Ixidor mixed kohl and calcimine. They formed a silvery hue, like mercury, shot through with light and shadow. He dabbed it onto the ferry, a simple glob in the relative shape of a man. He gave him arms and legs, hands and feet-but no mouth, no eyes, voice, or will. The man was simply an outline, a hole in reality. This was the sort of man Ixidor was prepared to live with.

Looking away from the canvas, he stared down the long beach. The barge waited below, its mercurial attendant leaning on the long pole.

Ixidor stowed the brushes and capped the paint pots, ready to descend to his creation. He lifted the easel and strode down the sandy slope. Only sweat and paint garbed him. It didn't matter. In skin, he was more fully garbed than the unman who waited below. The sands burned Ixidor's feet, a good sensation-purifying and purgative. He strode down to the barge and set up his easel on its floor. Then, before alighting himself, he immersed himself in the cool waters. They washed away sweat and paint.

Wet and naked, he stepped into the barge and stood beside his finished canvas. Only then did he look to that amorphous shadow, the unman who waited.

"Care much for art?" Ixidor asked, indicating the painting.

The unman did not move and made no reply.

Ixidor nodded. 'Take me to my palace."

The barge man set his pole and pushed away from shore. The boat glided out on the glimmering flood. With each thrust of the pole, they moved nearer to the glorious palace. Its true proportions resolved themselves, with walkways large enough for elephants and halls huge enough for dragons. It was a maze in three dimensions-or more, for all its warping of height, width, and depth-a labyrinth of mind.

The unman poled for two miles across the waters to a stone landing. Ixidor would have to walk two more miles of curved stairways and deceptive corridors to a room where he might sleep. He enlisted the unman to carry his easel, though he was unnerved by the thing's inscrutable silence.

They climbed. Thrice they arrived back at the same landing. Only when Ixidor gave in and slumped against a wall did he find himself suddenly outside this grand private chambers.

Tall double doors gilt in gold swung inward to a high hall. Red velvet and ornate tapestries adorned the walls, and thick rugs covered floors of white marble. An enormous canopy bed stood to one side, and to the other stood a wardrobe that was infinitely deep and brimming with clothes all his size. Another cabinet held all his art supplies. From it, he drew new brushes, a new palette, and a new canvas. The best feature of the room, though, was the broad bank of windows that opened onto a huge balcony.

Ixidor walked out onto it. The stony space hung between sky and water as if it floated. Views through two hundred seventy degrees of arc showed only endless sky and endless water. There Ixidor set up his easel.

"You may go," he said over his shoulder to the unman.

The creature retreated among the shadows.

Ixidor opened the kobold blue and the calcimine and mixed up a whole new palette. Soon there would be fresh-water dolphins and manatees swimming below, with lake bass to feed them. The sky was his palette, too, and he would fill it with aerial jellyfish and coiling sea monsters, flying mantas and schools of cerulean cetaceans. His world would teem with things, all of them under his control.

No longer need he limit his mind to possibilities. No longer need he lurk among memories he could not change, for before him lay futures he could change forever.

CHAPTER THIRTEEN: THE MAGNIFICENT ADDICTION

Staff in hand and hale at last, Kamahl ascended the Gorgon Mount. No beasts confronted him this day. They had seen him kill. the mantis druid a month ago. The monsters cringed away, as well they should, for Kamahl would have slain any of them. He planned to destroy even the source of their power, the thing that had made them: the Mirari sword. The beasts knew it.

So did the forest. It had no intention of allowing him to succeed.

From the top of the green canopy, a great bough crashed down toward him. Kamahl couldn't leap aside in time, but he planted his century stalk. It was like a lightning rod, channeling the power of the forest against the forest. The bough struck the staff and split. Massive halves fell to either side of Kamahl.

He stared down at the cross-section. The heartwood of the bough was slender and rotten, but the quick was a single thick ring-all that growth in one year. The Mirari had perverted the singular power of the forest, turning growth to cancer. It had seduced an entire land.

Why do you persecute me? The voice of the wood rose through the staff and shook Kamahl's hand. You, who swore to defend me.

Kamahl climbed up the riven bole and strode toward the spirit well. "I do defend you. I defend you against yourself."

Since last he had departed this cave mouth, it had grown, like all else. Now it seemed the throat of a volcano. Steep sides of mud, shot through with roots, descended to a deep black pit. It would seem an easy enough descent, but when Kamahl's boot dislodged a stone, it rolled down to be snatched up and crushed by the root tangle.

The forest again spoke through his staff. / do not wish you to descend. I wish to keep the sword.

Kamahl nodded gravely. "With the Mirari, what you wish is what will kill you."

No. What I wish is what will kill you.

Kamahl lifted the staff, tucked it to his waist, and hurled himself out over the root network. The white tendrils came alive. They rose and reached. Kamahl flipped over and fell, slipping just past the snapping roots. He plunged. A tip snagged his armor and yanked him back, but he whirled the century stalk and broke its hold. Planting the butt of the staff in the steep wall, Kamahl vaulted down into the blackness.

He passed the hoary lip of the hole and dropped for ten pounding pulses until his feet struck stone. He rolled along a smooth pathway, a wall rising to one side and a sheer drop falling away to the other. Kamahl came to a stop in a small alcove. Sitting there, he panted and waited for his balance to return.

The bright heat of the forest had given way to the dark chill of the underworld. Mutating magic clawed at his flesh and would have twisted or destroyed Kamahl if not for the century staff.

He rose, his eyes adjusting to the light. Staff in hand, he strode out of the alcove and down the tortuous path. Ahead, the trail ended. Wide-spaced peaks jutted above a sheer drop. Kamahl jumped to one, then another, then a third. He bounded to a narrow lip of stone on the far side and ran down a slope of loose scree. At its base, he entered a deep, twisting cavern. While the rocks above had been jagged and broken, shattered by the traumas of growth, these passages were smooth, as if they had been melted. As Kamahl took a few more steps, he realized why. The stone itself was waxy, not hot but quick-growing, changing, moving.

He stood within the cancer itself, and the cancer knew him.

The stone beneath his feet shifted. It withdrew into shallow wells, the edges of which formed claws that clutched Kamahl's feet. He leaped and barely got free, his left foot trailing blood. It would pay to be quick now. He ran. The passage was morphing around him, struggling to close.

Ahead, a narrow section pulled in like a drawstring pouch. Kamahl leapt, leading with his century staff. It rammed through the opening. Kamahl followed. Arms, head, waist-the rock closed over his knees. Growling, Kamahl wrenched himself and his staff through the valve, which slammed shut behind him. He rose quickly, planting the pole for balance.

Through it, the forest spoke. If you think it is hard to get in, imagine how hard it will be to get out.