"Shit, Matt. Me neither."

They watched as Will Curtis held up the envelope in his left hand. Curtis said something, but he was too far away for them to hear it.

Then suddenly they watched as he surged at the open door-and disappeared inside.

"Oh, shit! Let's go!" Payne said. He started up the sidewalk in a crouch.

After a few strides, Payne glanced over his left shoulder and saw the hefty Bell lumbering after him. Like Matt, Charley had his police badge clearly visible, its leather holder hanging from a chain around his neck. Charley had his service Glock out of the belt holster on his right hip.

"I think I saw him pull something from his waist, Matt. Maybe a pistol."

Before they reached the front door, which was still open, Matt could hear angry voices inside.

"I told you I ain't him, old man!" a male voice said. "Put down the fucking gun!"

Curtis, in a weak voice, said, "Then where's this James?"

"Put down the gun, old man!" the other male repeated.

Matt got to the edge of the doorway and carefully looked inside.

There were only the two males visible, Will Curtis in the FedEx uniform and a black-skinned man with scraggly long hair and a full beard. They were in the large front room of the row house. Curtis was to the left and had a Glock aimed at the chest of the black male, who held up his hands shoulder high, the FedEx envelope in his right one.

Payne saw that a wood-floored hallway led to the back of the house and to the flight of stairs leading to the second floor. Under that flight, just barely visible, was the entrance for the flight that went downstairs to the basement.

He felt a hand on his shoulder and turned to see that Charley Bell was now right behind him. Payne reached into his pocket and broke the connection for their call, then speed-dialed Harris. Charley listened in as Matt told Tony what he'd seen inside, ending with, "Going to take it now."

Payne then yelled around the corner of the doorway: "Police! Put down your weapons!"

When he peered around the corner, he was amazed that Will Curtis had actually complied with the order on the first shout. He was looking with tired eyes toward the front door.

Sergeant Matt Payne, with his Colt.45 raised in both hands close to his chest, smoothly rushed through the doorway, Detective Charley Bell lumbering on his heels.

Payne was shouting, "Police! Nobody move! Hands on your head!"

The black male still had his hands raised and now moved them to his head.

Will Curtis, as quickly as he could, complied, too.

They could hear Detective Tony Harris kicking in the back door.

Matt motioned for Charley to go let Tony in, and he hustled down the hall.

Just as Payne said to the black male, "Where's the other guy?" the old man pointed under the stairs and yelled, "Coming out of the basement!"

Payne looked toward the basement entrance in time to see the head of a black male-whose hand was bringing up a black semiautomatic pistol.

The shooter swung the pistol at Payne. But before Matt could squeeze off a shot, Will Curtis stepped between them-and then came three shots from the black male.

Two of the bullets hit Curtis in the left shoulder, the third in his left chest.

As Matt dove for cover at the foot of the steps leading upstairs, he thought, Did he step in the way on purpose?

He did! He took those damn bullets for me!

Matt saw Charley Bell peering around a corner at the back end of the hall. The shooter did, too, and fired three shots at him. Two struck the wall at the corner, sending Sheetrock flying. The third found Bell's forearm.

"Fuck! I'm hit!" he shouted.

Curtis fell forward and grabbed the Glock he'd been told to drop, then remarkably squeezed off five shots in the direction of the shooter.

Then Will Curtis finally collapsed, blood from his wounds beginning to pool around him.

The long-haired black male was now cowering behind Payne, lying flat on the floor against the wall.

Payne carefully looked past the edge of the stairs toward the basement entrance, trying to get a clear line of fire on the shooter.

He saw the entrance but not the shooter.

Sonofabitch!

Keeping low, he stepped into the hallway and moved toward the basement entrance. The worn wooden flooring squeaked under his weight.

"You okay, Charley?" Payne called out.

"Get that sonofabitch, Matt!"

Payne looked back at the black male. He was still cowering against the wall, but now he stared wide-eyed at the old man lying in the pool of blood.

As Payne moved closer to the basement entrance, Tony Harris appeared from around the bullet-pocked corner. He motioned toward the basement, then motioned that he'd cover Matt. Matt nodded.

When Payne got to the top of the stairs, he saw a heavy blood trail leading down the wooden treads.

Will Curtis hit the bastard.

"Police!" Matt yelled down the steps. "Drop your weapons!"

Payne and Harris slowly descended the stairs.

When they reached the bottom, there were two rooms. They cleared the first, then followed the blood trail to the door of the second. A light was on inside it, and when Payne looked around the edge of the door frame, he saw two black males-both dead.

One was on the floor at the end of the heavy blood trail. The shooter had at least one enormous hole through his neck. The semiautomatic 9-millimeter Baretta was still in his right hand. The other dead male was lying on an old twin bed. He had been strangled. Two foot-long plastic zip ties strung end-to-end cut deeply into his bruised neck.

A black duffel bag with stacks of banded cash and clear plastic bags full of pills was on the floor.

Matt and Tony then heard fast footfalls on the wooden flooring above their heads.

Then they heard Charley Bell yell, "Stop! Police!"

Payne exchanged a fast glance with Harris, then bolted up the steps.

At the top, Payne turned toward the open front door as he heard the minivan starting and then its tires spinning as it squealed away.

He looked toward the back of the house and saw Bell standing with what looked like a dirty dish towel wrapped around his left forearm. It was blood-soaked.

"The sonofabitch grabbed the old man's keys," Bell said. "And got his Glock, too!"

Matt looked at the towel.

"I'm okay," Bell said. "Go! Go! Go!"

Matt pointed down the basement stairs.

"Clear the house with Tony," he said.

Then, stepping around the dead body of the old man who'd sacrificed his life for Matt's, Payne was out the door. [FIVE] The first thing Matt Payne saw when he came running out of the row house was a huge, nasty-looking garbage truck. It was stopped right beside the PECO van, and Payne realized that if he didn't run faster to reach the Crown Vic, the truck was going to move up and block him.

As he ran, he yelled "Stop! Police!" to the driver, holding his left-hand palm out, anxiously signaling him to stay put. But after he got in the car and finally had it moving off the sidewalk, he saw the last plastic garbage bag from the corner being tossed into the back of the garbage truck as the truck moved forward.

Matt hammered the heel of his right hand on the horn as he floored the accelerator. Yanking the steering wheel to the right, he had to hop the curb to narrowly miss both the front of the garbage truck and the rear of a parked car.

Payne pursued the Ford minivan as it raced up Richmond Street.

He thought about calling in for backup, but dismissed that immediately.

No police radio. And I'm not about to try juggling my cell right now.

He flipped down the sun visors, then reached down and plugged in the emergency lights and threw the switch for the siren.

Two cars were stopped up ahead, waiting for the traffic light at Allegheny Avenue. He watched as the minivan's brake lights came on for a second, then went off. The van then swung into the oncoming traffic lane to get around the two cars. Then it blew through the red light, cutting a hard right and going down Allegheny Avenue.