Yolanda’s eyes had been shut, but they flew open. She appeared to shake off some trance she was in. That was likely another one of her completely spurious performances, Bella thought. The woman was an utter charlatan.
Bella kicked the laundry basket to one side and strode over to the psychic, who was holding her ground. “Did you hear me?” she demanded. “Leave the property this instant or I’ll have you arrested. And stop waving that…that thing in my face.”
Closer to it now, Bella saw that that thing was a collection of pale leaves, rolled tightly and bound up with thin twine. Its smoke was, frankly, not bad smelling, more like incense than tobacco. But that was hardly the point.
“Black as the night,” was Yolanda’s reply. Her eyes looked odd, and Bella wondered if the woman was high on drugs. “Black as the night and the sun, the sun.” Yolanda waved her stick of smoking whatever-it-was directly in Bella’s face. “Ooze from the windows. Ooze from the doors. Purity is needed or the evil within-”
“Oh for God’s sake,” Bella snapped. “Don’t pretend you’re here for anything other than causing trouble.”
Yolanda continued to wave the smoking object like a priestess in the performance of an arcane rite. Bella grabbed her arm and attempted to hold it in place. She was surprised to find the psychic was quite strong, and for a moment they stood there like two ageing female wrestlers, each trying to throw the other to the mat. Bella finally won, for which she was thankful as it did her good to see that her hours of yoga and athletic training were doing something besides lengthening her life on this miserable planet. She mastered Yolanda’s arm, lowered it, and knocked the green cigar from her hand. She stamped upon it till it was extinguished while Yolanda moaned, mumbled, and murmured about God, purity, evil, black, the night, and the sun.
“Oh, stop your nonsense.” Yolanda’s arm still in her grasp, Bella began to march her towards the gate.
Yolanda, however, had other things on her mind. She put on the metaphorical brakes. Legs as stiff as a two-year-old’s in the midst of a tantrum, she planted herself firmly and would not be budged.
“This is a place of evil,” she hissed. To Bella, the woman’s expression looked wild. “If you won’t purify, then you must leave. What happened to her will happen again. All of you are in danger.”
Bella rolled her eyes.
“Listen to me!” Yolanda cried. “He died within, and when that happens in a place of abode-”
“Oh rubbish. Stop pretending you’re here to do anything other than spy and cause trouble. Which you’ve done from the first and don’t deny it. What do you want now? Who do you want now? Looking to talk someone else out of living here? Well, there’s no one else yet. Are you satisfied? Now, get the hell-Be gone before I phone the police.”
It seemed that the idea of police finally got through. Yolanda immediately stopped resisting and allowed herself to be propelled towards the gate. But still she nattered on about death and the need for a ritual of purification. Bella was able to determine from Yolanda’s rambling that all of this was due to the untimely passing of Mr. McHaggis, and truth to tell, the fact that Yolanda seemed to know about McHaggis’s death inside the house did give Bella pause. But she shook off the pause-because, obviously, Jemima could have told her about McHaggis’s death since Bella herself had mentioned it more than once-and with no further conversation between them, she directed Yolanda from the property to the pavement.
There, Yolanda said, “Heed my warning.”
To which Bella said, “You bloody heed mine. Next time you show your face round here, you’ll be explaining your presence to the coppers. Understand? Now scarper.”
Yolanda started to speak. Bella made a threatening movement towards her. That apparently did it, because she hustled down the pavement in the direction of the river. Bella waited till she disappeared round the corner into Putney Bridge Road. Then she went back to what she’d intended to do. She grabbed the laundry basket and approached the serried rank of rubbish bins with their neat labels upon them.
It was in the Oxfam bin that she found it. Later she would think what a miracle it was that she’d opened that particular bin at all, for she emptied the Oxfam bin least often, as items for Oxfam were tossed away infrequently by herself, by residents of her house, and by people who lived nearby. As it was, she had nothing to deposit in the Oxfam bin on this day. She merely removed its lid to take note of when it was likely to need emptying. The newspaper bin was itself nearly full and the plastics bin was likewise; the glass bins were fine-separating green from brown from clear kept them from filling too quickly-and since she was looking at the bins in general, she’d gone on to the Oxfam bin as a matter of course.
The handbag was buried beneath a jumble of clothing. Bella had removed this with a curse about people’s enduring laziness as evidenced by the fact that they couldn’t be bothered to fold what they wished to have carted off to the charity and she was about to fold it all herself, item by item, when she saw the handbag and recognised it.
It was Jemima’s. There was no doubt about it, and even if there had been doubt, Bella scooped it up and opened it and there inside were Jemima’s purse, her driving licence, her address book, and her mobile phone. There were other bits and bobs as well, but these didn’t matter as much as the fact that Jemima had died in Stoke Newington where she’d no doubt had her handbag with her, and here it was now in Putney, as large as the life she no longer possessed.
There was no question in Bella’s mind what she had to do about this sudden discovery. She was headed for the front door with the handbag in her grasp when the front gate opened behind her and she turned, expecting to see Yolanda’s stubborn return. But it was Paolo di Fazio coming through, and when his eyes lit on the handbag that Bella was carrying, she saw from his expression that, like her, he knew exactly what it was.
BY RETURNING TO St. Thomas’ Hospital and remaining there for most of the previous night to await word on Yukio Matsumoto’s condition, Isabelle had managed to put off the meeting with AC Hillier. Since he’d instructed her to deliver herself to his office upon her return to the Yard, she’d decided merely not to return to the Yard until long after the assistant commissioner had vacated Tower Block for the night. This would give her time to sort through what had happened in order to be able to speak clearly about it.
That plan had worked. It had also allowed her to be first in line to know what was going on with the violinist’s condition. This was simple enough: He remained in a coma throughout the night. He was not out of danger, but the coma was artificial, induced to allow the brain time to recover. Had she been given suzerainty in this situation, Yukio Matsumoto would have been brought round and then thoroughly questioned once he’d emerged from the operating theatre. As it was, the most she was able to manage was a police guard in the vicinity of intensive care to make certain the man didn’t suddenly regain consciousness on his own, realise the depth of the trouble he was in, and do a runner. It was, she knew, a laughable possibility. He was in no condition to go anywhere. But appropriate procedure had to be followed, and she was going to follow appropriate procedure.
She believed she had done so from the first. Yukio Matsumoto was a suspect; his own brother had identified him from an e-fit in the newspaper. It was not down to her that the man had panicked and had tried to outrun the police. Besides that, as things turned out, he was in possession of what had to be the murder weapon, and when his clothing and his shoes had undergone analysis along with the weapon, there were going to be blood splatters somewhere upon them-no matter how minute and no matter how he’d tried to clean them-and those blood spatters would belong to Jemima Hastings.