He sweeps past, the plow spurning cloudy snow into the gully. The Camaro, already drifted to the windows, is now buried to the roof-line. Later, in the deepest part of a stormy twilight when even the things directly in front of you look unreal, the second-shift man drives by, headed in the opposite direction, and entombs it.

Paul opened his eyes and looked at the plaster ceiling. There was a fine series of hairline cracks up there that seemed to make a trio of interlocked W's. He had become very familiar with them over the endless run of days he had lain here since coming out of the cloud, and now he traced them again, idly thinking of w words such as wicked and wretched and witchlike and wriggling.

Yes.

Could have been that way. Could have been.

Had she thought of what might happen when his car was found?

She might have. She was nuts, but being nuts didn't make her stupid.

Yet it had never crossed her mind that he might have a duplicate of Fast Cars.

Yeah. And she was right. The bitch was right. I didn't.

Images of the blackened pages floating up, the flames, the sounds, the smell of the uncreation - he gritted his teeth against the images and tried to shut his mind away from them; vivid was not always good.

No, you didn't, but nine out of ten writers would have - at least they would if they were getting paid as much as you have been for even the non-Misery books. She never even thought of it.

She's not a writer.

Neither is she stupid, as I think we have both agreed. I think that she is filled with herself - she does not just have a large ego but one which is positively grandiose. Burning it seemed to her the proper thing to do, and the idea that her concept of the proper thing to do might be short-circuited by something so piddling as a bank Xerox machine and a couple of rolls of quarters… that blip just never crossed her screen, my friend.

His other deductions might be like houses built on quicksand, but this view of Annie Wilkes seemed to him as solid as the Rock of Gibraltar. Because of his researches for Misery, he had rather more than a layman's understanding of neurosis and psychosis, and he knew that although a borderline psychotic might have alternating periods of deep depression and almost aggressive cheerfulness and hilarity, the puffed and infected ego underlay all, positive that all eyes were upon him or her, positive that he or she was staffing in a great drama; the outcome was a thing for which untold millions waited with held breath.

Such an ego simply forbade certain lines of thought. These lines were predictable because they all stretched in the same direction: from the unstable person to objects, situations, or other persons outside of the subject's field of control (or fantasy: to the neurotic there might be some difference but to the psychotic they were one and the same).

Annie Wilkes had wanted Fast Cars destroyed, and so, to her, there had been only the one copy.

Maybe I could have saved the damn thing by telling her there were more. She would have seen destroying the manuscript was futile. She - His breathing, which had been slowing toward sleep, suddenly caught in his throat and his eyes widened.

Yes, she would have seen it was futile. She would have been forced to acknowledge one of those lines leading to a place beyond her control. The ego would be hurt, squealing - I have such a temper!

If she had been clearly faced with the fact that she couldn't destroy his “dirty book”, might she not have decided to destroy the creator of the dirty book instead? After all, there was no copy of Paul Sheldon.

His heart was beating fast. In the other room the clock began to bong, and overhead he heard her thumping footfalls cross his ceiling. The faint sound of her urinating. The toilet flushing. The heavy pad of her feet as she went back to bed. The creak of the springs.

You won't make me mad again, will you?

His mind suddenly tried to break into a gallop, an overbred trotter trying to break stride. What, if anything, did all this dime-store psychoanalysis mean in terms of his car? About when it was found? What did it mean to him?

“Wait a minute,” he whispered in the dark. “Wait a minute, wait a minute, just hold the phone. Slow down.” He put his arm across his eyes again and again conjured up the state trooper with the dark sunglasses and the overlong sideburns. We've found an overturned car halfway down Humbuggy Mountain, the state trooper was saying, and blah-de-blah-de-blah.

Only this time Annie doesn't invite him to stay for coffee. This time she isn't going to feel safe until he's out of her house and far down the road. Even in the kitchen, even with two closed doors between them and the guest-room, even with the guest doped to the ears, the trooper might hear a groan.

If his car was found, Annie Wilkes would know she was in trouble, wouldn't she?

“Yes,” Paul whispered. His legs were beginning to hurt again, but in the dawning horror of this recognition he barely noticed.

She would be in trouble not because she had taken him to her house, especially if it was closer than Sidewinder (and so Paul believed it to be); for that they would probably give her a medal and a lifetime membership in the Misery Chastain Fan Club (to Paul's endless chagrin there actually was such a thing). The problem was, she had taken him to her house and installed him in the guest-room and told no one. No phone-call to the local ambulance service: “This is Annie up on the Humbuggy Mountain Road and I've got a fellow here, looks a bit like King Kong used him for a trampoline.” The problem was, she had filled him full of dope to which she was certainly not supposed to have access - not if he was even half as hooked as he thought he was. The problem was, she had followed the dope with a weird sort of treatment, sticking needles in his arms, splinting his legs with sawed-off pieces of aluminum crutches. The problem was, Annie Wilkes had been on the stand up there in Denver… and not as a supporting witness, either, Paul thought. I'd bet the house and lot on that.

So she watches the cop go down the road in his spandy-clean cruiser (spandy-clean except for the caked chunks of snow and salt nestled in the wheel-wells and under the bumpers, that is), and she feels safe again… but not too safe, because now she is like an animal with its wind up.

Way, way up.

The cops will look and look and look, because he is not just good old Joe Blow from Kokomo; he is Paul Sheldon, the literary Zeus from whose brow sprang Misery Chastain, darling of the dump-bins and sweetheart of the supermarkets. Maybe when they don't find him they'll stop looking, or at least look someplace else, but maybe one of the Roydmans saw her going by that night and saw something funny in the back of Old Bessie, something wrapped in a quilt, something vaguely manlike. Even if they hadn't seen a thing, she wouldn't put it past the Roydmans to make up a story to get her in trouble; they didn't like her.

The cops might come back, and next time her house-guest might not be so quiet.

He remembered her eyes darting around aimlessly when the fire in the barbecue pot was on the verge of getting out of control. He could see her tongue sticking her lips. He could see her walking back and forth, hands clenching and unclenching, peeking every now and then into the guest-room where he lay lost in his cloud. Every now and then she would utter “Goodness!” to the empty rooms.

She had stolen a rare bird with beautiful feathers - a rare bird which came from Africa.

And what would they do if they found out?

Why, put her up on the stand again, of course. Put her up on the stand again in Denver. And this time she might not walk free.

He took his arm away from his eyes. He looked at the interlocking W's swaying drunkenly across the ceiling. He didn't need his elbow over his eyes to see the rest. She might hang on to him for a day or a week. It might take a follow-up phone-call or visit to make her decide to get rid of her rara avis. But in the end she would do it, just as wild dogs begin to bury their illicit kills after they have been hunted awhile.