Had he not condemned her to avoid condemning himself?

Endlessly he paced his sitting room, searching his soul and his hurt pride. Suppose she was what she had represented herself to be—a sinner, certainly, but also a woman of exceptional courage, refusing to turn her back on her sin? And now finally weakened in her terrible battle with her past and crying for help?

Why had he allowed Grogan to judge her for him?

Because he was more concerned to save appearances than his own soul. Because he had no more free will than an ammonite. Because he was a Pontius Pilate, a worse than he, not only condoning the crucifixion but encouraging, nay, even causing—did not all spring from that second meeting, when she had wanted to leave, but had had discussion of her situation forced upon her?—the events that now led to its execution.

He opened the window again. Two hours had passed since he had first done so. Now a faint light spread from the east. He stared up at the paling stars.

Destiny.

Those eyes.

Abruptly he turned.

If he met Grogan, he met him. His conscience must explain his disobedience. He went into his bedroom. And there, with an outward sour gravity reflecting the inward, self-awed and indecipherable determination he had come to, he began to change his clothes.

The sun was just redly leaving the insubstantial dove-gray waves of the hills behind the Chesil Bank when Charles, not dressed in the clothes but with all the facial expression of an undertaker’s mute, left the doors of the White Lion. The sky was without cloud, washed pure by the previous night’s storm and of a deliciously tender and ethereal blue; the air as sharp as lemon-juice, yet as clean and cleansing. If you get up at such an hour in Lyme today you will have the town to yourself. Charles, in that earlier-rising age, was not quite so fortunate; but the people who were about had that pleasant lack of social pretension, that primeval classlessness of dawn population: simple people setting about their day’s work. One or two bade Charles a cheery greeting; and got very peremptory nods and curt raisings of the ashplant in return. He would rather have seen a few symbolic corpses littering the streets than those bright faces; and he was glad when he left the town behind him and entered the lane to the Undercliff.

But his gloom (and a self-suspicion I have concealed, that his decision was really based more on the old sheepstealer’s adage, on a dangerous despair, than on the nobler movings of his conscience) had an even poorer time of it there; the quick walking sent a flood of warmth through him, a warmth from inside complemented by the warmth from without brought by the sun’s rays. It seemed strangely distinct, this undefiled dawn sun. It had almost a smell, as of warm stone, a sharp dust of photons streaming down through space. Each grass-blade was pearled with vapor. On the slopes above his path the trunks of the ashes and sycamores, a honey gold in the oblique sunlight, erected their dewy green vaults of young leaves; there was something mysteriously religious about them, but of a religion before religion; a druid balm, a green sweetness over all… and such an infinity of greens, some almost black in the further recesses of the foliage; from the most intense emerald to the palest pomona. A fox crossed his path and strangely for a moment stared, as if Charles was the intruder; and then a little later, with an uncanny similarity, with the same divine assumption of possession, a roe deer looked up from its browsing; and stared in its small majesty before quietly turning tail and slipping away into the thickets. There is a painting by Pisanello in the National Gallery that catches exactly such a moment: St. Hubert in an early Renaissance forest, confronted by birds and beasts. The saint is shocked, almost as if the victim of a practical joke, all his arrogance dowsed by a sudden drench of Nature’s profound-est secret: the universal parity of existence.

It was not only these two animals that seemed fraught with significance. The trees were dense with singing birds-blackcaps, whitethroats, thrushes, blackbirds, the cooing of woodpigeons, filling that windless dawn with the serenity of evening; yet without any of its sadness, its elegaic quality. Charles felt himself walking through the pages of a bestiary, and one of such beauty, such minute distinctness, that every leaf in it, each small bird, each song it uttered, came from a perfect world. He stopped a moment, so struck was he by this sense of an exquisitely particular universe, in which each was appointed, each unique. A tiny wren perched on top of a bramble not ten feet from him and trilled its violent song. He saw its glittering black eyes, the red and yellow of its song-gaped throat—a midget ball of feathers that yet managed to make itself the Announcing Angel of evolution: I am what I am, thou shall not pass my being now. He stood as Pisanello’s saint stood, astonished perhaps more at his own astonishment at this world’s existing so close, so within reach of all that suffocating banality of ordinary day. In those few moments of defiant song, any ordinary hour or place—and therefore the vast infinity of all Charles’s previous hours and places—seemed vulgarized, coarsened, made garish. The appalling ennui of human reality lay cleft to the core; and the heart of all life pulsed there in the wren’s triumphant throat.

It seemed to announce a far deeper and stranger reality than the pseudo-Linnaean one that Charles had sensed on the beach that earlier morning—perhaps nothing more original than a priority of existence over death, of the individual over the species, of ecology over classification. We take such priorities for granted today; and we cannot imagine the hostile implications to Charles of the obscure message the wren was announcing. For it was less a profounder reality he seemed to see than universal chaos, looming behind the fragile structure of human order.

There was a more immediate bitterness in this natural eucharist, since Charles felt in all ways excommunicated. He was shut out, all paradise lost. Again, he was like Sarah—he could stand here in Eden, but not enjoy it, and only envy the wren its ecstasy.

He took the path formerly used by Sarah, which kept him out of sight of the Dairy. It was well that he did, since the sound of a pail being clattered warned him that the dairyman or his wife was up and about. So he came into the woods and went on his way with due earnestness. Some paranoiac transference of guilt now made him feel that the trees, the flowers, even the inanimate things around him were watching him. Flowers became eyes, stones had ears, the trunks of the reproving trees were a numberless Greek chorus.

He came to where the path forked, and took the left branch. It ran down through dense undergrowth and over increasingly broken terrain, for here the land was beginning to erode. The sea came closer, a milky blue and infinitely calm. But the land leveled out a little over it, where a chain of small meadows had been won from the wilderness; a hundred yards or so to the west of the last of these meadows, in a small gulley that eventually ran down to the cliff-edge, Charles saw the thatched roof of a barn. The thatch was mossy and derelict, which added to the already forlorn appearance of the little stone building, nearer a hut than its name would suggest. Originally it had been some grazier’s summer dwelling; now it was used by the dairyman for storing hay; today it is gone without trace, so badly has this land deteriorated during the last hundred years.