Now I was mad at everyone. Rain was gaping, Manfred was looking sullen, and Tolliver was really furious.

"I'm sorry," Rain said in a brittle voice. "I thought you two were brother and sister. I misunderstood, I guess."

I took a deep breath. "We're no relation, but we spent our teen years in the same house," I said, trying to keep my voice gentle and level. "Now, I think, Manfred must be tired. We'll just go over to the funeral home. Sweet Rest, I think the doctor said?"

"Yes," Rain said, "I think that was it." She looked confused, and who could blame her?

As we strode out of the hospital, Tolliver said, "Don't let him spook you, Harper."

"You think Manfred saying the word ‘wedding' is going to spook me?" I laughed, but it didn't sound amused. "I know we're okay. We don't need to take any big jumps. We know that. Right?"

"Right," he said firmly. "We've got all the time in the world."

I wasn't in the habit of feeling so sure about that, since I spent a lot of time with surprised dead people. But I was going to let it slide for now.

This funeral home was one of the one-story brick models, with a parking lot that would fill up way too quickly. I've been in hundreds of funeral homes, since lots of people don't make up their minds until the last minute about asking me in. This would be one of the two-viewing-rooms kind, I was willing to put money on it. After we walked into the lobby, sure enough there were two doors facing us, each with a podium outside with a signing book waiting for mourners. A sign on a stand, the kind with removable white letters that stick into rows of black feltlike material, said that the viewing room on the right contained James O. Burris. The one on the left was empty. There were also rooms to our right and left; one of those would be for the owner. The other would be for a co-owner or assistant, or it would maybe be employed as a small reception room for the bereaved family.

And here came the funeral director herself, a comfortably round woman in her fifties. She was wearing a neat pantsuit and comfortable shoes, and her hair and makeup were also on the comfortable side.

"Hello," she said, with a kind of subdued smile that must be her stock-in-trade. "Are you Ms. Connelly?"

"I am."

"And you're here to view the remains of Mrs. Bernardo?"

"I am."

"Tolliver Lang," Tolliver said, and held out his hand.

"Cleda Humphrey," she said, and shook it heartily. She led us to the back of the building, down a long central hall. There was a rear door, which she unlocked, and we followed her across a bit of parking lot to a large building in the back, which was really a very nice shed that was brick, to match the main building. "Mrs. Bernardo is back here," she said, "since she's not going to be buried here. We keep our temporary visitors in a transition room back here."

"Transition room" turned out to be Cleda Humphrey's comfort-speak for "refrigerator." She opened a gleaming stainless steel door and a draft of cold air billowed out. In a black plastic bag on a gurney lay Xylda. "She's still in her hospital gown, with all the tubes and so on still attached until the autopsy decision is made," the funeral director said.

Shit, I thought. Tolliver's face went very rigid. "At least her soul's gone," I said, and I could have slapped myself when I realized I'd spoken out loud.

"Oh," said the cheerful, motherly woman. "You can see 'em, too."

"Yes," I said, really startled.

"I thought I might be the only one."

"I don't think there are many of us," I said. "Does it help in your job?"

"When they're gone like they should be," Cleda said. "If I see one lingering, I try to call in their pastor to read a prayer. Sometimes that does the trick."

"I'll have to remember that," I said faintly. "All right. Let me do my thing." I closed my eyes, which wasn't necessary but did help, and to get the best impression possible, I laid my hand on the bag. I could feel the chill flesh under the surface.

I feel so bad, I'm so tired…. Where's Manfred? What's that man doing here? Looking at me. So tired…sleep.

My eyes flew open to meet the funeral director's curious blue gaze.

"Natural death," I said. It wasn't murder if someone else just stood there and watched. I'd had no sense of touching, or any other kind of contact. Someone, some man, had watched Xylda in her last moments, but that was hardly surprising. It might have been the doctor or a nurse. There was no way to tell. However, the image I got was chilling—someone calmly and dispassionately watching Xylda die. Not aiding, but not preventing, either.

"Oh, good," Cleda said. "Well, I'm sure the family will be glad to know that."

I nodded.

The black bag went back into the transition room.

In a somber silence, we retraced our steps across the parking lot and through the corridor back to the front doors of the funeral home.

"I guess you're braced for a huge amount of business," Tolliver said. "When the bodies of the—the young men—are released." I was sure he'd been going to say "victims."

"We're going to be pretty busy, yes, sir," she said. "One of those boys was my nephew. His mama, my brother's wife, she can't hardly get out of bed in the morning. It'd be one thing if someone had grabbed him and killed him—that would be bad enough. But to know he lived for a while, and got hurt so bad, and got used so unnatural, that just kills her."

There was no possible response that would be helpful, because I thought she was exactly right. To know your loved one was cut and burned and raped would make the fact of his death much worse, and there was nothing to be done about it. I'd always figured my sister Cameron had been raped before she'd been killed, without ever having proof of either. And just imagining it might have happened was pretty damn awful. I thought the act of rape itself was unnatural, regardless of the gender of the victim. But an emotional time like this was no time to debate the issue.

"We're really sorry," I said.

"Thank you," Cleda Humphrey said with dignity, and we let ourselves out.

"She was pretty decent," Tolliver said as we got into the car. "Probably the most relaxed funeral home person we've ever dealt with."

That was certainly true. "She seemed to take us pretty much in stride," I said.

"Nice change."

I nodded.

Pastor Doak Garland pulled into the parking lot in his modest Chevrolet just as Tolliver was putting the keys in the ignition. He approached the car, so Tolliver turned the key and pressed the window button.

"Hello again," Doak said, bending down to look at us.

"What are you busy doing?" I asked, hoping he wouldn't ask us about our own visit to Sweet Rest.

"Well, one of the bodies is already being released tomorrow, Jeff McGraw's, so I'm here to talk to Cleda about the service. I think we'll need extra traffic control, so I've already been to the sheriff's department, and I think Cleda needs to be prepared for an extra visitation night."

"This is going to take it out of you," Tolliver said. "There are a lot of services coming up."

"Well, I wasn't the minister for all these boys," Doak said with a gentle smile. "But the whole community will turn out for each funeral, so we're all in for a hard time. And maybe we should be. How could this happen in our midst, and we knew nothing?"

That was too big a question for me. "Wouldn't some of that be due to the former sheriff, Abe, um, Madden?" I said. "Wouldn't some of that be due to his policy of pretending the boys were runaways instead of missing and in danger? He seemed willing to shoulder his share of the blame at the memorial meeting the other night."

Doak Garland looked taken aback. "Maybe we shouldn't be into pointing fingers," he said, but he didn't say it with any force. It was clear he wasn't thinking about Abe Madden's role in the terrible drama for the first time. "You really think that had a bearing?" he said.