“Hello?” My voice is soft. There is no answer, but in the silence I sense another kind of weight, a longing, familiar as the unseen eyes that watch me nightly from the shadows of the basement labyrinth. I cannot turn from that presence; as though a hand wraps around my body, I am drawn across the sand.

I walk into darkness, blind. The shoulder I saw before disappears, but I continue on, helpless. Just a dream, I tell myself. Only a dream.

Except, I can feel the grains of sand digging between my toes, and the air in my lungs is heavy and hot. I feel very much awake, very much alive.

And suddenly I can see again. Not much, just that same sliver of gray; a shoulder, attached to a long muscular arm; higher still, the faint outline of a broad chest, a strong throat. All at a height much grander than my own. I am looking at a giant. A giant made of stone.

I stand very still, staring; then slowly, carefully, reach out. I cannot explain my action. I must touch and be touched, though it is only rock beneath my hands. But I hesitate, at the last moment. I fear, irrationally, that I might be burned—and indeed I flinch as though harmed, because what my fingers find is not cold or stone, but flesh and warm.

I stagger, falling. A hand catches my waist, then my arm; in that grip, profound strength. Terror flutters my heart, freezing my voice. I think, dream, but I cannot wake no matter how loud I scream inside my mind.

A rumble fills the darkness. I reach out. My palms press against yet more skin, a body trembling with sound. Like a thundercloud, sighing in the night. I try to see, but cannot. Try to free myself, and am held closer.

“Let go,” I breathe, struggling.

“No time,” whispers a low voice, rough and masculine. “Listen to me. Listen.”

But he says nothing else and I gaze up and up, staring at shadows gathered around a curving line, hard and tipped and ridged. A horn. I can see nothing else. In the oubliette, where I should find only darkness, gasps of light are playing tricks.

Something grazes my cheek; fingers, perhaps.

“Tell me,” says the voice, quiet. “Tell me what you hear.”

“You,” I whisper, my voice shaking on the word. “Only you.”

I hear a sigh, another rumble that pushes through my body, settling around my heart. A sad sound, old and tired. Again, my cheek is touched. Fingers slide into my hair, warm and gentle. For a moment my breathing steadies and I can think again.

A dream, I tell myself. Then, softly, “You are a dream.”

“A dream,” murmurs the creature. “A dream, if I could so be. Your dream, better.”

“My dream,” I say. “But you are.”

“No,” breathes that low voice. “I am the Minotaur. And this is no dream.”

The hand holding my arm slips away; the body beneath my palms follows. I am left standing alone in the darkness. I feel bereft, lost without that touch which so frightened me. I cannot explain it. I do not want to.

“Soon,” rumbles the voice. “Soon, again.”

“Wait,” I say, but the world falls away, the oubliette spinning fast into a jolt, a gasp—

I wake up.

A week passes before the Minotaur returns to me. I think of him often. Dream or not, I cannot help myself. I feel his fingers on my cheek as I pour coffee. I feel his body beneath my hands as I wrap scones in wax paper. I hear his voice inside my body as I count change for an old man in a suit. Everywhere, the Minotaur.

And when I close my eyes for just one moment, I return to the oubliette, to the darkness filled with thunder, and feel him with me like a shadow pressed against my back, watching and waiting. The longer I wait, the more I want to be with him again. The more I want to understand.

Some dream. I wonder if that is all it is. If there is more, and whether, like Ariadne with her ball of golden thread, I will be able to find my way home again the next time the Minotaur comes for me. And I know he will. I feel it, fear it—am even eager for it—though it sows discontent, unease. For the first time in a long while, I think about my life. Not about the things I do not have, but the people who are gone. Parents. Friends. I had them once, I think, but at some distant time so far past, such people seem more dream than the Minotaur.

All I have is myself. All I need is myself.

Until now.

I follow my routine before bed. I must. Routine keeps me alive. But after stretching out inside my sleeping bag, I hesitate before closing my eyes. I can feel the library breathing around me; the labyrinth with its endless maze of books like a forest overhead. Wilderness bound, with my back against the ground. I search within my heart for the roots of the home I have made. Look deep inside, for comfort.

I close my eyes and fall into sleep. Fall some more, into the oubliette.

This time, there is no door of bones. Just the darkness and shreds of light, playing against muscles smooth and hard as stone. A dream, I tell myself, but this time I know it is a lie, though not how or why. Nor does it matter. I am here, standing in front of the Minotaur, and the air is hot and the sand is soft and I can feel sweat trickling between my breasts, above my pounding heart.

“You came back,” says the Minotaur, as quiet as I remember, deep and rough and rumbling.

“I didn’t think I had a choice.” I remember his touch, and stand very still.

Shadows shift; light plays over a sinewy shoulder, the edge of a strong jaw. The Minotaur moves closer; a gliding motion, impossibly graceful. “There is always a choice. If you had fought me, in your heart, I would not have been strong enough to bring you here.”

“Here,” I echo. “Where is here?”

“It is a place with no name.” Closer still he moves; I imagine a growing heat in the air between us. “No name, ever. Only, we are at the heart of a maze, a house of halls and riddles. One way in, no way out.”

The Minotaur does not stop moving. I steady myself, refusing to back away. I glimpse only fragments of his body, but that is enough. He is very large. I can see his horns.

“What are you?” I whisper. The Minotaur stops, but not entirely. I stifle a gasp as he takes my hands, his fingers huge and strong. He gently, slowly, raises my arms. I almost resist, but I have been thinking of him all week—perhaps forever—and though I fear him, I have in my life feared more than the Minotaur, and I can suffer the unknown for my curiosity.

“I am a man,” he says softly. “Though I have been made to live as a beast.”

He places my hands upon his head. I close my eyes as he forces me to touch him, and I see with my palms a hard surface, unnatural.

A helmet. A mask, even. Made of bone and steel and hide. A terrible thing; terrifying. I feel straps run down the sides, behind, all around, holding it in place. I cannot imagine wearing such a device.

The Minotaur releases me, but I do not stop. I do not want to. My fingers explore and connect with flesh, a jaw, his lips. A flush steals through me. I pull away, but again the Minotaur catches my hands. His mouth moves against my fingers as he speaks. It feels like a kiss.

“A moment,” he whispers, as his breath flows over my skin. “Just one moment, please.”

I give him his moment. I cannot help myself. I feel in my own heart a pang of longing, a sympathetic echo, and it cuts. I live in my own oubliette, my own labyrinth. I am a forgotten woman, invisible as the Minotaur to eyes beyond this dream. I cannot remember being anything else. I cannot remember being held, ever.

I rest my forehead against his broad chest, pressing close to stand between his feet, seeing him with my body, feeling him lean and strong. I listen to his breath catch, and inhale a scent of sand and rock and something sharper still.

“I did not bring you here for this,” whispers the Minotaur.