“You think it was one of those guys?”
“Looking for what? I leave all the good stuff out. There’s no need to go through the trash. And most of them aren’t poor. One guy has a Mercedes fat wagon. He just hates paying for gas. For some it’s the carbon footprint; for others it’s the dependency-on-foreign-oil issue. I think the Mercedes guy just wants to relive his radical youth. It kills him that he’s turned into his dad. I’m happy. They recycle my garbage. And it makes me feel less guilty for not having traded in my SUV for a Prius, like I told my sons I would.
“No,” she said, rubbing the hand that was still smarting from the ill-advised smack. “These were four-legged culprits with glow-in-the-dark eyes and pointy little noses. I’d think they were cute if I saw them on the Nature Channel, but not in my parking lot!”
I empathized; I felt the same way about deer. In a national park, Bambi. In my garden, Godzilla.
In the years since we’d become friends Babe and I had transformed the glass-and rubbish-strewn parking lot outside the Paradise Diner into a tropical oasis. Never mind that this part of Connecticut frequently saw ten to fifteen snowstorms a season. Babe chose to live on island time. She had made her own rules and blissfully ignored convention for so long that people in Springfield rarely commented on it anymore, unless it was to acknowledge her latest makeover-her current look featured spiky blond hair and fingernails the color of Granny Smith apples.
We walked back to the planters. She circled one anemic lamium, moved it slightly to the right, and gave it careful consideration before giving it a thumbs-up. The plant had made the cut. We reenacted the same pas de deux with each perennial and shrub every planting season, and she’d never yet turned down one of my suggestions.
“Why do you do this,” I asked, “when you always say yes?” I made a note to order six more false lamiums from the nursery.
“I just don’t want you to think I’m a pushover.”
As if that were likely.
I’m Paula Holliday, sole proprietor of Dirty Business, formerly known as PH Factor, but the longer I did it the more dirt I dug up, so I changed the name and it caught on. It was also my intentionally vague way of saying that I’m not a licensed landscape architect and I’ll do pretty much anything garden related from long-range design plans to houseplant care.
The traditional property maintenance business had all but disappeared these days. People were cutting back, and I’d had two clients stiff me for an entire summer’s work last year by moving out and neglecting to leave a forwarding address so that I could send them a final bill. Anna Jurado, my part-time bookkeeper, felt responsible, but it was my own fault. I should have read the telltale signs-the tag sale, the rented Dumpster, the “Oh, no, we’re just doing some fall cleaning.” Right, and I’m just doing this because I’m a madcap heiress waiting for my inheritance to come through.
The good news was that those two miscreants inspired my latest professional brainstorm-the quickie curb-appeal face-lift. Makeup for your home. With all the for sale signs dotting the area, these instant-gratification jobs had turned into the most lucrative and least-labor-intensive part of my business. I suppose I had cable television to thank.
For three to five hundred bucks, depending on the size and selling price of the house, I’d sweep in with a horticultural Band-Aid for a plain house-containers, annuals, and a few small trees. Pumpkins and ornamental kale in the fall. Just about the only thing I couldn’t orchestrate was a thin wisp of smoke emanating from the chimney to give it that final Norman Rockwell touch. If you lived here you’d be happy, warm. Your house would be filled with the smell of homemade bread or apple pie. Your kids wouldn’t smoke pot or give you a hard time. And all your in-laws would be people you’d actually hang out with if you had a choice. All courtesy of a few plants, a vivid imagination, and a fondness for Norman Rockwell.
At the Paradise, on the other hand, that wasn’t required. Not that Babe had anything against Norman Rockwell, but she saw my work at the diner as a calling card-not unlike the display gardens at a flower show. Babe had insisted I put Designed by Dirty Business signs on the planters as a way to drum up business. It had worked for the past three seasons, and I had my fingers crossed for next year.
I allowed myself to think about a vacation. I hadn’t had one since leaving my old job, but once my assets and debits were on speaking terms I was heading to Jost Van Dyke. I’d lie in a hammock and read the water-swollen paperbacks-thoughtfully left by previous travelers-that smelled of the sea and suntan lotion. And the biggest decision I’d have to make was which high-calorie local drink to order, the painkiller or the bushwhacker.
In the meantime the Paradise Diner would serve as my Caribbean surrogate. Earlier in the season, Hugo Jurado and I had turned one corner of Babe’s parking lot into an outdoor café, something sorely missing in suburban Springfield. Hugo was Anna’s husband and my part-time helper; sometimes it seemed as if they were the brains of the business and I worked for them instead of the other way around.
Springfield ’s downtown had evolved, even in just the few years since I’d arrived. We had an art house movie theater and an all-night deli, but further out of town Babe’s and the Dunkin’ Donuts were the only two gastronomic and social destinations. Double D had the edge on the coffee, but no one could touch the donuts at the Paradise.
Hugo and I had constructed wooden flower boxes two feet high and four feet deep creating a modular enclosure for a twenty-by-twenty-foot area in the front of the diner. In the spring and summer the boxes dripped with colorful annuals and perennials, and Babe wanted to extend the season with a fall display that included shrubs and ornamental grasses. All of them were a charming counterpoint to Babe’s deliciously trashy message marquee and neon sign, where one of the bulbs was always burned out or smashed. I half suspected that kids came by at night when the diner was closed and tossed rocks at the lightbulbs, to help Babe maintain the diner’s slightly seedy look, or maybe it was Babe herself, who knew?
She had added picnic tables and unmatched tag-sale umbrellas, so now in addition to being a must stop for every trucker in this part of the state, the shabby chic café was attracting the Main Street Moms who had previously been too timid or too snobby to venture in, preferring the overpriced gourmet bakery three towns away.
One or two curmudgeonly regulars had grumbled that Babe was tarting up the place, but just as many appreciated the new and better-looking faces. The early shift of day laborers and long haulers who camped out at Babe’s-whether they were hungry or not-was now followed by clusters of suburban matrons, sometimes with their kids, fresh from soccer or ballet or dressage. Sometimes they overlapped.
“When you pay my bills,” she told the complainers, “you can tell me how to decorate and who to serve.”
I didn’t pay her bills either, and she rarely paid mine, except for materials. For the most part, Babe and I had an in-kind arrangement. I worked on her outside space and she let me use a corner booth at the Paradise as an informal office where the coffee kept flowing and Pete number two (so named to distinguish him from Babe’s late husband) used me as a guinea pig for new recipes. It was an arrangement that suited me fine despite the three or four pounds I’d put on since I had relocated to Springfield from New York City and our unspoken agreement had started. And Babe’s bulletin board was my private ad space, touting my services to residents and small businesses up and down the Merritt Parkway, which brought Babe many of her non-truck-driving customers.