I felt sick and old.

Deedra had apparently pulled out of her parking spot before she saw the writing. Then, I supposed, she'd run inside to call Mom, but Stepdad had come instead.

A tide of rage and fear rolled over me. My primary rage was directed at the bastards who'd ruined Deedra's car, and most likely her life. The story would be all over town in no time, and there wouldn't be any discreet lid on it, like there was on Deedra's bad reputation.

And then, less to my credit, I was angry with Deedra. She had been sleeping—from time to time—with Marcus Jefferson, who also lived in the apartment building, across the hall from Claude. And she'd told me it wasn't for any noble reason, such as love, or even a bizarre reason, such as a desire to cement race relations. She was screwing him for the fun of it.

You couldn't do that in Shakespeare unless you stood willing to pay the price. Deedra had received the bill.

I pointedly crossed through the living room a couple of times as Jerrell and Deedra continued their encounter. I couldn't call it a dialogue, since what one said made no difference to what the other responded. Jerrell was bawling Deedra out, up one side and down the other, for dragging herself (and her mother) through the mud, for polluting herself, for exposing all of them to the glare of gossip and the threat of danger.

"You know what happened to that black boy not two months ago?" Jerrell said hoarsely. "You want something like that to happen to you? Or to that man you're going to bed with?"

I was polishing the mirror over Deedra's nine-drawer dresser when Jerrell said that, and I saw my reflection in the mirror. I looked sick. He was referring to Darnell Glass, who'd been beaten to death by person or persons unknown. I'd known Darnell Glass.

"But, Jerrell, I didn't do it!" Deedra persisted in stonewalling. "I don't know where anyone would get that idea!"

"Girl, everyone but your mother knows you're just a whore that don't take money," Jerrell said brutally. "Lacey would kill herself if she knew black hands had been on your body."

I made a face into the mirror as I dusted the top of the dresser. I dropped a pair of earrings into Deedra's earring box.

"I didn't do it!" Deedra moaned.

Childlike in many ways, Deedra believed that if you denied something often enough, it actually hadn't happened.

"Deedra, unless you change your ways right now, I mean this minute, worse things than that paint job are going to happen to you, and I won't be able to stop them from happening," Jerrell said.

"What do you mean?" Deedra asked, sobbing. "What could be worse?"

Childlike and stupid.

"There's lots worse things than a little bit of white paint," Jerrell said grimly, but with a somewhat milder voice. "There're people in this town that take a situation like yours so seriously, you wouldn't believe it."

He was threatening her.

Contrarily enough, I was all for it. As much as I now found I disliked Jerrell Knopp, any method that would scare Deedra into dropping her risky lifestyle was okay with me. The woman (and she was a woman in her twenties, though she often seemed much younger) would either contract HIV or another disease, or bring home someone who would brutalize her, if she didn't alter her ways.

"Now," Jerrell was winding down, "I've already called the car place to get your paint redone. Just drive it down there. Donnie'll give you a lift to work, I'll drop by to take you home, and your car'll be done in a couple of days."

"I can't drive it down there," Deedra whined. "I'd die."

"You may die if you don't stay away from black men," he said, and there was stark warning in his voice. Jerrell wasn't just theorizing. He knew something.

I felt the hair on my neck stand up. I stepped into the living room, my dust cloth in my hand. Jerrell and I had a good ole look at each other.

"Would you drive my car to the paint shop?" Deedra asked, that little-girl look on her face that said she knew she was asking a lot, but it would be too much for her to do that thing.

"No," I said briefly, and went back to work.

I don't know how Deedra and Jerrell settled it. I buckled down to cleaning, thinking hard thoughts about everyone involved, including Marcus Jefferson. I was willing to bet Marcus was running scared by now. He worked at the same factory as Jerrell Knopp, and if he hadn't seen Deedra's car when he left for work that morning, someone at the factory would let him know about it. I figured Marcus was going to be anxious, if not out-and-out terrified.

My oldest client, Marie Hofstettler, had told me it had been seven decades since Shakespeare had suffered a racially motivated lynching. If I'd been Marcus Jefferson, those seven decades would have seemed like yesterday.

Deedra and Jerrell cleared out without speaking to me, which was just fine. I finished my work in peace, or in the little peace they'd left behind them. The apartment still echoed with various gradations of anger and fear. It seemed to me that currents of bad feeling were drifting like smog through Shakespeare. My little adopted town had generally been quiet and predictable and pokey. I liked it like that. I loaded my arsenal of cleaning aids back into my car, trying to stave away a gnawing worry.

My new client, Mookie Preston, was next on my schedule, and I was able to feel a little more cheerful as I drove to her house.

I'd never worked on Sycamore Street before. It was lined with small white houses with neatly raked yards, in a neighborhood that had sprung up in the fifties, a neighborhood generally considered a starting-out point for newlyweds or an ending-up point for seniors.

The house Mookie Preston rented was in the middle of the block and indistinguishable from the others. A green Toyota was parked in the driveway. It had an Illinois plate. If the car was any indicator of the condition of the house, Mookie Preston needed me. Badly. The Toyota was dusty and mud-streaked on the outside and littered with papers and fast-food debris on the inside.

I knocked briskly on the back door, and the same rich, fruity voice I'd heard on the phone called, "Coming, coming!"

After a minute or so the back door opened and the woman on the other side of the screen door stood staring at me. She didn't speak. We examined each other.

Mookie Preston was younger than me, putting her somewhere in her midtwenties. She had very coarse, straight reddish hair skinned back into a ponytail, golden freckled skin, and big, dark brown eyes. Her face was round, and her teeth were perfect and white. If she was wearing any makeup, I couldn't see it.

And despite the fact that she was pretty, very pretty, and smiling in the friendliest way possible, this woman had thrown me off balance.

If her fading smile was any indication, she was feeling the same way about me.

"You're Lily Bard?" she said cautiously.

"I am."

Slowly, she pushed open the screen door. She extended a plump golden hand. I shook it.

She stepped aside and I went in the house.

She began dithering around the filthy little kitchen. "I should have been expecting you but I got caught up in my work," she said over her shoulder, stacking plates by the sink in an effort to pretend she'd actually been engaged in doing so when I knocked.

"What do you do?"

"I'm a genealogist," she said, her face turned away, which I thought was a lucky thing.

"Umm," I said, which was the most noncommittal noise I could manage. "You don't have to clean up for me. I'm the cleaning woman."

She looked down at the plate in her hand as if she hadn't realized what she was doing, and very carefully deposited it on the drain board. "Right."

"What did you want me to do?" I asked.

"Okay." That calmed her, as I'd intended. "I want you to change my sheets—the clean ones are in the bathroom closet—and dust the house, and vacuum. There's only one bathroom, and it's in pretty bad shape. Clean the sink and tub, and wipe the kitchen counters. Mop the linoleum floors."