4
When Susan came in twenty minutes later, there was no sign of her aunt’s strain and rage; Cordelia had put them away as one might store a dangerous weapon-a gun, say-on a high closet shelf. She was back in her rocker, knitting, and the face she turned to Susan’s entry had a surface serenity. She watched the girl go to the sink, pump cold water into the basin, and then splash it on her face. Instead of reaching for a towel to pat herself dry, Susan only looked out the window with an expression that frightened Cordelia badly. The girl no doubt fancied that look haunted and desperate; to Cordelia, it looked only childishly willful.
“All right, Susan,” she said in a calm, modulated voice. The girl would never know what a strain it was to achieve that tone, let alone maintain it. Unless she was faced with a willful teenager of her own one day, that was. “What’s fashed thee so?”
Susan turned to her-Cordelia Delgado, just sitting there in her rocker, calm as a stone. In that moment Susan felt she could fly at her aunt and claw her thin, self-righteous face to strings, screaming This is your fault! Yours! All yours! She felt soiled-no, that wasn’t strong enough; she felt filthy, and nothing had really happened. In a way, that was the horror of it. Nothing had really happened yet.
“It shows?” was all she said.
“Of course it does,” Cordelia replied. “Now tell me, girl. Has he been on thee?”
“Yes… no… no.”
Aunt Cord sat in her chair, knitting in her lap, eyebrows raised, waiting for more.
At last Susan told her what had happened, speaking in a tone that was mostly flat-a little tremble intruded toward the end, but that was all. Aunt Cord began to feel a cautious sort of relief. Perhaps more goose-girl nerves was all it came down to, after all!
The substitute gown, like all the substitutes, hadn’t been finished off; there was too much else to do. Maria had therefore turned Susan over to blade-faced Conchetta Morgenstem, the chief seamstress, who had led Susan into the downstairs sewing room without saying anything-if saved words were gold, Susan had sometimes reflected, Conchetta would be as rich as the Mayor’s sister was reputed to be.
Blue Dress With Beads was draped over a headless dressmaker’s dummy crouched beneath one low eave, and although Susan could see ragged places on the hem and one small hole around to the back, it was by no means the tattered ruin she had been expecting.
“Can it not be saved?” she asked, rather timidly.
“No,” Conchetta said curtly. “Get out of those trousers, girl. Shirt, too.”
Susan did as she was bid, standing barefoot in the cool little room with her arms crossed over her bosom… not that Conchetta had ever shown the slightest interest in what she had, back or front, above or below.
Blue Dress With Beads was to be replaced by Pink Dress With Applique, it seemed. Susan stepped into it, raised the straps, and stood patiently while Conchetta bent and measured and muttered, sometimes using a bit of chalk to write numbers on a wall-stone, sometimes grabbing a swag of material and pulling it tighter against Susan’s hip or waist, checking the look in the full-length mirror on the far wall. As always during this process, Susan slipped away mentally, allowing her mind to go where it wanted. Where it wanted to go most frequently these days was into a daydream of riding along the Drop with Roland, the two of them side by side, finally stopping in a willow grove she knew that overlooked Hambry Creek.
“Stand there still as you can,” Conchetta said curtly. “I be back.”
Susan was hardly aware she was gone; was hardly aware she was in Mayor’s House at all. The part of her that really mattered wasn’t there. That part was in the willow grove with Roland. She could smell the faint half-sweet, half-acrid perfume of the trees and hear the quiet gossip of the stream as they lay down together forehead to forehead. He traced the shape of her face with the palm of his hand before taking her in his arms…
This daydream was so strong that at first Susan responded to the arms which curled around her waist from behind, arching her back as they first caressed her stomach and then rose to cup her breasts. Then she heard a kind of plowing, snorting breath in her ear, smelled tobacco, and understood what was happening. Not Roland touching her breasts, but Hart Thorin’s long and skinny fingers. She looked in the mirror and saw him looming over her left shoulder like an incubus. His eyes were bulging, there were big drops of sweat on his forehead in spite of the room’s coolness, and his tongue was actually hanging out, like a dog’s on a hot day. Revulsion rose in her throat like the taste of rotten food. She tried to pull away and his hands tightened their hold, pulling her against him. His knuckles cracked obscenely, and now she could feel the hard lump at the center of him.
At times over the last few weeks, Susan had allowed herself to hope that, when the time came, Thorin would be incapable-that he would be able to make no iron at the forge. She had heard this often happened to men when they got older. The hard, throbbing column which lay against her bottom disabused her of that wistful notion in a hurry.
She had managed at least a degree of diplomacy by simply putting her hands over his and attempting to draw them off her breasts instead of pulling away from him again (Cordelia, impassive, not showing the great relief she felt at this).
“Mayor Thorin-Hart-you mustn’t-this is hardly the place and not yet the time-Rhea said-”
“Balls to her and all witches!” His cultured politician’s tones had been replaced by an accent as thick as that in the voice of any back-country farmhand from Onnie’s Ford. “I must have something, a bonbon, aye, so I must. Balls to the witch, I say! Owlshit to 'er!” The smell of tobacco a thick reek around her head. She thought that she would vomit if she had to smell it much longer. “Just stand still, girl. Stand still, my temptation. Mind me well!”
Somehow she did. There was even some distant part of her mind, a part totally dedicated to self-preservation, that hoped he would mistake her shudders of revulsion for maidenly excitement. He had drawn her tight against him, hands working energetically on her breasts, his respiration a stinky steam-engine in her ear. She stood back to him, her eyes closed, tears squeezing out from beneath the lids and through the fringes of her lashes.
It didn’t take him long. He rocked back and forth against her, moaning like a man with stomach cramps. At one point he licked the lobe of her ear, and Susan thought her skin would crawl right off her body in its revulsion. Finally, thankfully, she felt him begin to spasm against her.
“Oh, aye, get out, ye damned poison!” he said in a voice that was almost a squeal. He pushed so hard she had to brace her hands against the wall to keep from being driven face-first into it. Then he at last stepped back.
For a moment Susan only stood as she was, with her palms against the rough cold stone of the sewing room wall. She could see Thorin in the mirror, and in his image she saw the ordinary doom that was rushing at her, the ordinary doom of which this was but a foretaste: the end of girlhood, the end of romance, the end of dreams where she and Roland lay together in the willow grove with their foreheads touching. The man in the mirror looked oddly like a boy himself, one who’s been up to something he wouldn’t tell his mother about. Just a tall and gangly lad with strange gray hair and narrow twitching shoulders and a wet spot on the front of his trousers. Hart Thorin looked as if he didn’t quite know where he was. In that moment the lust was flushed out of his face, but what replaced it was no better-that vacant confusion. It was as if he were a bucket with a hole in the bottom: no matter what you put in it, or how much, it always ran out before long.