"News bulletin, Ms. May. People don't like outsiders poking into their private affairs."

"Oh, bull. People line up to tell me their stories."

The wind lifted, swirled. She shivered despite her jacket. At the corner of her eyes, just beyond her vision, she kept seeing reflections of blood gleaming. Yet when she turned quickly there was nothing to see but Dan, looming over her like a stone monument.

If he hadn't kept her from a nasty fall down the cellar stairs, she'd be wondering if he'd used one of the rats trapped in the archives to decorate her pillow.

She shuddered again.

Dan discovered he didn't have the heart to see the naive little busybody shiver when he could make her comfortable. "Come on. Let's get inside before you freeze."

Lucia opened the door as soon as Dan knocked. If rumor was correct, she was some kind of cousin to his mother. Right or wrong, it didn't matter to him. He didn't want anything to do with the man who had fathered his mother and abandoned her before she was even born. Sperm donor. Nothing familial. Certainly nothing personal.

"Come in," Lucia said. She had the face of a woman whose life had never been easy. "I have coffee, if you like."

Dan thanked her and made introductions. He didn't miss the edgy speculation in Lucia's eyes when she met Carly.

"Miss Winifred asked me to talk to you," Lucia said, "but she didn't say what I was supposed to talk about."

"Your family has been in the valley as long as the Castillos and longer than the Quintrells," Carly said.

Lucia didn't say anything.

Carly searched the other woman's intent dark eyes and admired the single black braid that lay heavily over one shoulder. Her features were an intriguing mix of Old World Spanish and New World Native American. Her skin was luminous despite the wrinkles at the corner of her eyes and the brackets of unhappiness around her mouth.

"I'm interested in stories of the old days that were passed down to you by your parents and grandparents," Carly said, "or pictures you might have of the land and the people generations ago."

"Ah, the past," Lucia said, breathing out in relief. "Si. Yes. I'm as close to a family historian as the Sandovals have."

"Wonderful!"

Carly's enthusiasm made Lucia smile for the first time.

"I'm not organized, you understand," Lucia said quickly. "I just kept the old pictures and mementos that other family members couldn't find room for."

A sleepy voice came from the back of the house. Lucia answered in Spanish that was as fluent as her English, telling the boy to go back to sleep, everything was fine, his aunt was here to take care of him.

"Where is his mother?" Dan asked. He didn't have to ask where the father was. A man who was caught with twenty pounds of Mexican brown heroin spent time in prison, no matter how good his lawyer was.

Lucia lifted one shoulder. "She went back to Mexico with the girls. The boys stayed. It was what Armando wanted. Perhaps when Eduardo is free again…"

Carly started to ask a question, caught the slight negative shake of

Dan's head, and made a sound of frustration. She was tired of swallowing questions around him.

Pretending to search his pockets, Dan leaned down and said very softly in Carly's ear, "Later." Then he straightened and said to Lucia, "Miss Winifred asked me to give you this."

Lucia took the money. When she saw the size of some of the bills, her eyes widened.

So did Carly's. The money had multiplied many times over in Dan's pocket. There were several hundred dollars now.

Tears gleamed in Lucia's eyes for a moment. She tucked the money out of sight, deep in the pocket of her worn jeans. "Miss Winifred is a saint," she said huskily.

Dan doubted that, but didn't say it aloud.

"Sit, sit," Lucia said, gesturing toward a clean threadbare couch covered by a colorful weaving. "I will bring the photos and coffee."

Carly sat down in the middle of the couch, rested her fingers on the recorder at her waist, and wondered if she should bring up the subject of recording the conversation. The couch cushion next to her sank beneath Dan's solid weight.

"Don't ask to record anything," he said quietly.

She jumped. "What are you, a mind reader?"

"Nothing that fancy. I saw you touching the recorder. And don't ask about the missing husband and his brother, Eduardo. The brother is doing hard time for selling Mexican brown. The husband, the husband's father, and his uncles on his father's side run the smuggling organization that gives Rio Arriba TypeCounty the highest rate of heroin overdose deaths per capita in the United States."

Carly didn't know what to say. Dan's words were as disorienting as falling down stairs. Sure, she knew that drugs came up from Mexico into New Mexico, but it wasn't real to her. It wasn't something that ordinary people dealt with. She took a slow breath and looked around the room. Nothing showed the kind of wealth she expected from the wife of a man who had a successful heroin smuggling business.

"This isn't Armando's house," Dan said. "It's Lucia's."

"Now I know you're a mind reader."

"Just a trained observer with a working knowledge of human psychology," Dan said. "Drugs equal wealth if you're selling them, poverty if you're taking them. Lucia isn't taking them and doesn't want to know anything about the heroin business. She lives on her income from working for the Quintrells. Her husband, Armando, lives with her when he feels like it. Right now, he's probably in Las Trampas bragging to the homeboys over mugs of homemade pulque about how he outwitted the Anglos again."

"Armando, the cockfighter?"

"That's him. When he's not smuggling drugs."

"Right." She swallowed and hoped Armando didn't plan on visiting his wife tonight. "So what is it safe to ask about?"

"Anything that the statute of limitations has run out on."

At first she thought he was joking. Then she realized that he wasn't.

"That doesn't help me," she said. "I'm a personal historian, not a criminal lawyer."

"Thirty years in the past is okay, especially if your recorder is off. Otherwise, I'd go for fifty years. The Sandovals make bad enemies."

Carly swallowed her response as Lucia came into the room with two mugs of coffee on a battered tray. She held a large worn manila envelope clamped between her right upper arm and her body.

"Milk? Sugar?" Lucia asked.

"Not for me," Dan said.

Carly thought about asking for something just to get Lucia out of the room long enough to ask Dan more questions, but didn't. She really hated sugary or milky coffee. If she asked for it, she'd have to drink it. "No thanks."

Lucia put the tray in front of her guests, sat down next to Carly, and grabbed the envelope. It was several inches thick and patched many times with various kinds of tape.

"It's been years since I looked at any of these." Lucia pulled out a sheaf of photos of all sizes. "None of the kids are interested yet. Maybe they'll never be." She shrugged. "What will be will be."

Carly looked at the weariness on Lucia's face, in the line of her shoulders. "I appreciate this, but I don't want to keep you from anything."

Sleep, for instance. The woman looked like she could use a few weeks of it, uninterrupted.

Lucia's smile was tired and real. "The children are sick. It will pass. I wouldn't want to disappoint Miss Winifred."

"She would understand if-"

"No, no." Lucia waved off Carly's words and began spreading pictures on the coffee table.

Most of them were school photos, baptisms, marriages, engagements, Quinceaneras-a girl's coming-out party at fifteen-first babies, funerals, graduations, and formal celebrations. Since they weren't of members of the Quintrell or Castillo family line, the pictures weren't much use to Carly. She'd seen many like them; only the names attached to the smiling faces differed. That was one of the things that struck her each time she opened a family's photo collection-the sameness of the pictures, the singularity of the identities, and the subtle genetic threads weaving it all together. She'd become pretty good at picking out the shape of eyes, smiles, posture, hairlines, bone structure, and the like, as each appeared and reappeared from generation to generation.