"I thought you could use a little respite from this nightmare. If I’d told you when we first got in the car, you would have been worrying about it all the way home. Am I wrong?"

"How long has it been there?"

"Awhile," he answered. "There was dust on it, so it’s been there for some time, at least a week or two, but I can’t tell you exactly how many days and nights. The serial number was filed off."

"Don’t ever hold back information again. All right? When you hear something new, you tell me right away."

"We’re going to be living together. I’ll tell you everything."

"Until death do us part?" she asked sarcastically, but her sarcasm was tinged with fear.

"No, until we catch him."

She released her grip on his arm. "I’m sorry I snapped at you. You did warn me. You told me he’d been in my house and that he’d watched me sleep. He’s seen me…"

She didn’t go on. She turned to look out the window so he wouldn’t see how shaken she was. She pictured herself getting dressed and undressed. Some nights when the air conditioner wasn’t cooling sufficiently, she’d slept in the nude. And all of it was on tape.

She looked down at her lap and saw that she’d broken the hair clip. "I feel like I’ve done something I should be ashamed of. There were nights when I didn’t feel like wearing a nightgown. It was hot," she defended.

"What you do in the privacy of your own bedroom…"

"But that’s just it," she cried out. "I haven’t done anything. I slept. That’s all. I certainly haven’t been entertaining any men, but what if I had? God, this is so sick."

"Laurant-"

"Don’t you dare say it."

"Say what?"

"That it isn’t too late for me to change my mind."

He pulled over to the side of the road, put the car in park, and then nodded toward the sign to the right. It was the Holy Oaks city limit.

"Are you giving me one last chance to change my mind?" she asked.

"No."

"Then why did you stop?"

"To tell you that you’ve got to stop freaking out every time you hear something… unpleasant. There are going to be some surprises, and I’m going to try my damnedest to anticipate, but you’ve got to… handle it. You understand? I can’t be worried about how you’re reacting and try to put you back together every time you-"

She put her hand on his arm, gently this time. "I promise. I won’t freak out. At least I’ll try not to."

He could hear the determination in her voice, see it in her eyes. "You’ve got guts," he said as he changed gears and pulled out onto the highway.

She was suddenly cold. She turned the air conditioner down and rubbed her arms. "Did they find the tape? Was it in the camera? Those tapes don’t last very long, do they? Just a couple of hours. How did he change it? Has he been going back and forth into my house… my bedroom? If he has, he’s been taking quite a risk of being seen."

"The camera’s operated with a transmitter, which means he’s watching your bedroom on a monitor somewhere. I’ll show it to you when we get there. It’s a fairly simple motion sensitive device." He added, frowning, "High school stuff really-and that’s what bothers me about it. Whoever set up the equipment wasn’t a pro, but he got the job done."

"Why does that bother you?"

"It just doesn’t seem very clever for our boy," he explained. "Like I said, it isn’t high-tech, and our unsub seems like the kind who would go to great lengths to make it slick… perfect. His goal is to impress us."

"And you weren’t impressed."

"Exactly."

Nodding, she turned to look out the window again. "We’re almost home."

Nick turned left onto Assumption Road, a two-lane highway. Someone had partially blackened the road sign with paint so that only the first three letters, A-s-s, were visible. Nick grinned when he saw it.

"The high school kids do that at least once a year," she explained. "They think it’s funny."

"It is funny."

"Then you probably watch the Simpsons on television, don’t you?"

"I never miss it."

"I don’t either," she admitted. "Messing with the sign makes the abbot furious. Disrespectful and all that. Are we going home first, or do you want to go to the lake to see Jules Wesson? Tommy told me he arranged for the agents to use the abbot’s cabin."

"Let’s go check in with Wesson first. I turn on Oak Street, don’t I?"

"Yes. You’d make a left on Oak if you were going to my house and a right to get to the lake."

The twin steeples of Assumption Abbey rose up in the distance. The gothic structure had been built on top of a hill overlooking the pristine little town. It was magnificent. The drab grayness of the massive stone edifice was intermittently broken by brilliant stained glass windows, and a long, winding path led up to the doors.

Nick slowed the car as he drove past the wrought iron fence that surrounded the property. There were giant oaks everywhere. They clustered protectively against the north and south sides of the structure, like flying buttresses strengthening the outside walls.

"It looks like a cathedral," he remarked softly, as though they were inside the church now.

"The renovation has been going on for a long time. It’s become a town project to raise funds to restore it," she said. "It’s almost finished," she added, "… the main church anyway. The chapel still needs work. We’ll have to come up here and walk around. The gardens are beautiful this time of year."

"Which came first? The chicken or the egg?"

She understood what he was asking. "Assumption Abbey was founded by an order of priests from Belgium, and it was here long before the town developed. Our population is quite diverse. There was an influx of immigrants after World War II."

"Why would they come all the way to Holy Oaks, Iowa?"

"Didn’t Tommy tell you anything about the history of this town?"

"No, he didn’t."

"The immigrants followed Father Henri VanKirk. He died last year. I wish I could have known him. He was an incredible man. During the war, he helped countless numbers of families escape the Germans, but he was eventually captured and tortured by the Nazis. When he was finally released, he came to America, and his superiors sent him here to heal. Quite a few of the families he had helped had lost everything, and they followed him. They rebuilt their lives and made Holy Oaks their home."

"After Father VanKirk died, the abbot found his journals. He thought they would offer inspiration to people, and so he decided to have them all translated into English. Everyone’s been so busy getting ready for the anniversary celebration, there hasn’t been time, but as soon as it’s over, I’m supposed to begin the translation and save it all on the computer."

"Is Father VanKirk buried here?"

"Yes, he is. There’s a cemetery on the other side of the abbey. Magnificent oak trees, bigger than the ones you see beside the church, circle the grounds…"

"And that’s why this place is called Holy Oaks, right?"

She smiled. "Right. They protect the ground where the angels sleep."

Nick nodded. "Where the angels sleep. I like that."

"What do you think of the town? It’s pretty, isn’t it?"

White clapboard houses lined the paved brick streets. The streetlights looked like old-fashioned gas lights. Nick knew they were electric. Still, they were a nice touch and made the town all the more quaint.

"Holy Oaks reminds me of a New England town. It’s got that kind of charm. Does your house have a white picket fence?"

"No, but my neighbor’s does."

They reached the stop sign on Oak. Nick turned right and headed down another tree-lined street. The branches formed a canopy from one side to the other. "I feel like I’m in a time warp. I keep expecting to see Richie Cunningham driving down the street in a ‘57 Chevy convertible."

"He lives two blocks over," she teased.