The night before, my parents' friends had been talking about gang activity at the Bartley High School. Gangs! In the Arkansas Delta! In flat, remote, tiny, impoverished Bartley.

I guess in some corner of my mind, I'd expected Bartley would remain untouched by the currents of the world, would retain its small-town safety and assurance. Home had changed. I could go there again, but its character was permanently altered.

Abruptly, I was sick of myself and my problems. It was high time I got back to work.

I started, as I like to do, with a survey of the job to be done. Dill's house, which looked freshly painted and carpeted, was fairly straight and fairly clean—but, like the Osborns‘, it was showing signs of a few days of neglect. Varena wasn't the only one feeling the effects of prolonged wedding fever.

I had no guide here to show me where everything was. I wondered if Anna would have been as interesting a helper as Eve had been the day before.

That recalled me to the purpose of my cleaning offer. Before anything or anyone could interrupt me, I searched Anna's room for her memory book. As I searched, naturally I picked up her room, which was a real mess. I slung soiled clothes into the hamper, stacked school papers, tossed dolls into a clear Rubbermaid tub firmly labeled "Dolls and doll clothes."

I found the memory book under her bed. Page 23 was missing.

I rocked back on my haunches, feeling as though an adversary had socked me in the stomach.

"No," I said out loud, hearing the misery in my own voice.

After a few minutes trying to think, I stuck the book in the rack on Anna's little desk and kept on cleaning. There was nothing else for me to do.

I had to face the fact that the page that had been sent to Roy Costimiglia and passed to Jack had almost certainly come from Anna's book. But, I told myself, that didn't have to mean Anna was Summer Dawn Macklesby.

The book being in Dill's house perhaps raised the odds that someone besides Meredith Osborn might have mailed the page to Roy Costimiglia. At least, that was what I thought. But I wished I'd found the book anywhere but here.

If Anna was the abducted child, Dill could be suffering from the terrible dichotomy of wanting to square things with Summer's family and wanting to keep his beloved daughter. What if his unstable wife had been the one to kidnap the Macklesby baby, and Dill had just now become aware of it? He'd raised Anna as his own for eight years.

And if Dill's first wife had abducted Summer Dawn, what had happened to their biological baby?

As I paired Anna's shoes and placed them on a rack in the closet, I saw a familiar blue cover peeking from behind a pair of rain boots. I frowned and squatted, reaching back in the closet and finally managing to slide a finger between the book and wall. I fished out the book and flipped it over to read the cover.

It was another copy of the memory book.

I opened it, hoping fervently that Anna had written her name in it. No name.

"Shit," I said out loud. When I'd been young, and we'd gotten our yearbooks, or memory books, or whatever you wanted to call them, the first thing we'd done was write our names inside.

One of these books had to be Anna's. If Jack's basic assumption was correct, if the person who'd sent the memory book page to Roy Costimiglia wasn't a complete lunatic, then the other book belonged to either Eve or Krista, and it was someone very close to one of them who had sent the picture. Like someone in their house. A parent.

Dill was using the third bedroom as a study. There was a framed picture of Dill holding a baby I presumed was Anna. The snapshot had obviously been taken in a hospital room, and Anna looked like a newborn. But to me all babies looked more or less the same, and the infant Dill was gazing at so lovingly could have been Anna, or it could have been another child. The baby was swaddled in a receiving blanket.

I cleaned, scrubbed, and worried at the problem. I straightened and dusted and vacuumed and polished and mopped, and the activity did me good. But I didn't solve anything.

When I went in Anna's room yet again to return a Barbie I'd found in the kitchen, I looked more closely at Anna's collection of framed snapshots. One was of a woman I was sure must be Dill's first wife, Anna's mother. She was buxom, like Varena; and like Varena her hair was brown, her eyes blue. Aside from those superficial similarities, she didn't look at all like my sister, really. I stared at the picture, trying to read the woman's character in this likeness. Was there something tense, something a little desperate, in the way she was clutching the little dog on her lap? Was her smile strained, insincere?

I shook my head. I would never have given the picture two thoughts if I hadn't known that the woman had eventually killed herself. So much despair, so well hidden. Dill had an unstable mother, had married an unstable wife. I was frightened that he could see something deep in Varena that we didn't suspect, some inner weakness, that attracted him or made him feel comfortable with her. But Varena seemed sane and sturdy to me, and I have a built-in Geiger counter for the ripples of instability in others.

It felt odd to see Varena's clothes hanging in half of Dill's closet, her china in his cabinets. She had really and truly moved into Dill's house. That intimacy bore in on me how much Varena would lose if Anna was someone else's daughter, for surely there would be the scandal to end all scandals... media coverage, intense and drenching. I shivered. I knew how that could affect your life.

The wedding was so close. One more day.

Very reluctantly, I reentered Dill's office and opened the filing cabinet. I had put on a pair of fresh rubber gloves, and I kept them on. That shows you how guilty I was feeling.

But this had to be done.

Dill was an orderly man, and I quickly found the file labeled simply "Anna—Year One." There was a separate file for each year of her life, containing drawings, pictures, and a page of cute things she'd said or done. The school-age files were crammed with report cards and test scores.

As far as I was concerned, Anna's first year was the most important. The file contained Anna's birth certificate, a record of her immunizations, her baby book, and some negatives in a white envelope marked "Baby Is Born." The handwriting wasn't Dill's. There was not a thing there that would prove Anna's identity one way or another. No blood type, no record of any distinguishing characteristic. A certificate from the hospital had Anna's baby footprints in black ink. I would ask Jack if the Macklesbys had similar prints of Summer Dawn's. If the contour of the foot was completely different from Anna's, surely that would mean something?

Blind alley. Dead end.

Suddenly I remember the negatives marked "Birth Pictures." Where were the family photo albums?

I found them in a cabinet in the living room and blessed Dill for being orderly. They were labeled by year.

I yanked out the one marked with Anna's birth year. There were the pictures: a red infant in a doctor's arms, streaked with blood and other fluids, mouth open in a yell; the baby, now held by a masked and gowned Dill, the baby's round little bottom toward the camera—presumably this one had been taken by a nurse. In the corner of the picture, her face just visible, was the woman in the picture in Anna's room. Her mother, Judy.

And on the baby's bottom, a big brown birthmark.

This was proof, wasn't it? This was indisputably a delivery room picture, this was indisputably the baby born to Dill and his wife, Judy. And this baby, shown in a third picture cradled in the arms of the woman in the picture in Anna's room, was absolutely positively the original Anna Kingery.

The elation at finding something certain helped me through the pang of guilt I suffered as I extracted the key picture from the album. It, too, went in my purse, after I'd returned the photo album to its former position.