packed humanity, deafening amplifications of wild music, and a bewildering display of psychedelic lights. On a center bandstand a large rock combo seemed to be in a noise competition with a singing group who were screaming into separate mikes at the limit of their physical systems.

He pushed through the riotous confusion and reached a stairway at the opposite side, then paused to gaze back along his route of travel. The two "chaps" were on the other stairway, anxiously perusing the crowd below them. Bolan went on up to the luxuriously carpeted mezzanine and along a narrow hallway to a private dining room with the numeral three on the door.

It was hardly more than a cubicle, darkly intimate in candlelight, with a small round table for two positioned at a draped window overlooking the clubroom. A low couch occupied one wall; a couple of small harem pillows completed the picture. The room was also partially soundproofed, the noise from below only faintly audible.

Ann Franklin sat at the table, a glass of water clenched tightly in both hands. She had been peering through a crack in the draperies, watching the scene downstairs. Her head snapped toward the door as Bolan entered. Something on his face froze her smile as it was forming. It wavered and collapsed and her gaze went quickly back to the window.

The man called Harry Parks pushed himself up from the couch and exclaimed, "You're late! We was beginning to wonder if—"

Bolan snapped, "Cops followed you here. At least four of them are in the club right now."

Parks gave his head a concerned shake and replied, "Yes, I was just telling Annie I thought someone was on our tail. We was 'oping you wouldn't be coming in. Thank the lord they didn't spot you."

"They spotted me, all right," Bolan corrected him. "And they could have easily moved on me, but they didn't. The question is… why not? They're setting something up. I guess I'd like to know what and why."

The big man took a step toward the door. "I just guess HI be finding that out," he declared.

"Quietly," Bolan commanded.

"I know me business," Parks muttered, and went but.

Bolan dropped into the chair across the table from Ann Franklin. Their legs collided. The girl hastily withdrew hers, threw Bolan an embarrassed glance, and hastily lowered her eyes.

He told her, "Thanks for warming my bed."

Softly she replied, "You're quite welcome."

"Thanks for a lot of things," he added solemnly.

The gravity of the situation overcame the girl's embarrassment. Her hand shot out to rest on his and she hissed, "You must get away from here. You are in very great peril."

Bolan said, "Hell, I know it. But you set this up. Now what's it all about?"

"Major Stone requested the meeting. He should have been along before now, and" I'm quite worried that he isn't."

Bolan, also, was "quite worried." He asked her, "Why meet here? Why not at the museum?"

"For many reasons," she replied. "None of which are worth discussing now. Just please go."

"Uh-uh. Not until I get the story."

"What story?"

"I find myself in the middle of some very messy intrigue. I don't like it, Ann. So you tell me now, quick and straight, what's it all about?"

"I'm sorry," she said quietly. Obviously it was all she intended to say.

"Okay and bye bye," he said, just as quietly.

He was up and moving when the girl cried, "Wait!" and ran after him, catching him at the door.

Bolan took her in his arms and folded her into a bruising kiss. The movement took her by surprise and for an instant she resisted, then she melted into the embrace and gave herself entirely to the moment of passionate delirium. When he released her, she moaned and held onto him, pressing in for more.

Gruffly he demanded, "Tell me about the Sades. Why all the interest in Mack Bolan?"

She was breathing raggedly, still in the grip of the tensions engendered in that tight clutch. "I don't know it all," she gasped.

"Then give me what you do know."

She disentangled herself and leaned against the door, struggling to regain her composure. "Mack, I-I'm sorry for acting like a… a…"

"Forget that," he growled. "Come on, you owe me some answers, and my time is running out."

The girl took a deep breath and said, "The American Mafia has moved into London. I suppose you're aware of that. They are trying to take over everything here, as I hear it. It's a big power play, involving politics and industry and just very nearly everything. And they were not being too successful."

"Until what?"

Her eyes skittered away. "Until somehow they got onto Major Stone's club. Somehow they came into possession of… of some highly damaging and politically explosive, uh, items of evidence."

Bolan sighed. "Okay, I could have guessed," he commented quietly. "I take it that some of the members of your club are Very Important People."

She nodded. "And they are now in a terrible squeeze."

"That bad, eh?"

"Yes. You've heard of the Profumo scandals, back in the sixties?"

Bolan said, "Who hasn't?"

"Yes, well—this could be ten times worse. These gangsters have information that could rock the government—perhaps topple it."

"Is the Major directly involved in this?" Bolan inquired.

"Not directly, no. But he feels responsible. It was hissecurity that was breeched."

Bolan said, "Tell him I'll be thinking about it."

She murmured, "It's like a terrible nightmare, all of it."

He glared at her for a brief moment, then smiled suddenly and said, "Don't take it so hard, well figure something out." His hand found the doorknob. "Where will I find the Major?"

She shook her head. "I can't imagine, nor can I imagine what has delayed him. If you can get out of here, return straightaway to Queen's House. We'll try to contact you there."

Bolan's smile broadened. "Come to think of it, we do have some unfinished business there, you and I."

She managed to keep her gaze steady, and whispered, "Yes, so we have."

He patted her arm, cracked the door for a quick look, then slipped outside and pulled the door shut behind him.

Harry Parks moved up quickly from the stairway and hissed, "You were right, mate. It's getting to be a beehive down there."

Bolan pointed to another stairwell at the far end of the mezzanine. "Where does that go?" he inquired.

"Rooms, next floor up," Parks replied, then added, "Bedrooms, for them that can't wait."

"And above that?"

The man shrugged. "I never felt a need to know. Do you mean to go out that way?"

Bolan said, "I mean to try."

"Then I guess I'd best be going the other way, and raisin' a fuss."

"I'd appreciate that," Bolan told him.

The big man grinned and said, "It's me specialty," and went quickly back along the passageway toward the main clubroom.

Bolan hastened to the other end of the mezzanine and found that the stairway he'd spotted also went down to a lower level. As he paused to ponder this revelation, Major Stone appeared below him, hurrying up to the mezzanine.

Each became aware of the other at the same instant. Bolan's Beretta leapt into his hand; the Major halted abruptly and glared at him and his face took on a vexed expression. "Out through the front, Bolan," he commanded. "You've not a moment to lose."