The Sarjeant-at-Arms was already on his feet and armoured up, two oversized guns appearing out of nowhere in his hands. The Armourer was up and on his feet only a second later, moving to put himself in front of the Matriarch, protecting her from all harm with his own body. But he hadn't armoured up. Uncle Jack liked Molly. He didn't really believe she would hurt the Matriarch, but he knew his duty. Harry hadn't budged at all. He just sat there, entirely at his ease, watching the drama before him with cheerful detached interest.

I could see this situation going to hell in any number of unfortunate ways, so I grabbed Molly from behind, heaved her over my shoulder, and strode quickly out of the Sanctity. She stiffened ominously for a moment, but didn't struggle, and allowed me to remove her from the scene. Though I was pretty sure I'd be made to pay for the indignity later. Behind us, I could hear the Armourer laughing, and applauding. My back crawled, in anticipation of a bullet from the Sarjeant, but I'd been careful not to provoke him by armouring up. And besides, I didn't think my grandmother would allow the Sarjeant to shoot me in the back. If she ever decided to order my death again, she'd want me to see it coming.

I left the Sanctity behind, and strode nonchalantly through the Hall, Molly still slung over my shoulder.

"Anyone else I'd have turned into a toad," she said casually. "Or something small and squelchy with its testicles floating on the surface."

"Yes," I said. "But I have boyfriend privileges."

"You are pushing it, big time."

"I know," I said. "Next time, you can carry me off."

"I love it when you talk dirty."

After a while I put her down, and we went back to my room at the top of the Hall, and made up. Afterwards, we lay cuddled together on my bed, our clothes scattered everywhere, sweat drying slowly on our naked bodies. I could feel scratches from her fingernails smarting on my back. Molly rested her head on my chest, and made quiet noises of contentment. I let my gaze drift slowly around my room. It wasn't very big, as rooms went, but it was bigger than most in Drood Hall. Even with four extra Wings added on down the years, space was always at a premium. The family gets bigger every year, and every year it gets harder to find somewhere to put us all. In the not too distant future, we're either going to have to expand the Hall again, or move. But no one wants to talk about that, just yet.

The room had all the usual comforts, but little in the way of character. I was never around long enough to stamp my personality on it. Still, it seemed very peaceful, and quiet, just then, so far away from the rest of the family and all their many troubles.

"So," I said finally. "What have you and Isabella been up to?"

"We went to see the Mole," she said, not raising her head. Her lips brushed against my skin. "He's still a rogue; prefers it that way. If he were to rejoin the family, they'd try and make him come home, and he just couldn't. He's been alone too long. He couldn't stand being forced to mix with people again. It would kill him. Anyway, he wasn't comfortable with anyone knowing where his hole was, so he moved. And this time he pulled the hole in after him. Even I don't know where he is now. I can only talk to him via e-mail, bounced back and forth so many times it can never be traced. I figured if anyone knew the truth about what happened to our parents, it would be him. He didn't know, but he thought he knew someone who might. He sent Isabella and me to this small town in the southwest of England, a place called Bradford-on-Avon. To talk to the oldest living human in the world: Carys Galloway, the Waking Beauty."

Molly's story:

Bradford-on-Avon is a really old town. It was the last Celtic town to fall to the invading Saxons in 504 A.D., and there are remains of an Iron Age settlement in the hills above the town. Strange creatures and stranger people live in this small country town, and marvels and wonders can be found there. Along with dark powers and darker secrets. Some of the people who live there have lived there so long they're not even people anymore. And they know things no one else does.

It's a pleasant place. Isabella and I left the train station and just walked around for a while, enjoying the many styles of architecture, from old thatched cottages to seventeenth-century weavers' tenements, from manor houses to futuristic apartments. All of time, crammed together in one place. Reminded me of Drood Hall, a bit. Except the people were a lot friendlier.

The town looks perfectly normal at first, but once we raised our Sight, everything changed. It was as though just the act was enough to push us sideways, into a subtly different realm. We strolled across the thirteenth-century town bridge, over the river Avon, and passed an old stone chapel built into the bridge wall; just big enough to hold one or two people. Something inside threw itself against the confining walls, and a terrible scream filled my head, an inhuman howl of suffering and despair, rising and falling but never ending. Isabella grabbed my arm and hurried us on. I found out later it's called the Howling Thing; one of the really old monsters. Impris oned there centuries ago, and still doing penance. It's doing Time, every damned bit of it.

Wispy, multicoloured sylphs danced across the surface of the river, darting and speeding and leaping high into the air, leaving shimmering sparkling trails behind them. A dozen of them leapt right over the bridge, and when the shimmering trail fell across me, I was briefly touched by pure unadulterated joy. Other things moved on and in the slowly moving dark waters-creatures old and new, and some I would have taken an oath on a pile of grimoires didn't even exist in the material world anymore. There were swans too, proud and majestic, moving unaffected among all the other magical creatures.

In the centre of town we found the memory of old gibbets, from when so many men had been hanged during the old Wool Riots. Ghosts could still be seen, hanging from their gibbets, chatting amiably with each other. They were more than half transparent, colours moving slowly over them like so many soap bubbles, but their presence felt harsh and almost brutal in the clear sunlight. I did offer to release them from the place of their death, and help them move on, but they declined. They weren't trapped in the town; they had chosen to remain, to protect the town and their descendants. A few of them laughed nastily. The town has enemies, they said, laughing nastily. Let them come. Let them all come. Apparently if you stay a ghost long enough, in a place like this, it's amazing how much power you can accumulate. They did offer to demonstrate, but there was something in their voices, and in their laughter… so I declined. I did ask where Isabella and I might find the Waking Beauty, and one of them directed us to an old pub called the Dandy Lion.

We found the place easily enough, right in the middle of town. It had clearly been around for some time. The painted sign above the door featured a lion walking upright, dressed in Restoration finery. It turned its head and winked at us as we passed under it. The oak-panelled doors swung open before us, revealing a carefully main tained old-fashioned ambience, with pleasantly gloomy old-time lighting, and a long bar stocked with every drink under the sun. It wasn't until my eyes adjusted to the gloom that I realised there were flowers growing right out of the wood-panelled walls, their delicate petals pulsing like heartbeats. The music box was playing a Beatles song, but one I'd never heard before. The chairs at the traditional wooden tables politely pulled themselves out so people could sit down. A pack of cards was playing solitaire by itself, and cheating. And behind the long bar, a young woman in authentic sixties hippie gear was just cutting off a Yeti, on the grounds that he got mean when he was drunk. The big hairy creature slouched out of the pub, sulking, shedding hairs all the way.