Michele Daugherty frowned. “What’s that you say?”

“I stopped to see him on my way home this afternoon. Chief Superintendent Whiting. I told him what you’d discovered about Gina Dickens. And I’d already told him about Gordon. I’d been to talk to him about Gordon earlier. Before I came to you, in fact. I’d tried to interest him in what was going on, but-”

“You’re not understanding me, my dear,” Michele Daugherty said. “Chief Superintendent Whiting came to see me this morning. Not an hour after you left me. I’d begun my search but I’d not got far. I’d not even rung the local police. Or any police for that matter. Did you ring him and tell him I was investigating? Before you saw him this afternoon?”

Meredith shook her head. She began to feel ill.

Michele lowered her voice. “Do you see what this means?”

Meredith had an idea but she didn’t particularly want to give it voice. She said, “You’d only begun the process when he showed up? What does that mean, exactly?”

“It means I went into the national data banks. It means that somehow entering Gordon Jossie’s name into those national data banks set off bells and whistles somewhere and brought Chief Superintendent Whiting on the run to my doorstep. It means there’s far more here than meets the eye. It means I can’t help you further.”

BARBARA HAVERS DROVE directly to Gordon Jossie’s holding, arriving there in late afternoon and without being intercepted by a phone call from Isabelle Ardery, for which she thanked her lucky stars. She only hoped that DI Lynley would run interference for her with the acting superintendent when it came to light that Barbara had taken herself to Hampshire. If he did not, her goose was in the oven.

No cars were in the drive that ran alongside the cottage. Barbara parked and knocked on the cottage’s back door for good measure although she reckoned no one was at home, which turned out to be the case. No matter, she thought. Time to have a look round. She took herself over to the barn and tried its vast sliding door. It was conveniently unlocked. She left it ajar to give herself some light.

It was cool within, and musty smelling, a combination of stone, dust, and cob. The first thing she saw was an ancient car, two tones of colour on it in the fashion of the 1950s. It was in pristine condition and looked as if someone came out to the barn to dust it every day. Barbara went to have a closer look. A Figaro, she saw. Italian? Inspector Lynley would know, car buff that he was. She herself had never seen a vehicle like it. It wasn’t locked, so she checked it over, stem to stern, beneath the seats and in the glove box as well. There was nothing of interest.

The Figaro was parked towards the back of the building, to give clear access to the rest of the barn. This space contained any number of unsealed crates, which Barbara reckoned had to do with Gordon Jossie’s employment. She went to them next.

There were crooks galore, she found. This was unsurprising since they were a principal element of thatching. It wasn’t rocket science to work out how they were used either. The hooked end did just that: It hooked over one end of a bunched collection of reeds and held them in place. The pointed end got pounded into the rafters beneath. When it came to murder, the use of the crook was equally simple to sort out. The hooked end was the handle and the pointed end did the business on the victim.

What was interesting about the crooks that Jossie had was that they were not all the same. Among the wooden boxes, three contained crooks but in each of the boxes the crooks were slightly different. This difference had to do with the business end of the tool: Each pointed tip had been created differently. In one box, the points had been fashioned as a diagonal cut. In another, the points had been created by turning and pounding the iron four times upon taking the crook from the blacksmith’s fire. In the third, a smoother point had been achieved by rolling the iron when it was molten. The end was the same in each case, but the means of getting there apparently formed the blacksmith’s signature. For a city denizen like Barbara, the fact that these implements were made by hand in this day and age was nothing short of remarkable. Seeing them was like stepping back in time. But then, she reckoned, so was seeing thatched roofs.

She needed to ring Winston. He was likely in the incident room at this time of day, and he could have a close look at the photo of the murder weapon and tell her how the point was shaped. That wouldn’t sign, seal, and deliver anyone’s guilt in the matter of Jemima’s death, but at least it would let them know whether Jossie’s crooks here in his barn bore any resemblance to the one that was used on his former lover.

She headed towards the barn door to fetch her mobile from her car. Outside, she heard the sound of a vehicle in the drive, the quick slam of a door, and the barking of a dog. It seemed that Gordon Jossie had just arrived home from his workday. He wouldn’t be happy to find her prowling round his barn.

She was right in that. Jossie came striding towards her and despite the baseball cap that shaded part of his face, Barbara could see from the ruddiness of the rest of his complexion that he was not pleased.

“What the hell are you doing?”

“Nice supply of crooks you’ve got in there,” she replied. “Where d’you get them?”

“What difference does that make?”

“Amazing that they’re still made by hand. Cos they are, aren’t they? I’d reckon at this point someone would be manufacturing them, what with the Industrial Revolution having come along. Can’t you get them from China or somewhere? India maybe? Someone’s got to be turning them out in masses.”

The golden retriever-absolutely worthless as a guard dog-had apparently recognised her from her earlier visit to the holding. The dog leapt up and licked her cheek. Barbara patted her on the head.

“Tess!” Jossie said. “Down! Get away!”

“S’okay,” Barbara said. “I generally prefer men, but in a pinch a female dog will do.”

“You didn’t answer me,” Jossie said.

“Makes us even. You didn’t answer me either. Why’re the crooks made by hand?”

“Because the others are crap and I don’t work with crap. I take pride in my work.”

“We have that in common.”

He wasn’t amused. “What do you want?”

“Who d’you get them off? Someone local?”

“One’s local. The others are from Cornwall and Norfolk. You need more than one supplier.”

“Why?”

“The obvious. You need masses of them to do a roof and you can’t get caught short in the middle of a job. Are you going to tell me why we’re talking about crooks?”

“I’m thinking of a career change.” Barbara went to the Mini and fetched her bag. She dug out her Players and said, “Mind?” to Jossie. She offered him one but he refused. She lit her own and observed him. All of this gave her time to consider what it actually meant that, when long came to short, he was asking her as much about the crooks as she was asking him. He was either very clever or he was very something else. Innocent of the crime came to mind. But she’d seen enough of the criminal element to know that the criminal element was the criminal element because it had been quite successful at being the criminal element. Talking to one of their sort was like dancing in one of those Regency costume dramas on the telly: One had to know the proper steps and in which order one was supposed to make them.

“Where’s your lady friend?” Barbara asked him.

“I’ve no idea.”

“Moved out, has she?”

“I didn’t say that. You c’n see for yourself that her car’s not here, so-”

“Jemima’s is, though. That’s hers in the barn, isn’t it?”

“She left it here.”

“Why?”

“Haven’t a clue. I assume she meant to come back for it when she had a use for it or a place to keep it. She didn’t tell me, and I didn’t ask.”