“I must see about his clothes,” she said to Imogen; “I can’t have him going up to Oxford all anyhow. Those boys are so particular.”

“Val’s got heaps of things,” Imogen answered.

“I know; but they want overhauling. I hope he’ll come.”

“He’ll come like a shot, Mother. But he’ll probably skew his Exam.”

“I can’t help that,” said Winifred. “I want him.”

With an innocent shrewd look at her mother’s face, Imogen kept silence. It was father, of course! Val did come ‘like a shot’ at six o’clock.

Imagine a cross between a pickle and a Forsyte and you have young Publius Valerius Dartie. A youth so named could hardly turn out otherwise. When he was born, Winifred, in the heyday of spirits, and the craving for distinction, had determined that her children should have names such as no others had ever had. (It was a mercy—she felt now—that she had just not named Imogen Thisbe.) But it was to George Forsyte, always a wag, that Val’s christening was due. It so happened that Dartie, dining with him a week after the birth of his son and heir, had mentioned this aspiration of Winifred’s.

“Call him Cato,” said George, “it’ll be damned piquant!” He had just won a tenner on a horse of that name.

“Cato!” Dartie had replied—they were a little ‘on’ as the phrase was even in those days—“it’s not a Christian name.”

“Halo you!” George called to a waiter in knee breeches. “Bring me the Encyc’pedia Brit. from the Library, letter C.”

The waiter brought it.

“Here you are!” said George, pointing with his cigar: “Cato Publius Valerius by Virgil out of Lydia. That’s what you want. Publius Valerius is Christian enough.”

Dartie, on arriving home, had informed Winifred. She had been charmed. It was so ‘chic.’ And Publius Valerius became the baby’s name, though it afterwards transpired that they had got hold of the inferior Cato. In 1890, however, when little Publius was nearly ten, the word ‘chic’ went out of fashion, and sobriety came in; Winifred began to have doubts. They were confirmed by little Publius himself who returned from his first term at school complaining that life was a burden to him—they called him Pubby. Winifred—a woman of real decision—promptly changed his school and his name to Val, the Publius being dropped even as an initial.

At nineteen he was a limber, freckled youth with a wide mouth, light eyes, long dark lashes; a rather charming smile, considerable knowledge of what he should not know, and no experience of what he ought to do. Few boys had more narrowly escaped being expelled—the engaging rascal. After kissing his mother and pinching Imogen, he ran upstairs three at a time, and came down four, dressed for dinner. He was awfully sorry, but his ‘trainer,’ who had come up too, had asked him to dine at the Oxford and Cambridge; it wouldn’t do to miss—the old chap would be hurt. Winifred let him go with an unhappy pride. She had wanted him at home, but it was very nice to know that his tutor was so fond of him. He went out with a wink at Imogen, saying: “I say, Mother, could I have two plover’s eggs when I come in?—cook’s got some. They top up so jolly well. Oh! and look here—have you any money?—I had to borrow a fiver from old Snobby.”

Winifred, looking at him with fond shrewdness, answered:

“My dear, you are naughty about money. But you shouldn’t pay him to-night, anyway; you’re his guest. How nice and slim he looked in his white waistcoat, and his dark thick lashes!”

“Oh, but we may go to the theatre, you see, Mother; and I think I ought to stand the tickets; he’s always hard up, you know.”

Winifred produced a five-pound note, saying:

“Well, perhaps you’d better pay him, but you mustn’t stand the tickets too.”

Val pocketed the fiver.

“If I do, I can’t,” he said. “Good-night, Mum!”

He went out with his head up and his hat cocked joyously, sniffing the air of Piccadilly like a young hound loosed into covert. Jolly good biz! After that mouldy old slow hole down there!

He found his ‘tutor,’ not indeed at the Oxford and Cambridge, but at the Goat’s Club. This ‘tutor’ was a year older than himself, a good-looking youth, with fine brown eyes, and smooth dark hair, a small mouth, an oval face, languid, immaculate, cool to a degree, one of those young men who without effort establish moral ascendancy over their companions. He had missed being expelled from school a year before Val, had spent that year at Oxford, and Val could almost see a halo round his head. His name was Crum, and no one could get through money quicker. It seemed to be his only aim in life—dazzling to young Val, in whom, however, the Forsyte would stand apart, now and then, wondering where the value for that money was.

They dined quietly, in style and taste; left the Club smoking cigars, with just two bottles inside them, and dropped into stalls at the Liberty. For Val the sound of comic songs, the sight of lovely legs were fogged and interrupted by haunting fears that he would never equal Crum’s quiet dandyism. His idealism was roused; and when that is so, one is never quite at ease. Surely he had too wide a mouth, not the best cut of waistcoat, no braid on his trousers, and his lavender gloves had no thin black stitchings down the back. Besides, he laughed too much—Crum never laughed, he only smiled, with his regular dark brows raised a little so that they formed a gable over his just drooped lids. No! he would never be Crum’s equal. All the same it was a jolly good show, and Cynthia Dark simply ripping. Between the acts Crum regaled him with particulars of Cynthia’s private life, and the awful knowledge became Val’s that, if he liked, Crum could go behind. He simply longed to say: “I say, take me!” but dared not, because of his deficiencies; and this made the last act or two almost miserable. On coming out Crum said: “It’s half an hour before they close; let’s go on to the Pandemonium.” They took a hansom to travel the hundred yards, and seats costing seven-and-six apiece because they were going to stand, and walked into the Promenade. It was in these little things, this utter negligence of money that Crum had such engaging polish. The ballet was on its last legs and night, and the traffic of the Promenade was suffering for the moment. Men and women were crowded in three rows against the barrier. The whirl and dazzle on the stage, the half dark, the mingled tobacco fumes and women’s scent, all that curious lure to promiscuity which belongs to Promenades, began to free young Val from his idealism. He looked admiringly in a young woman’s face, saw she was not young, and quickly looked away. Shades of Cynthia Dark! The young woman’s arm touched his unconsciously; there was a scent of musk and mignonette. Val looked round the corner of his lashes. Perhaps she was young, after all. Her foot trod on his; she begged his pardon. He said:

“Not at all; jolly good ballet, isn’t it?”

“Oh, I’m tired of it; aren’t you?”

Young Val smiled—his wide, rather charming smile. Beyond that he did not go—not yet convinced. The Forsyte in him stood out for greater certainty. And on the stage the ballet whirled its kaleidoscope of snow-white, salmon-pink, and emerald-green and violet and seemed suddenly to freeze into a stilly spangled pyramid. Applause broke out, and it was over! Maroon curtains had cut it off. The semi-circle of men and women round the barrier broke up, the young woman’s arm pressed his. A little way off disturbance seemed centring round a man with a pink carnation; Val stole another glance at the young woman, who was looking towards it. Three men, unsteady, emerged, walking arm in arm. The one in the centre wore the pink carnation, a white waistcoat, a dark moustache; he reeled a little as he walked. Crum’s voice said slow and level: “Look at that bounder, he’s screwed!” Val turned to look. The ‘bounder’ had disengaged his arm, and was pointing straight at them. Crum’s voice, level as ever, said: