Brennan let him down gently and sat back on his heels, blinking rapidly. Not another one, he said to himself. Not another death. It was another thing Kien had to answer for. He stood, looked around, and saw nothing but fear on the faces of the people he had rescued. There was no sense in waiting. The police would only ask awkward questions. Like his name. There were plenty of people who would like to know that Daniel Brennan was still alive and back in the United States, Kien only one among them.

He had to leave before the police arrived. He had to follow the slim lead that Minh had left him. Chrysalis. Crystal Palace.

But he stopped, turned to the freed hostages. "… eed a pen," he said.

One of the waiters had a felt-tip marker that he wordlessly handed to Brennan. He paused for a moment. He wanted Kien to wake up at night in a cold sweat, thinking, wondering.

It wouldn't get to him right away, but, with enough messages, enough dead agents, it eventually would.

He scrawled a message next to the man nailed to the wall by his arrow. It said: "I'm coming for you, Kien."He stopped before signing it. His name wouldn't do. It would take the fear of the unknown from his attacks and give Kien, his agents, and his government contacts too concrete a clue to follow. He smiled as sudden inspiration struck him.

The code name of his last mission in Vietnam, when Kien had betrayed him and his unit into the hands of the North Vietnamese, had been Operation Yeoman. That name would make Kien think. He might suspect that it was Brennan who stood behind the name, but he wouldn't know for sure. It would gnaw at him in the night and salt his dreams with memories of deeds he'd thought long buried. It was also an appropriate name in a grimly ironic way. It suited him well.

He signed the short message Yeoman and then, in a burst of final inspiration, drew a small ace of spades, the Vietnamese symbol of death and ill-fortune, and colored it in. The Vietnamese waiters and kitchen help muttered to themselves at the sight of the mark, and the waiter from whom Brennan had borrowed the pen refused to take it back with quick, birdlike shakes of his head.

"Suit yourself," Brennan said. "How do I get to the Crystal Palace?"

One of them stammered directions and Brennan went back out through the kitchen, into the dark alley. He disassembled his bow, slipped it back into its case, and was gone before the police arrived. Still wearing his mask, he kept to the alleys and dark streets, passing other phantom figures in the darkness. Some watched him, some were absorbed in their own doings. None tried to stop him.

The Crystal Palace, on Henry, was part of a block-long three-story rowhouse. About half the row had been destroyed in the Great Jokertown Riot of 1976 and had never been rebuilt. Some of the debris had been cleared away, some remained in great piles sitting next to tottering walls. As Brennan passed he saw eyes, whether human or animal he couldn't tell, gleaming out from cracks and crevices within the piles of wreckage. He wasn't tempted to investigate. He went farther down the street to where the rowhouse was still intact, up the short stone staircase under a canopied entrance, through a small antechamber, and found himself in the main taproom of the Crystal Palace.

It was dark, crowded, and smoky. There was an occasional obvious joker, like the short, blubbery, tusked fellow peddling newspapers by the door and the bicephalic singer on the small stage managing some nice harmony on a Cole Porter tune. Some were normal enough until one looked close. Brennan noticed one man, normal, handsome even, except that he lacked a nose and mouth and had instead a long, curled proboscis that he extended like a straw into his drink as Brennan watched. Some wore costumes that called attention to their strangeness, as if to proclaim their infection in a defiant manner. Some wore masks to hide their deformities, although some who wore masks were naturals, or nats, in joker slang. "You a salesman?"

It took Brennan a moment to realize that the question was directed at him. He looked over to the end of the long wooden bar where a man sat on a high stool, swinging his short, stubby legs well clear of the floor. He was a dwarf, about four feet tall and four feet wide. His neck was as tall as a can of tuna fish and as thick as a man's thigh. He looked as solid and expressionless as a slab of marble.

"Those your samples?" he asked, gesturing at Brennans case with a hand that was twice the size of Brennan's. "Just the tools of my trade."

"Sascha."

One of the bartenders, a tall, thin man with a pencil mustache and an oily curl of hair falling limply over his forehead, turned toward the dwarf. Brennan had noticed him out of the corner of his eye, mixing and dispensing drinks with incredible speed and surety. When he turned at the dwarf's call Brennan saw that he had no eyes, only a blank, unbroken expanse of skin covering his sockets. The bartender looked in his direction and nodded rapidly.

"He's okay, Elmo, he's okay." The dwarf nodded and took his eyes off Brennan for the first time since he had spoken. Brennan frowned, was about to speak, but the bartender beat him to it. He pointed down to the other end of the bar and said, "She's over there."

Brennan pursed his lips. The eyeless man smiled briefly and turned away to mix another drink. Brennan looked in the direction the bartender had indicated and caught his breath.

A woman sat at a corner table with a slim, light-skinned black man who was wearing a red kimono splashed with yellow dragons and embroidered with what Brennan took to be mystical formulae. He was handsome, but for the bulging forehead that marred his profile. The chair he sat in was ordinary. The woman's chair was throne-sized, with a black walnut frame and red velvet cushions. She set down the thimble-sized crystal glass from which she was sipping a honey-colored liqueur, looked directly at Brennan, and smiled.

She wore pants that clung to her lithe figure and a sheathlike wrap that gathered over her right shoulder, leaving half her chest naked. Her skin was completely invisible, exposing vague, shadowy muscles and the organs that labored underneath them. Brennan could see blood pulsing in the network of veins and arteries that ran through her flesh, could see her ghostly, semitransparent muscles shift and glide at her slightest movement, could even see, faintly, the beating of her heart within the cage of her ribs and the fluttering of her lungs as they labored evenly and unceasingly.

She smiled at him. Brennan knew that he stared, but he couldn't help himself. She looked too bizarre to be beautiful, but she was fascinating. Her exposed breasts was totally invisible, save for its fine network of interlacing blood vessels and its large, dark nipple. Her face-well, who could tell? Her eyes were blue; her cheekbones, under the sheath of jaw muscle, high; her nose a cavity in her skull. Her lips, like the nipple of her breast, were visible. They were full and inviting and curved in a sardonic smile. She had no hair to hide her white skull. He threaded his way through the crowd toward her table and she watched him with what seemed to be, if he could read her bizarre expression, detached amusement. He watched the mechanism of her throat work as she sipped her drink.

"Forgive me," he began, and ran down to silence. She laughed. It was good-humored, with no bitterness, reproach, or anger. "Forgiveness granted, masked man," she said. "I'm a sight to behold. No one seeing me for the first time can act casual about it. I'm Chrysalis, owner and proprietress of the Crystal Palace, as I guess you know. This is Fortunato." The black looked at Brennan and he could see the man's eastern blood in the shape of his eyes. They nodded at each other wordlessly. There was, Brennan realized, an aura of power about this man. He was an ace, of that Brennan was suddenly sure.