Изменить стиль страницы

6 0

Teri McLaren

Cheyne nodded his good-bye, returned the totem to his pack, and made for the door. The sun had moved over the westernmost part of the wall, marking it time for him to get back to the site. Javin would be mad enough already.

"Ah, perhaps I know of someone else who could help you with your dilemma," the clockmaker wheedled. Cheyne stopped at the door and turned around. "Her name is Riolla Hifrata. She is a worthy woman, well schooled in the antiquities. Here is her address."

The shopkeeper fumbled at the sleeve of his grease-spotted caftan and withdrew a small, dirty scrap of parchment with an even dirtier hand. His face unreadable, he slid the gilt-edged fragment toward Cheyne. One of his clocks began to click and bang in the back room, then every other one in the shop chimed in. Thanking the man, Cheyne grabbed the parchment and left the din, his ears ringing.

It seemed that the streets had emptied somewhat while Cheyne had been in the shop. Only one shabbily dressed vagrant hunched in the shade of a market stall, a nearly empty bottle in hand and humming to himself, completely unremarkable except for a truly enormous nose protruding from under the folds of his hood. Cheyne marvelled, keeping his amazement to a polite smile as he passed the man.

He read the card as he walked toward the Inner Ring Gate, wondering if he really had time to make this visit and then deciding that if favin were mad already, Cheyne might as well make their confrontation worth his while. And after all, he hadn't run into any real trouble from the incident out at the site. In fact, aside from Prince Maceo, no one had given him more than a second glance.

The western wall cast a longer shadow than Cheyne would have liked, but the lure of the card was impossible to deny. Since his search for the elf had proved futile, this could be the one chance he had at finding out what the glyph meant. The Fascini might already

SONG OF TIME

6 1

be demanding that Javin close the dig, and if they had to leave, Cheyne knew he would never get back here again. He hurried through the vacant streets and quickly came to the address written on the small square of vellum.

"The Arcanum* read the painfully elaborate gold lettering on the sign. Hie little shop was built up against the Citadel's wall and as closely to the gate leading to the Inner Ring as it could be. Cheyne pulled the chime and waited impatiently for several long minutes while the peephole slid open, then several more until the door was unbarred to admit him. Apparently, the Arcanum served a rather exclusive clientele.

Inside the foyer, Cheyne was assaulted by the pungent odors of cinnamon, clove, and shirrir smoke, an illegal narcotic spice, probably smuggled in on one of the few remaining caravans, which traveled irregularly and eastward only. He stood in near darkness for a moment, his eyes adjusting, until he was able to see the woman who had admitted him.

"Hello. I have come to-" he began, but the woman held up a plump, razor-nailed hand to silence him.

"Yes, I know why you have come. Vinzo sent a runner the minute you left his shop. Please enter my counting room, where there is more light," the woman replied in a cultured accent, her voice an unpleasant rasp.

Cheyne felt a marked uneasiness, but allowed himself to be swept forward through a purple beaded curtain and into a well-lit room. Lining the white plaster walls of the room were stacks of books and scrolls, and on every flat surface rested some kind of clock or timepiece. No wonder the scruffy clockmaker had this connection. He had probably supplied most of these objects.

A steward spread a cloth on the red velvet chair Cheyne was offered while the woman settled herself directly opposite him, a small glass-topped table between them. On it, half a freshly cut blood orange

6 2

Teri McLaren

glistened, and a small ruby-studded dagger dripping with the dark red juice lay very close to the woman's hand.

"My name is Riolla Hifrata. I have, as you see, a certain interest in antiquities. Perhaps i can help you. May I see the object?"

Cheyne hesitated, his gaze impolitely fixed on the creature before him. He had never seen anything like Riotla. She seemed to be a little older than he, but it was hard to tell-under the heavy, pale face paint, she could have hidden either youth or age. Her eyebrows arched up her forehead in thin, dark lines, and her bright pink smile seemed to be drawn permanently on full lips. Her eyes were vivid blue, the color of the high mountain lakes in Tarnrish, back home in Argivia. But the feature that continued to hold Cheyne's attention crowned Riolla's entire head. A bright, brassy sweep of curls rose to an impossible height and then cascaded halfway down her back, tendrils of it curling around her throat, framing her pendant: a single black pearl. Never had he seen such hair. Or such red hair. Though she affected the manners of the Fascini, Riolla looked as Neffian as the runners who bore Maceo's sedan.

"I said, may I see the object?" she repeated, a note of perplexing urgency in her voice.

"Oh. The object. Yes, well, I was wondering if you could help decipher the markings. I believe they must be Old High Sumifan, and it seems that no one reads that anymore. That's really all I need, you see." He fumbled, pulling the totem cautiously out from his pack.

"Of course, Muje…" She smiled, the corners of her mouth dimpling.

"It's Cheyne. lust Cheyne," he replied.

"Cheyne. Of course." She startled for a moment, then shifted her eyes distastefully away from him. He had no last name-an unforgivable sin in Sumifa. And he looked like a slave, with those blue eyes and that

SONG OF TIME

6 3

fair head of hair. "Just put it here." She patted the tabletop.

Cheyne hesitated, somewhat surprised. Cheyne wondered why Riolla had invoked the same rule of conduct as Maceo when clearly she was no Fascini, but he set the totem down on the table anyway. The steward picked it up, wiped it off, and handed it to her.

After a few moments of squinting at the glyphs, Riolla had written down six of the seven symbols and their meanings. She tapped the tabletop idly for a few minutes, giving the last glyph her complete concentration. The clocks in the room ticked and hummed in their particular rhythms. Riolla said nothing. Finally, Cheyne shifted uncomfortably in the delicate chair, its flimsy back giving forth a loud, grinding wrench. Riolla looked up at him and smiled mechanically, her answer composed.

Cheyne knew she was lying before she began to speak.

"This last one is the sign of the whirlpool. It is not seen often, for obvious reasons. The family looks to be of no importance either when this was inscribed or, certainly, later. There you have it."

She smiled even wider, waiting for his agreement. When he only looked away, she turned her attention to the totem again, pretending to admire its lines and the workmanship.

"Ah, where exactly did you find this piece, if I may ask?" she pressed gently, professional veneer thinly covering her intense interest.

"I picked it up out on the dunes," Cheyne said, reaching for the totem. Riolla feigned more appreciation and ignored his extended hand.

"Of course. You are a digger, no?" When he winced, her smile became tragic. "Cheyne, I like you. I am sorry I could not tell you that you had a valuable or important piece; I know how hard you people work for the little that you find. But I think I will make your coming to me worth your while. I do not ordinarily do this sort of