She looked at him without speaking for a long moment, and sat on the edge of the bed and took her clothes off with no particular self-consciousness. Her body was smooth and lovely, the line of her backbone barely discernible in the dimness as she bent to take off the knee-high nylon stockings she had been wearing. Her hair was a sheaf coiled over one shoulder. He thought he would want her again before morning, and that feeling of guilt came again, tempered only by the guilty comfort of knowing that Audra was an ocean away. Put anothernickle in the juke-box, he thought. This tune is called 'What She Don't Know Won't Hurt Her.' But it hurts somewhere. In the spaces between people, maybe.

Beverly got up and turned the bed down. 'Come to bed. We need sleep. Both of us.'

'A-A-All right.' Because that was right, that was a big ten-four. More than anything else he wanted to sleep . . . but not alone, not tonight. The latest shock was wearing off — too quickly, perhaps, but he felt so tired now, so used-up. Second-to-second reality had the quality of a dream, and in spite of the guilt he felt, he also felt that this was a safe place. It would be possible to lie here for a little while, to sleep in her arms. He wanted her warmth and her friendliness. Both were sexually charged, but that could hurt neither of them now.

He stripped off his socks and shirt and got in next to her. She pressed against him, her breasts warm, her long legs cool. Bill held her, aware of the differences — her body was longer than Audra's, and fuller at the breast and the hip. But it was a welcome body.

It should have been Ben with you, dear, he thought drowsily. I think that was the way it was really supposed to be. Why wasn't it Ben?

Because it was you then and it's you now, that's all. Because what goes around always comes around. I think Bob Dylan said that . . . or maybe it was Ronald Reagan. And maybe it's me now because Ben's the one who's supposed to see the lady home.

Beverly wriggled against him, not in a sexual way (although, even as he fled toward sleep, she felt him stir again against her leg and was glad), but only wanting his warmth. She was already half asleep herself. Her happiness here with him, after all these years, was real. She knew that because of its bitter undertaste. There was tonight, and perhaps there would be another tune for them tomorrow morning. Then they would go down in the sewers as they had before, and they would find their It. The circle would close even tighter and their present lives would merge smoothly with their own childhoods; they would become like creatures on some crazy Moebius strip.

Either that, or they would die down there.

She turned over. He slipped an arm between her side and her arm and cupped one breast gently. She did not have to lie awake, wondering if ht e hand might suddenly clamp down in a hard pinch.

Her thoughts began to break up as sleep slid into her. As always, she saw brilliant wildflower patterns as she crossed over — masses and masses of them nodding brightly under a blue sky. These faded a nd there was a falling sensation — the sort of sensation that had sometimes snapped her awake and sweating as a child, a scream on the other side of her face. Childhood dreams of falling, she had read in her college psychology text, were common.

But she didn't snap back this time; she could feel the warm and comforting weight of Bill's arm, his hand cradling her breast. She thought that if she was falling, at least she wasn't falling alone.

Then she touched down and was running: this dream, whatever it was, moved fast. She ran

after it, pursuing sleep, silence, maybe just time. The years moved fast. The years ran. If you

turned around and ran after your own childhood, you'd have to really let out your stride and

bust your buns. Twenty-nine, the year she had streaked her hair (faster). Twenty-two, the

year she had fallen in love with a football player named Greg Mallory who had damn near

raped her after a fraternity party (faster, faster). Sixteen, getting drunk with two of her

girlfriends on the Bluebird Hill Overlook in Portland. Fourteen …… twelve . . .

faster, faster, faster . . .

She ran into sleep, chasing twelve, catching it, running through the barrier of memory that It had cast over all of them (it tasted like cold fog in her laboring dreamlungs), running back into her eleventh year, running, running like hell, running to beat the devil, looking back now, looking back

6

The Barrens / 12:40 P.M.

over her shoulder for any sign of them as she slipped and scrambled her way down the embankment. No sign, at least not yet. She had 'really fetched it to him,' as her father sometimes said . . . and just thinking of her father brought another wave of guilt and despondency washing over her.

She looked under the rickety bridge, hoping to see Silver heeled over on his side, but Silver was gone. There was a cache of toy guns which they no longer bothered to take home, and

that was all. She started down the path, looked back . . . and there they were, Belch and Victor supporting Henry between them, standing on the edge of the embankment like Indian sentries in a Randolph Scott movie. Henry was horribly pale. He pointed at her. Victor and Belch began to help him down the slope. Dirt and gravel spilled from beneath their heels.

Beverly looked at them for a long moment, almost hypnotized. Then she turned and sprinted through the trickle of brook-water that ran out from under the bridge, ignoring Ben's stepping-stones, her sneakers spraying out flat sheets of water. She ran down the path, the breath hot in her throat. She could feel the muscles in her legs trembling. She didn't have much left now. The clubhouse. If she could get there, she might still be safe.

She ran along the path, branches whipping even more color into her cheeks, one striking her eye and making it water. She cut to the right, blundered through tangles of underbrush, and came out into the clearing. Both the camouflaged trapdoor and the slit window stood open; rock n roll drifted up. At the sound of her approach, Ben Hanscom popped up. He had a box of Junior Mints in one hand and an Archie comic book in the other.

He got a good look at Bev and his mouth fell open. Under other circumstances it would have been almost funny. 'Bev, what the hell —

She didn't bother replying. Behind her, and not too far behind, either, she could hear branches snapping and whipping; there was a muffled shouted curse. It sounded as if Henry was getting livelier. So she just ran at the square trapdoor opening, her hair, tangled now with green leaves and twigs as well as the crud from her scramble under the garbage truck, streaming out behind her.

Ben saw she was coming in like the 101st Airborne and disappeared as quickly as he had come out. Beverly jumped and he caught her clumsily.

'Shut everything,' she panted. 'Hurry up, Ben, for heaven's sake! They're coming!'

'Who?'

'Henry and his friends! Henry's gone crazy, he's got a knife — '

That was enough for Ben. He dropped his Junior Mints and his funny book. He pulled the trapdoor shut with a grunt. The top was covered with sods; Tangle –Track was still holding them remarkably well. A few blocks of sod had gotten a little loose, but that was all. Beverly stood on tiptoe and closed the window. They were in darkness.

She groped for Ben, found him, and hugged him with panicky tightness. After a moment he hugged her back. They were both on their knees. With sudden horror Beverly realized that Richie's transistor radio was still playing somewhere in the blackness: Little Richard singing 'The Girl Can't Help It.'

'Ben . . . the radio . . . they'll hear . . . '

'Oh God!'