The medical team wrapped the bodies of the victims and placed them in the ambulance as a wrecker hoisted what was left of the destroyed vehicle into the huge attached dumpster. The crew swept the street, several remarking that they should not sweep too thoroughly or no one would recognize the Lefebvre. A quarter of an hour later the job was finished; the wrecker departed, the lone patrolman joining the crew to be dropped off at the nearest police phone several blocks away. It was well past four o'clock in the morning, and soon the dawn would light up the sky over Paris, preceding the boisterous human carnival below. Now, however, the only signs of life on the boulevard Lefebvre were five lighted windows in the row of stone buildings controlled by Carlos the Jackal. Inside those rooms were men and women for whom sleep was not permitted. They had work to do for their monseigneur.
Bourne sat on the pavement, his legs outstretched, his back against the inside wall of a storefront across from the building where the frightened yet argumentative baker and the indignant nun had confronted the police. Bernardine was in a similar recess several hundred feet away, opposite the first building where the Jackal's van had stopped for its condemned cargo. Their agreement was firm: Jason would follow and take by force whoever left first from any building; the old Deuxième veteran would follow whoever left second, ascertain his or her destination, but make no contact. Bourne's judgment was that either the baker or the nun would be the assassin's messenger, so he had selected the north end of the row of stone houses.
He was partially right, but he had not anticipated an embarrassment of personnel and conveyances. At 5:17, two bicycles ridden by nuns in full habits and white hats wheeled up from the south side of the boulevard, ringing the muted bells on their handlebars as they stopped in front of the house that was supposedly the quarters of the Magdalen Sisters of Charity. The door opened and three additional nuns, each carrying a bicycle, walked out and down the brick steps to join their charitable sisters. They discreetly mounted their saddles and the procession started up the street; the one consoling fact for Jason was that Carlos's indignant nun took up the single rear position. Not knowing how it would happen, knowing only that it would happen, Bourne lurched out of the storefront and ran across the dark boulevard. As he reached the shadows of the deserted lot adjacent to the Jackal's house, another door opened. He crouched, watching the overweight irate baker waddle rapidly down his brick steps and head south. Bernardine had his work cut out for him, too, thought Jason as he got to his feet and ran after his procession of cycling nuns.
Paris traffic is an endless enigma regardless of the hour of day or night. It also provides palpable excuses for anyone wishing to be early or late, or having arrived at the right destination or the wrong one. In a phrase, Parisians behind a steering wheel embody the last civilized vestiges of lethal abandon-possibly outdone by their counterparts in Rome or Athens. And so it was for the Magdalen Sisters of Charity, especially for the officious superior hen on the single rear point. At an intersection of the rue Lecourbe in Montparnasse, a congestion of produce trucks prevented her from keeping up with her religious colleagues. Benignly she waved them on and abruptly turned into a narrow side street, suddenly pedaling faster than before. Bourne, his wound from Tranquility Isle now pulsating throughout his neck, did not increase his pace; he did not have to. The white-lettered blue sign on the building fronting the street read IMPASSE, a dead end; there was no other way out.
He found the bicycle chained to an extinguished street lamp and waited in the darkness of a doorway no more than fifteen feet away. He raised his hand and touched the warm moistness of the bandage around his neck; the bleeding was slight. With luck, no more than one suture had burst. ... Oh, Christ, his legs were tired-no, "tired" was inadequate. They ached with the pain that came with unused and abused muscles; the rhythmic strides of jogging, even running, were no preparation for lurching or weaving, or for violently sudden stops and starts. He leaned against the stone, breathing heavily, his eyes on the bicycle, trying to suppress a thought that kept recurring with infuriating regularity: only a few short years ago, he would never have noticed the discomfort in his legs. There would have been none.
The sound of an unlatched bolt broke the stillness of the predawn narrow street, followed rapidly by the grating noise of a heavy door being opened. It was the entrance to the flat in front of the chained bicycle. His back against the wall, Jason removed the gun from his belt and watched the woman in the nun's habit rush to the lamppost. She fumbled with a key in the dim light, awkwardly trying to insert it into the base of the lock. Bourne stepped out on the pavement and walked swiftly, silently forward.
"You'll be late for early Mass," he said.
The woman spun around, the key flying into the street, her black cloth snapping in the turn as she plunged her right hand between the folds of her habit. Jason lurched, gripping her arm with his left hand and tearing off the large white hat with his right. At the sight of the exposed face in front of him, he gasped.
"My God," he whispered. "It's you!"
27
"I know you!" cried Bourne. "Paris ... years ago ... your name is Lavier ... Jacqueline Lavier. You had one of those dress shops ... Les Classiques-St.-Honoré-Carlos's drop in the Faubourg! I found you in a confessional booth in Neuilly-sur-Seine. I thought you were dead." The woman's sharp, creased, middle-aged fade was contorted in frenzy. She tried to twist out of his grip, but Jason stepped sideways as she pivoted, yanking her away in a sweeping circular motion, crashing her against the wall, pinning her, his left forearm across her throat. "But you weren't dead. You were part of the trap that ended at the Louvre, blew apart at the Louvre! ... By Christ, you're coming with me. Men died in that trap-Frenchmen died-and I couldn't stay around and tell them how it happened or who was responsible. ... In my country, you kill a cop, it doesn't go off the books. It's no different over here; and when it's cops, they don't stop looking. Oh, they'll remember the Louvre, they'll remember their men!"
"You're wrong!" choked the woman, her wide green eyes bulging. "I'm not who you think I am-"
"You're Lavier! Queen of the Faubourg, sole contact to the Jackal's woman, the general's wife. Don't tell me I'm wrong ... I followed the two of you out to Neuilly-to that church with the bells ringing and priests everywhere-one of them Carlos! Moments later his whore came back out, but you didn't. She left in a hurry, so I ran inside and described you to an old priest-if he was a priest-and he told me you were in the second confessional from the left. I walked over and pulled the curtain and there you were. Dead. I thought you'd just been killed and everything was happening so fast. Carlos had to be there! He was within my reach, my gun-or maybe I was within his. I raced around like a maniac and finally I saw him! Out in the street in his priestly black clothes-I saw him, I knew it was him because he saw me and started to run through the traffic. And then I lost him, I lost him! ... But I had a card to play. You. I passed the word-Lavier's dead. ... It was just what I was supposed to do, wasn't it? Wasn't it?"
"I tell you again, you are wrong!" The woman no longer struggled; it was pointless. Instead, she remained rigid against the wall, no part of her body moving, as if by doing so she might be permitted to speak. "Will you listen to me?" she asked with difficulty, Jason's forearm still pressed against her throat.