What she said was, “Do you want tea?”
“Yes. A cup of tea would be good.”
She went to the door and paused there, rubbing her forearms through her sweater. “It's my fault as much as yours,” she said. “What were we doing while he was going through that… dream, or whatever it was?”
“Wendy-”
“We were sleeping,” she said. “Sleeping like a couple of teenage kids with their itch nicely scratched.”
“Stop it,” he said. “It's over.”
“No,” Wendy answered, and gave him a strange, restless smile. “It's not over.”
She went out to make tea, leaving him to keep watch over their son.
36. The Elevator
Jack awoke from a thin and uneasy sleep where huge and ill-defined shapes chased him through endless snowfields to what he first thought was another dream: darkness, and in it, a sudden mechanical jumble of noises-clicks and clanks, hummings, rattlings, snaps and whooshes.
Then Wendy sat up beside him and he knew it was no dream.
“What's that?” Her hand, cold marble, gripped his wrist. He restrained an urge to shake it off-how in the hell was he supposed to know what it was? The illuminated clock on his nightstand said it was five minutes to twelve.
The humming sound again. Loud and steady, varying the slightest bit. Followed by a clank as the humming ceased. A rattling bang. A thump. Then the humming resumed.
It was the elevator.
Danny was sitting up. “Daddy? Daddy?” His voice was sleepy and scared.
“Right here, doc,” Jack said. “Come on over and jump in. Your mom's awake, too.”
The bedclothes rustled as Danny got on the bed between them. “It's the elevator,” he whispered.
“That's right,” Jack said. “Just the elevator.”
“What do you mean, just?” Wendy demanded. There was an ice-skim of hysteria on her voice. “It's the middle of the night. Who's running it?”
Hummmmmmm. Click/clank. Above them now. The rattle of the gate accordioning back, the bump of the doors opening and closing. Then the hum of the motor and the cables again.
Danny began to whimper.
Jack swung his feet out of bed and onto the floor. “It's probably a short. I'll check.”
“Don't you dare go out of this room!”
“Don't be stupid,” he said, pulling on his robe. “It's my job.”
She was out of bed herself a moment later, pulling Danny with her.
“We'll go, too.”
“Wendy-”
“What's wrong?” Danny asked somberly. “What's wrong, Daddy?”
Instead of answering he turned away, his face angry and set. He belted his robe around him at the door, opened it, and stepped out into the dark hall.
Wendy hesitated for a moment, and it was actually Danny who began to move first. She caught up quickly, and they went out together.
Jack hadn't bothered with the lights. She fumbled for the switch that lit the four spaced overheads in the hallway that led to the main corridor. Up ahead, Jack was already turning the corner. This time Danny found the switchplate and flicked all three switches up. The hallway leading down to the stairs and the elevator shaft came alight.
Jack was standing at the elevator station, which was flanked by benches and cigarette urns. He was standing motionless in front of the closed elevator door. In his faded tartan bathrobe and brown leather slippers with the rundown heels, his hair all in sleep corkscrews and Alfalfa cowlicks, he looked to her like an absurd twentieth-century Hamlet, an indecisive figure so mesmerized by onrushing tragedy that he was helpless to divert its course or alter it in any way.
(jesus stop thinking so crazy-)
Danny's hand bad tightened painfully on her own. He was looking up at her intently, his face strained and anxious. He had been catching the drift of her thoughts, she realized. Just bow much or how little of them he was getting was impossible to say, but she flushed, feeling much the same as if he had caught her in a masturbatory act.
“Come on,” she said, and they went down the hall to Jack.
The hummings and clankings and thumpings were louder here, terrifying in a disconnected, benumbed way. Jack was staring at the closed door with feverish intensity. Through the diamond-shaped window in the center of the elevator door she thought she could make out the cables, thrumming slightly. The elevator clanked to a stop below them, at lobby level. They beard the doors thump open. And…
(party)
Why had she thought party? The word had simply jumped into her head for no reason at all. The silence in the Overlook was complete and intense except for the weird noises coming up the elevator shaft.
(must have been quite a party)
(???WHAT PARTY???)
For just a moment her mind had filled with an image so real that it seemed to be a memory… not just any memory but one of those you treasure, one of those you keep for very special occasions and rarely mention aloud. Lights… hundreds, maybe thousands of them. Lights and colors, the pop of champagne corks, a forty-piece orchestra playing Glenn Miller's “In the Mood.” But Glenn Miller had gone down in his bomber before she was born, how could she have a memory of Glenn Miller?
She looked down at Danny and saw his head had cocked to one side, as if he was hearing something she couldn't hear. His face was very pale.
Thump.
The door had slid shut down there. A humming whine as the elevator began to rise. She saw the engine housing on top of the car first through the diamondshaped window, then the interior of the car, seen through the further diamond shapes made by the brass gate. Warm yellow light from the car's overhead. It was empty. The car was empty. It was empty but
(on the night of the party they must have crowded in by the dozens, crowded the car way beyond its safety limit but of course it had been new then and all of them wearing masks)
(????WHAT MASKS????)
The car stopped above them, on the third floor. She looked at Danny. His face was all eyes. His mouth was pressed into a frightened, bloodless slit. Above them, the brass gate rattled back. The elevator door thumped open, it thumped open because it was time, the time had come, it was time to say
(Goodnight… goodnight… yes, it was lovely… no, i really can't stay for the unmasking… early to bed, early to rise… oh, was that Sheila?… the monk?… isn't that witty, Sheila coming as a monk?… yes, goodnight…good)
Thump.
Gears clashed. The motor engaged. The car began to whine back down.
“Jack,” she whispered. “What is it? What's wrong with it?”
“A short circuit,” he said. His face was like wood. “I told you, it was a short circuit.”
“I keep hearing voices in my head!” she cried. “What is it? What's wrong? I feel like I'm going crazy!”
“What voices?” He looked at her with deadly blandness.
She turned to Danny. “Did you-?”
Danny nodded slowly. “Yes. And music. Like from a long time ago. In my head.”
The elevator car stopped again. The hotel was silent, creaking, deserted. Outside, the wind whined around the eaves in the darkness.
“Maybe you are both crazy,” Jack said conversationally. “I don't hear a goddamned thing except that elevator having a case of the electrical hiccups. If you two want to have duet hysterics, fine. But count me out.”
The elevator was coming down again.
Jack stepped to the right, where a glass-fronted box was mounted on the wall at chest height. He smashed his bare fist against it. Glass tinkled inward. Blood dripped from two of his knuckles. He reached in and took out a key with a long, smooth barrel.
“Jack, no. Don't.”
“I am going to do my job. Now leave me alone, Wendy!”
She tried to grab his arm. He pushed her backward. Her feet tangled in the hem of her robe and she fell to the carpet with an ungainly thump. Danny cried out shrilly and fell on his knees beside her. Jack turned back to the elevator and thrust the key into the socket.