'Oh yes. The curfew.' Ben was rubbing the side of his neck slowly and deliberately. 'That did wonders back in '58. I remember that much.'

' — and there are Mothers' Walker Groups to make sure that every child who goes to school, grades K through eight, is chaperoned home. The News has gotten over two thousand letters demanding a solution in the last three weeks alone. And, of course, the out-migration has begun again. I sometimes think that's the only way to really tell who's sincere about wanting it stopped and who isn't. The really sincere ones get scared and leave.'

'People really are leaving?' Richie asked.

'It happens each time the cycle cranks up again. It's impossible to tell just how many go, because the cycle hasn't fallen squarely in a census year since 1850 or so. But it's a fairish number. They run like kids who just found out the house was haunted for real after all.'

'Come home, come home, come home,' Beverly said softly. When she looked up from her hands it was Bill she looked at, not Mike. 'It wanted us to come back. Why?'

'It may want us all back,' Mike said a little cryptically. 'Sure. It may. It may want revenge. After all, we balked It once before.'

'Revenge . . . or just to set things back in order,' Bill said.

Mike nodded. 'Things are out of order with your own lives, too, you know. None of you left Derry untouched . . . without Its mark on you. All of you forgot what happened here, and your memories of that summer are still only fragmentary. And then there's the passingly curious fact that you're all rich.'

'Oh, come on now!' Richie said. 'That's hardly — '

'Be soft, be soft,' Mike said, holding his hand up and smiling faintly. 'I'm not accusing you of anything, just trying to get the facts out on the table. You are rich by the standards of a small –town librarian who makes just under eleven grand a year after taxes, okay?'

Rich shrugged the shoulders of his expensive suit uncomfortably. Ben appeared deeply absorbed in tearing small strip s from the edge of his napkin. No one was looking directly at Mike except Bill.

'None of you are in the H. L. Hunt class, certainly,' Mike said, 'but you are all well-to-do even by the standards of the American upper-middle class. We're all friends here, so fess up: if there's one of you who declared less than ninety thousand dollars on his or her 1984 tax return, raise your hand.'

They glanced around at each other almost furtively, embarrassed, as Americans always seem to be, by the raw fact of their own success — as if cash were hardcooked eggs and affluence the farts that inevitably follow an overdose of same. Bill felt hot blood in his cheeks and was helpless to stop its rise. He had been paid ten thousand more than the sum Mike had mentioned just for doing the first draft of the Attic Room screenplay. He had been promised an additional twenty thousand dollars each for two rewrites, if needed. Then there were royalties . . . and the hefty advance on a two-book contract just signed . . . how much had he declared on his '84 tax return? Just about eight hundred thousand dollars, right? Enough, anyway, to seem almost monstrous in light of Mike Hanlon's stated income of just under eleven thousand a year.

So that's how much they pay you to keep the lighthouse, Mike old kid, Bill thought. Jesus Christ, somewhere along the line you should have asked for a raise!

Mike said: 'Bill Denbrough, a successful novelist in a society where there are only a few novelists and fewer still lucky enough to be making a living from the craft. Beverly Rogan, who's in the rag trade, a field to which more are called but even fewer chosen. She is, in fact, the most sought –after designer in the middle third of the country right now.'

'Oh, it's not me,' Beverly said. She uttered a nervous little laugh and lit a fresh cigarette from the smoldering stub of the old one. 'It's Tom. Tom's the one. Without him I'd still be relining skirts and sewing up hems. I don't have any business sense at all, even Tom says so. It's just . . . you know, Tom. And luck.' She took a single deep drag from her cigarette and then snuffed it.

'Methinks the lady doth protest too much,' Richie said slyly.

She turned quickly in her seat and gave him a hard look, her color high. 'Just what's that supposed to mean, Richie Tozier?'

'Doan hits me, Miz Scawlett!' Richie cried in a high, trembling Pickaninny Voice — and in that moment Bill could see with an eerie clarity the boy he had known; he was not just a superseded presence lurking under Rich Tozier's grownup exterior but a creature almost more real than the man himself. 'Doan hits me! Lemme bring you anothuh mint joolip, Miz Scawlett! Youse goan drink hit out on de po'ch where it's be a little bit cooluh! Doan whup disyere boy!'

'You're impossible, Richie,' Beverly said coldly. 'You ought to grow up.'

Richie looked at her, his grin fading slowly into uncertainty. 'Until I came back here,' he said, 'I thought I had.'

'Rich, you may just be the most successful disc jockey in the United States,' Mike said. 'You've certainly got LA in the palm of your hand. On top of that there are two syndicated programs, one of them a straight top-forty countdown show, the other one something called The Freaky Forty —

'You better watch out, fool,' Richie said in a gruff Mr T Voice, but he was blushing. 'I'll make your front and back change places. I'll give you brain-surgery with my fist. I'll — '

'Eddie,' Mike went on, ignoring Richie, 'you've got a healthy limousine service in a city where you just about have to elbow long black cars out of your way when you cross the street. Two limo companies a week go smash in the Big Apple, but you're doing fine.

'Ben, you're probably the most successful young architect in the world.'

Ben opened his mouth, probably to protest, and then closed it again abruptly.

Mike smiled at them, spread his hands. 'I don't want to embarrass anyone, but I do want all the cards on the table. There are people who succeed young, and there are people who succeed in highly specialized jobs — if there weren't people who bucked the odds successfully, I guess everybody would give up. If it was just one or two of you, we could pass it off as coincidence. But it's not just one or two; it's all of you, and that inclu des Stan Uris, who was the most successful young accountant in Atlanta . . . which means in the whole South. My conclusion is that your success stems from what happened here twenty-seven years ago. If you had all been exposed to asbestos at that time and ha d all developed lung cancer by now, the correlative would be no less clear or persuasive. Do any of you want to dispute it?'

He looked at them. No one answered.

'All except you,' Bill said. 'What happened to you, Mikey?'

'Isn't it obvious?' He grinned. 'I stayed here.'

'You kept the lighthouse,' Ben said. Bill jerked around and looked at him, startled, but Ben was staring hard at Mike and didn't see. 'That doesn't make me feel so good, Mike. In fact, it makes me feel sort of like a bugturd.'

'Amen,' Beverly said.

Mike shook his head patiently. 'You have nothing to feel guilty about, any of you. Do. you think it was my choice to stay here, any more than it was your choice — a n y o f y o u — to leave? Hell, we were kids. For one reason or another your parents moved away, and you guys were part of the baggage they took along. My parents stayed. And was it really their decision — any of them) I don't think so. How was it decided who would go and who would stay? Was it luck? Fate? It? Some Other? I don't know. But it wasn't us guys. So quit it.'

'You're not . . . not bitter?' Eddie asked timidly.

'I've been too busy to be bitter,' Mike said. 'I've spent a long time watching and waiting . . . I was watching and waiting even before I knew it, I think, but for the last five years or so I've been on what you might call red alert. Since the turn of the year I've been keeping a journal.