Изменить стиль страницы

For the strangest and most unnatural thing about the shaft was simply that it was unnatural, not something occurring in or driven through solid rock — in fact, there was no sign of rock anywhere — but floor after floor, tiered endlessly downward, of artificial structure and habitable inner volume. The floors began after a blank hundred feet or so at the top and were never afterwards interrupted.

He could count hundreds of those floors, he was sure, before they began to merge and run together, again due solely to the limitations of his vision. Yet judging by the ones toward the top, they were very tall, spacious floors, suggesting a life of perhaps more than human grandeur and scope, despite the, to him, claustrophobic feel of such a downward infinity of rooms and corridors.

The only comparisons for it that he could dredge from his memory — and they were most inadequate comparisons — were the inner courts, tiered with balconies, of certain large department stores and office buildings, or perhaps a skylight shaft shooting down through the stacks of some vast unmicro-filmed old library.

Far below now he thought he could see small airships winging across the shaft, and perhaps up and down it, like lazy beetles, and some of those seemed to twinkle too, like the phosphorescent beetles of the tropics.

In his desire to peer deeper into the pit, he leaned out farther over it, gripping tightly with his bare hands the upper of two satin-smooth silver rails that fenced it. Even that simple feature of his surroundings was unnatural and indicative of their powers, for the rails had no supports. They were a pair of mile-wide, thin silver hoops hung two and a little more than three feet above the pit’s margin. Or, if there were invisible uprights, he had not yet touched or kicked into them. He could see only a couple of hundred yards of the hoops in either direction; beyond that they vanished like telegraph wires. However, he assumed they went all the way around.

But with so many signs of them down below, and evidences of their workmanship everywhere, their science and technology, so near magic, where were they? Why had he been left alone so long?

He turned his back on the pit and peered all around him uneasily, but nowhere on the silver pavement nor about the smooth, windowless, geometric structures rising from it could he see a living figure, or any figure he judged might be living — humanoid, animal, or otherwise.

The two violet-and-yellow, bulge-centered saucers still hung enigmatically a dozen feet above the pavement, just as when he’d last turned his back on them, and the Baba Yaga stood midway between them, exactly as he’d left it. This was what had happened so far: when the voice had called to him in its faintly slurred, oddly thrilling English, he had unsuited obediently, almost eagerly, and quickly climbed down out of the Baba Yaga, but there had been no one there. After waiting for minutes at the foot of the ladder, he had walked over to the pit and been enthralled.

Now he began to wonder if the voice mightn’t have been pure illusion. It was unreasonable to think of an alien being able to speak English without any preliminary parleying. Or was it? Their powers…

He took a deep breath. At least the air seemed real enough.

The silence was profound, except that when he held still and relaxed and closed his eyes and let out his breath softly, he thought he could hear the faintest, muted, deep-throated rumbling. The blood of this strange planet, coursing? Or only his own blood? Or the rumbling might come from the pillar of moon rock hurtling into the other pit, no farther beyond the Baba Yaga and the invisibly suspended saucers than he was standing in front of them.

The gray pillar, occupying a full third of his horizon but tapering swiftly almost to a point at the top of the sky, looked at first glance like a solid mountain, except that he knew it was plunging steadily downward at a speed great enough to make its component particles and fragments individually invisible — presumably the same ten miles a second at which he’d judged it to be moving above the sky-film that roofed the atmosphere.

As he watched the pillar, he began to see slow changes in its contours — bulgings and channelings that formed slowly and held their shape for many seconds and then shifted into other smooth forms. It reminded him of the grotesque bulgings and groovings that a stream from a faucet will hold — sometimes so persistently that the shape seems to be one of solid crystal rather than rushing water.

But how could the thing be moving at such a supersonic velocity — two seconds from the sky to the floor! — through the palpable air — the air he knew had to be there because he was breathing it — without creating a fierce and tumultuous dust storm of eddies in that air, without a roar like that of a dozen first-stage rockets or a score of Niagaras?

They must, somehow, perhaps using an unheard-of field, have created a wall-less vacuum channel, just as surely as they must have created — now he came to think of it — similar wall-less tubular vacua for the Baba Yaga and its escorts to travel through after they burst the sky-film…and, even before that, through the thin plasma and micro-meteorites of space.

He continued to stare up the weirdly foreshortened gray pillar. How long could this monstrous transfer go on? How long would the moon last, even as an ellipsoid of pale gravel spreading into a ring, at this rate of depletion? How long would there be any moon-stuff left outside the Wanderer?

From the sector of his brain schooled in engineering and solid geometry sprang almost at once the first-approximation answer, that it would take eight thousand days for one such rock stream, moving ten miles a second, to transport the moon’s entire substance. He had seen only a dozen of the rock streams.

But they might speed up the streams, and there might be another set at the Wanderer’s south pole, and others being brought into existence. Looking aside from the pillar, he now did see three more in the distance: they looked like great gray waterspouts twisting up toward the sky.

The sky was now all dark blues and greens and browns, slowly swirling in a great edge-blended river, austere and menacing. He looked down toward the paler structures ringing the empty silver pavement except where the pits were; he let his gaze travel around the pillar-broken circle of those smoothly monstrous, multiform, pastel-shaded solidities, and it seemed to him that some of the more distant ones had changed position and shape — and in some cases crept closer — since he’d last studied them.

The idea of great buildings — or whatever they were — moving about when there were no other signs of life disturbed him greatly and he turned back to the silver-railed pit behind him to scan its topmost levels, almost desperately, for indications of some smaller-scale activity. He tried to look at the top floors immediately below him, or close to either side, but the silver lip on which he was standing overlapped the pit itself for several yards like a roof and cut off his view. So he peered across at the topmost windows and balconies, and after a while he began to think he could see small figures moving in them, but at a mile or even a half mile it wasn’t easy to be sure of that, and anyway his eyes were beginning to swim and prickle. He was wondering whether he dared return to the cabin for the binoculars — when a voice, sweet-toned yet commanding, spoke from behind him. “Come!”

Don turned around very slowly. Standing a little taller than himself, not twenty feet away, with the erect grace and pride of a matador, was a lean, silky, red-splotched black biped of shape midway between feline and anthropoid. It looked like a high-foreheaded cheetah a little bigger than a mountain lion and standing as a man stands, or like a slim, black-furred, red-pied tiger wearing a black turban and a narrow red mask — the turban being the unfeline frontal and temporal bulge. Its tail rose like a red spear behind its back. Its ears were pointed. Its serene eyes were large, with something flowerlike about the pupils.