The blade of the axe struck the bench where Richie had been only an instant before. The edge was so sharp that there was almost no sound at all, but the bench was sheared instantly in two. The halves sagged away from each other, the wood inside the green-painted skin a bright and somehow sickening white.
Richie was on his back. Still trying to scream, he pushed himself with his heels. Gravel went down the collar of his shirt, down the back of his pants. And there was Paul, towering above him, looking down at him with eyes the size of manhole covers; there was Paul, looking down at one small boy cowering on the gravel.
The giant took a step toward him. Richie felt the ground shudder when the black boot came down. Gravel spumed up in a cloud.
Richie rolled over onto his stomach and staggered to his feet. His legs were already trying to run before he was balanced, and as a result he fell flat on his belly again. He heard the wind whoof out of his lungs. His hair fell in his eyes. He could see the traffic going back and forth on Canal and Main Streets as it did every day, as if nothing was happening, as if no one in any of those cars could see or care that Paul Bunyan had come to life and stepped down from its pedestal in order to commit murder with an axe roughly the size of a deluxe motor home.
The sunshine was blotted out. Richie lay in a patch of shade that looked like a man.
He scrambled to his knees, almost fell over sideways, managed to get to his feet, and ran as fast as he could — he ran with his knees popping almost all the way up to his chest and his elbows pistoning. Behind him he could hear that awful persistent whisper building again, a sound that seemed to be not really sound at all but pressure on the skin and eardrums: Swiiipppppp! —
The earth shook. Richie's upper and lower teeth rattled against each other like china plates in an earthquake. He did not have to look to know that Paul's axe had buried itself haft-deep in the sidewalk inches behind his feet.
Madly, in his mind, he heard the Dovells: Oh the kids in Bristol are sharp as a pistol When they do the Bristol Stomp . . .
He passed out of the giant's shadow into sunlight again, and as he did he began to laugh — the same exhausted laughter that had come from him when he bolted downstairs in Freese's. Panting, that hot stitch in his side again, he had at last risked a glance back over his shoulder.
There was the statue of Paul Bunyan, standing on its pedestal where it always stood, axe on its shoulder, head cocked toward the sky, lips parted in the eternal optimistic grin of the myth-hero. The bench which had been sheared in two was whole and intact, thank you very much. The gravel where Tall Paul (He's –a my all, A n n e t t e F u n i c e l l o s a n g m a n i a c a l l y i n Richie's head) had planted his huge foot was raked and immaculate except for the scuffed spot where Richie had fallen off while he was
(getting away from the giant)
dreaming. There was no footprint, no axe-slash in the concrete. There was nothing here but a boy who had been chased by other boys, bigger boys, and so had had himself a very small (but ve ry potent) dream about a homicidal Colossus . . . the Giant Economy-Size Henry Bowers, if you pleased.
'Shit,' Richie said in a tiny wavering voice, and then uttered an uncertain laugh.
He stood there awhile longer, waiting to see if the statue would move again — perhaps wink, perhaps shift its axe from one shoulder to the other, perhaps come down and have at him again. But of course none of those things happened.
Of course.
What, me worry? Har-de-har-har –har.
A doze. A dream. No more than that.
But, as Abraham Lincoln or Socrates or someone like that had once observed, enough was enough. It was time to go home and cool out; to make like Kookie on 77 Sunset Strip and just lay chilly.
And although it would have been quicker to cut through the City Center grounds, he decided not to. He didn't want to get close to that statue again. So he had gone the long way around and by that evening he had nearly forgotten the incident.
Until now.
Here sits a man, he thought, here sits a man dressed in a mossy-green sportcoat purchased at one of the best shops on Rodeo Drive; here sits a man with Bass Weejuns on his feet and Calvin Klein underwear to cover his ass; here sits a man with soft contact lenses resting easily on his eyes; here sits a man remembering the dream of a boy who thought an Ivy League shin with a fruit-loop on the back and a pair of Snap Jack shoes was the height of fashion; here sits a grownup looking at the same old statue, and hey, Paul, Tall Paul, I'm here to say you'r e the same in every way, you ain't aged a motherfucking day.
The old explanation still rang true in his mind: a dream.
He supposed he could believe in monsters if he had to; monsters were no big deal. Hadn't he sat in radio studios at one time or another reading news copy about such fellows as Idi Amin Dada and Jim Jones and that guy who had blown away all those folks in a McDonald's just down the road apiece? Shitfire and save matches, monsters were cheap! Who needed a five –buck movie ticket when you could read about them in the paper for thirty-five cents or hear about them on the radio for free? And he supposed if he could believe in the Jim Jones variety, he could believe in Mike Hanlon's version, at least for awhile; It even had Its own sorry charm, because It came from Outside and no one had to claim responsibility for It. He could believe in a monster that had as many faces as there are rubber masks in a novelty shop (if you're gonna have one, you might as well have a pack of em, he thought, cheaper by the dozen, right, gang?), at least for the sake of argument . . . but a thirty-foot-high plastic statue that stepped off its pedestal and then tried to carve you up with its plastic axe? That was just a little too ripe. As Abraham Lincoln or Socrates or someone had also said, I'll eat fish and I'll eat meat, but there is some shit I will not eat. It just wasn't —
That sharp needling pain struck his eyes again, without warning jerking a dismayed cry from him. This was the worst yet, going deeper and lasting longer, scaring the bejesus out of him. He clapped his hands to his eyes and then groped instinctively for the bottom lids with his forefingers, meaning to pop his contacts out. It's maybe some kind of infection, he thoughtdimly. But Jesus it hurts!
He pulled the lids down and was ready to give the single practiced blink that would send them tumbling out (and he would spend the next fifteen minutes grovelling myopically for them in the gravel surrounding the bench but Jesus God who gave a shit, right now it felt like there were nails in his eyes), when the pain disappeared. It did not dwindle; it just went. One moment there, the next moment gone. His eyes teared briefly and then stopped.
He lowered his hands slowly, his heart running fast in his chest, ready to blink them out the instant the pain started again. It didn't. And suddenly he found himself thinking about the only horror movie that had ever really scared him as a kid, possibly because he had taken so much shit about his glasses and had spent so much time thinking about his eyes. That movie had been The Crawling Eye, with Forrest Tucker. Not very good. The other kids had laughed
themselves into hysterics over it, but Richie had not laughed. Richie had been rendered cold and white and dumb, for once with not a single Voice to command, as that gelatinous tentacled eye came out of the manufactured fog of some English movie set, waving its fibrous tentacles in front of it. The sight of that eye had been very bad, the embodiment of a hundred not-quite-realized fears and disquiets. On some night not long after, he had dreamed of looking at himself in a mirror and bringing a large pin up and sticking it slowly into the black iris of his eye and feeling a numb, watery springiness as the bottom of his eye filled up with blood. He remembered — now he remembered — waking up and discovering that he had wet the bed. The best indicator of how gruesome that dream had been was that his primary feeling had been not shame at his nocturnal indiscretion but relief; he had embraced the warm wet patch with his body and blessed the reality of his sight.